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22 classical and traditional pieces arranged for equal Bb clarinet and alto sax. players of intermediate standard. There are a few easier pieces but most explore the range of notes and techniques expected of players that are Grades 4-6, and some are quite tricky! The pieces are arranged for players of equal standard, so each player gets to play the tune!The clarinet part requires some fluency across the break. The sax part ventures to low B. Most are in easy keys. There are 22 pieces in the book, some are longer, but most are short - one page, several are two or three pages. I've tried to be as varied as possible and have included both classical and traditional tunes, slow and fast pieces, easy and difficult, ones to play straight away and others to work on, but I hope you find them all enjoyable and fun. Arrangements include extracts from: Beethoven's Für Elise, Prokofiev's The Duck from Peter and the Wolf, Dvorák's Humoresque, Holst's Jupiter from The Planets, Loch Lomond, Grieg's Morning from Peer Gynt, Elgar's March from Pomp and Circumstance, Chopin's Prelude Op.28, Boccherini's Minuet, Bizet's Air de Toréador from Carmen, Beethoven's Minuet in G, Glinka's Intermezzo, Tchaikovsky's Andante Cantabile from Symphony No.5 , Brahms' Waltz Op.39 and more, some of which I expect you're unlikely to know because I wanted to include an element of musical exploration and adventure. Have fun!Look out for music arranged for mixed instruments: Flute, Clarinet, Bassoon, Oboe, Saxophone, Recorder, Trumpet, Trombone, Tuba, Violin, Cello and Double Bass! We have a spectacular variety of duet books, a gargantuan selection of festive books (including Halloween!) and even downloadable playalong and backing tracks and sheet music on our website. Just visit http://WildMusicPublications.com
Mix and match this book with our other string, woodwind and brass versions of "Fifty Famous Classical Duets" to create mixed ensembles. Songs include: A Mighty Fortress Is Our God, Allegro Maestoso, Ave Maria, Awake My Soul, Barcarolle, Blue Danube, Bourée, Bridal Chorus, Carnival of Venice, Ciribiribin, Christ the Lord Is Risen Today, Come Again, Sweet Love, Come Back to Sorrento, Dolores Waltz, Eine Kleine Nachtmusik, Farandole, Finlandia, First Theme for Plovetzian Dances, German Dance, Habanera, Hallelujah, Kiss Waltz, La Cumparsita, Londonderry Air, March from the Nutcracker, Melody in F, Minuet (Beethoven), Minuet (Boccherini), Minuet I (Bach), Minuet (Mozart), Morning, Musette, Nocturne, Ode to Joy, Pavane, Piano Sonatina No. 1, Pomp and Circumstance, Reverie, Rondeau, Sleeping Beauty, Swan Lake, Symphony No. 1, Symphony No. 7, Symphony No. 9, The Last Rose of Summer, The Skaters, Trumpet Tune, Trumpet Voluntary, Turkish March
16 intermediate duets in progressive difficulty for alto and tenor saxophones.
(Jazz Duet). 15 duets for any combination of these instruments, including: Alfie * Blue Skies * Let's Fall in Love * Star Dust * Unforgettable * When Sunny Gets Blue * When You Wish Upon a Star * and more.
Woodwind Basics: Core concepts for playing and teaching flute, oboe, clarinet, bassoon, and saxophone is a fresh, no-nonsense approach to woodwind technique. It outlines the principles common to playing all of the woodwind instruments, and explains their application to each one.The ideas in this book are critical for woodwind players at all levels, and have been battle-tested in university woodwind methods courses, private studios, and school band halls. Fundamental questions answered with newfound clarity include:- What should I listen for in good woodwind playing?- Why is breath support so important, and how do I do and teach it?- What is voicing? How does it relate to ideas like air speed, air temperature, and vowel shapes?- What things does an embouchure need to accomplish?- How can I (or my students) play better in tune?- What role does the tongue really play in articulation?- Which alternate fingering should I choose in a given situation?- How do I select the best reeds, mouthpieces, and instruments?- How should a beginner choose which instrument is the best fit?Woodwind Basics by Bret Pimentel is the new go-to reference for woodwind players and teachers.
