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Krebs presents a theory of metrical conflict and applies it to the music of Schumann, thereby placing the composer's distinctive metrical style in full focus. He describes the various categories of metrical conflict that characterize Schumann's work, investigates how states of conflict are introduced and then manipulated and resolved in the compositions, and studies the interaction of such metrical conflict with form, pitch structure, and text.
Robert Schumann is one of the most intriguing-and enigmatic-composers of the nineteenth century. Extraordinarily gifted in both music and literature, many of his compositions were inspired by poetry and novels. For much of his life he was better known as a music critic than as a composer. But whether writing as critic or composer, what he produced was created by him as a reflection of his often turbulent life. Best known was the tempestuous courtship of his future wife, the pianist Clara Wieck. Though marriage and family life seemed to provide a sense of constancy, he increasingly experienced periods of depression and instability. Mounting criticism of his performance as music director at Dusseldorf led to his attempted suicide in 1854. Schumann was voluntarily committed to an insane asylum near Bonn where, despite indications of improvement and dissatisfaction with his treatment, he spent the final two years of his life. Drawing on original research and newly published letters and journals from the time, author Eric Frederick Jensen presents a balanced portrait of the composer with both scholarly authority and engaging clarity. Biographical chapters alternate with discussion of Schumann's piano, chamber, choral, symphonic, and operatic works, demonstrating how the circumstances of his life helped shape the music he wrote. Chronicling the romance of Robert and Clara, Jensen offers a nuanced look at the evolution of their relationship, one that changed dramatically after marriage. He also follows Schumann's creative musical criticism, which championed the burgeoning careers of Chopin, Liszt, and Brahms and challenged the musical tastes of Europe.
A study on the influence which the German novelist Jean Paul Friedrich Richter had upon Robert Schumann's music.
This collection includes: * Opus 1, Sonata in C major * Opus 2, Sonata in F# major * Opus 4, Scherzo in E-flat major * Opus 5, Sonata in F minor * Opus 9, Variations on a Theme by Robert Schumann * Opus 10, Ballades, No. 1 in D minor, No. 2 in D major, No. 3 in B major, and No. 4 in B minor * Opus 21, No. 1, Variations on a Theme by the Composer * Opus 21, No. 2, Variations on a Hungarian Song * Opus 24, Variations and Fugue on a theme by Handel
In Hidden Fields, Book 4, author Charles gets a chance to share his feelings and thoughts in a personal way. He presents themes of Friends, Friendships, Romance, and Love with respects to choices. Charles writes in the spirit of poetry from his heart revealing his experiences one after another in great detail. He was inspired by his everyday experiences from lessons he had learned and lived, too. Many of these experiences, their lessons, were not always clear and evidential, some were after the fact; nonetheless, he gained a wealth of knowledge about others and himself. In hindsight, he believes that human beings are all evolving and unfolding in their own uniqueness, genetic make-up, from experience to experience, lesson to lesson, and realization to realization. All human beings are gifted, and blessed to have volition to make better choices in their lives. Charles believed that soon like himself, that human beings will reach for more insightfulness in their choices; thus, to grasp some sense of wisdom within the best of their choices. For Charles, choices continue to have a profound effect on his life as he faces himself in the light of the unknown and progressive future.
A detailed study of the life of one of the most important and influential musical figures of the nineteenth century.
Forced by a hand injury to abandon a career as a pianist, Robert Schumann went on to become one of the world's great composers. Among many works, his Spring Symphony (1841), Piano Concerto in A Minor (1841/1845), and the Third, or Rhenish, Symphony (1850) exemplify his infusion of classical forms with intense, personal emotion. His musical influence continues today and has inspired many other famous composers in the century since his death. Indeed Brahms, in a letter of January 1873, wrote: "The remembrance of Schumann is sacred to me. I will always take this noble pure artist as my model." Now, in Robert Schumann: Herald of a "New Poetic Age," John Daverio presents the first comprehensive study of the composer's life and works to appear in nearly a century. Long regarded as a quintessentially romantic figure, Schumann also has been portrayed as a profoundly tragic one: a composer who began his career as a genius and ended it as a mere talent. Daverio takes issue with this Schumann myth, arguing instead that the composer's entire creative life was guided by the desire to imbue music with the intellectual substance of literature. A close analysis of the interdependence among Schumann's activities as reader, diarist, critic, and musician reveals the depth of his literary sensibility. Drawing on documents only recently brought to light, the author also provides a fresh outlook on the relationship between Schumann's mental illness--which brought on an extended sanitarium stay and eventual death in 1856--and his musical creativity. Schumann's character as man and artist thus emerges in all its complexity. The book concludes with an analysis of the late works and a postlude on Schumann's influence on successors from Brahms to Berg. This well-researched study of Schumann interprets the composer's creative legacy in the context of his life and times, combining nineteenth-century cultural and intellectual history with a fascinating analysis of the works themselves.