(Ensemble Collection). These arrangements of easy- to medium-level duets by 18th- to 20th-century masters are great for instruction and for fun because the pieces are short and easy to master. With works by Mozart, Bartok, Boismortier, Kabalevsky, Couperin, Glazunov, Schumann, Shostakovitch, Purcell, and Bach, it's a survey of music history for young students.
Contains works from the Renaissance, Baroque, and Classical periods, folk songs and traditional tunes, and a section of original compositions. For the student, these solos will provide material with specific challenges in rhythm, range, and key signatures in music that is both instructive and enjoyable to perform. Each solo has been selected and arranged to challenge the student in different areas of technique and musicianship while providing exposure to a variety of musical styles that are enjoyable to perform. In addition, special attention has been given to creating accompaniments that are easy to play yet at the same time add interest to the solo parts. Titles: * Aria (Handel) * Berceuse (Kjerulf) * Concert Fantasie (Snell) * The Cuckoo (Swiss Folk Song) * Fanfare and March (Telemann) * Honor and Arms (Handel) * Nocturne (Tyndall) * Polka Militaire (Nolan)
Part of the Belwin Master Solos series and prepared under the direction of Keith Snell, each of these folios contains a collection of graded solos that should prove to be a useful source for both student and teacher. Each folio contains works from the Renaissance, Baroque, and Classical periods, folk songs and traditional tunes, and a section of original compositions. For the student, these solos will provide material with specific challenges in rhythm, range, and key signatures in music that is both instructive and enjoyable to perform. Each solo has been selected and arranged to challenge the student in different areas of technique and musicianship while providing exposure to a variety of musical styles that are enjoyable to perform. In addition, special attention has been given to creating accompaniments that are easy to play yet at the same time add interest to the solo parts. Available in easy, intermediate, and advanced levels as are the Belwin Master Duets. Titles: * Air and Rondo from Abdelazer (Purcell) * Allegro (Fiocco) * Aragonaise (Massenet) * Nickelodeon Rag (Snell) * Scherzo (Snell) * Sonate (Allegro/Adagio/Allegro) (Handel)
Contains works from the Renaissance, Baroque, and Classical periods, folk songs and traditional tunes, and a section of original compositions. For the student, these solos will provide material with specific challenges in rhythm, range, and key signatures in music that is both instructive and enjoyable to perform. Each solo has been selected and arranged to challenge the student in different areas of technique and musicianship while providing exposure to a variety of musical styles that are enjoyable to perform. In addition, special attention has been given to creating accompaniments that are easy to play yet at the same time add interest to the solo parts. Titles: * Abendlied (Kolher) * Andante (Zollner) * Aria from the Oratorio Belshazzar (Handel) * Fandango (Terego) * Gavotte (Handel) * Gavotte (Purcell) * Little Suite for Alto Saxophone (Fanfare/Adagio/Dance/Allegro) (Snell) * Rigaudon (Fischer) * Three Renaissance Pieces (Fanfare/The Nightingale/The King's Dance) (Snell) * Two German Dances (Quadrille/Deutscher Tanz) (Anonymous) * Winter Dreams (Soderstromm)
Part of the Belwin Master Solos series and prepared under the direction of Keith Snell, each of these folios contains a collection of graded solos that should prove to be a useful source for both student and teacher. Each folio contains works from the Renaissance, Baroque, and Classical periods, folk songs and traditional tunes, and a section of original compositions. For the student, these solos will provide material with specific challenges in rhythm, range, and key signatures in music that is both instructive and enjoyable to perform. Each solo has been selected and arranged to challenge the student in different areas of technique and musicianship while providing exposure to a variety of musical styles that are enjoyable to perform. In addition, special attention has been given to creating accompaniments that are easy to play yet at the same time add interest to the solo parts. Available in easy, intermediate, and advanced levels as are the Belwin Master Duets. Contains: Aria (Handel) * Berceuse (Kjerulf) * Concert Fantasie (Snell) * The Cuckoo (Swiss Folk Song) * Fanfare and March (Telemann) * Honor and Arms (Handel) * Nocturne (Tyndall) * Polka Militaire (Nolan).