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Saki. Years of rivalry and feuding between the von Gradwitzes and the Znaeyms seemingly come to an end when the two heads of the families find themselves in a life-or-death situation. Unfortunately, their reconcilliation comes too late. 40 pages. Tale Bla
Why bad things really happen to good people. Upset stomachs. Nervous breakdowns. The collapse of civilizations. Blame them on a twist of fate, but archaeologist Cody Westcott knows differently. Something is causing these random acts of badness. Something ancient, something evil, something hungry. We are not alone, but we’re about to wish we were. From New York Times Bestselling Author of Jed the Dead.
A reframing of how scientific knowledge was produced in the early modern world. Many accounts of the scientific revolution portray it as a time when scientists disciplined knowledge by first disciplining their own behavior. According to these views, scientists such as Francis Bacon produced certain knowledge by pacifying their emotions and concentrating on method. In The Interlopers, Vera Keller rejects this emphasis on discipline and instead argues that what distinguished early modernity was a navigation away from restraint and toward the violent blending of knowledge from across society and around the globe. Keller follows early seventeenth-century English "projectors" as they traversed the world, pursuing outrageous entrepreneurial schemes along the way. These interlopers were developing a different culture of knowledge, one that aimed to take advantage of the disorder created by the rise of science and technological advances. They sought to deploy the first submarine in the Indian Ocean, raise silkworms in Virginia, and establish the English slave trade. These projectors developed a culture of extreme risk-taking, uniting global capitalism with martial values of violent conquest. They saw the world as a riskscape of empty spaces, disposable people, and unlimited resources. By analyzing the disasters—as well as a few successes—of the interlopers she studies, Keller offers a new interpretation of the nature of early modern knowledge itself. While many influential accounts of the period characterize European modernity as a disciplining or civilizing process, The Interlopers argues that early modernity instead entailed a great undisciplining that entangled capitalism, colonialism, and science.
Lee Harvey Oswald's assassination of President Kennedy in 1963 remains one of the most horrifying and hotly debated crimes in American history. Just as perplexing as the assassination is the assassin himself; the 24-year-old Oswald's hazy background and motivations -- and his subsequent murder at the hands of Jack Ruby -- make him an intriguing yet frustratingly enigmatic figure. Because Oswald briefly defected to the Soviet Union, some historians allege he was a Soviet agent. But as Peter Savodnik shows in The Interloper, Oswald's time in the U.S.S.R. reveals a stranger, more chilling story. Oswald ventured to Russia at the age of 19, after a failed stint in the U.S. Marine Corps and a childhood spent shuffling from address to address with his unstable, needy mother. Like many of his generation, Oswald struggled for a sense of belonging in postwar American society, which could be materialistic, atomized, and alienating. The Soviet Union, with its promise of collectivism and camaraderie, seemed to offer an alternative. While traveling in Europe, Oswald slipped across the Soviet border, soon settling in Minsk where he worked at a radio and television factory. But Oswald quickly became just as disillusioned with his adopted country as he had been with the United States. He spoke very little Russian, had difficulty adapting to the culture of his new home, and found few trustworthy friends; indeed most, it became clear, were informing on him to the KGB. After nearly three years, Oswald returned to America feeling utterly defeated and more alone than ever -- and as Savodnik shows, he began to look for an outlet for his frustration and rage. Drawing on groundbreaking research, including interviews with Oswald's friends and acquaintances in Russia and the United States, The Interloper brilliantly evokes the shattered psyche not just of Oswald himself, but also of the era he so tragically defined.
This work is the first comprehensive history of the Lebanese migrant communities of colonial French West Africa, a vast expanse that covered present-day Senegal, Côte d'Ivoire, Mali, Guinea, Benin and Mauritania. Where others have concentrated on the commercial activities of these migrants, casting them as archetypal middlemen, this work reconstructs not just their economic strategies, but also their social and political lives. Moreover, it examines the fraught responses of colonial Frenchmen to the unsettling presence of these interlopers of empire--responses which, with their echoes of metropolitan racism, helped to shape the ways in which Lebanese migrants represented themselves and justified their place in West Africa. This is a work which attempts not just to reshape broader understandings of diasporic life-of Janus-like existences lived in transit between distant locales, and de- pendent on the constant to-and-fro of people, news, and goods--but also to challenge the way we think about empires, and the relations between their constituent territories and diverse inhabitants.
Dream killers, ditch diggers, backstabbers...we’ve all had them in our lives. And even though we’d rather avoid them at all costs, God has plans for them—and for us. Joseph (of the coat of many colors) had a life full of these interlopers, from the brothers who wanted to murder him and sold him into slavery, to the conniving wife of his master, Potiphar. Though some might think God abandoned Joseph to these betrayers, Interlopers: The Difficult People and Life Experiences That Prepare Us for Greater helps us understand that God uses such interlopers to transform us and prepare us for greater destinies, just as he did for Joseph, leading us from the pit to the palace while changing us in ways we could never imagine. This book balances nicely the hard truths, suggesting what we need to do to be better and to keep ourselves in the best shape for the paths God has set out for us, along with encouragement for how to do so. It will be an enjoyable addition to the libraries of those looking for encouragement through their struggles and for ways they can actively improve their lives by “simply” changing their views about their struggles.
There's something wrong about Edwin, the new kid at school. After Richard befriends him, strange things begin to happen. When Edwin disappears, Richard starts digging into the history of the family, and unearths something that should have been left buried. Can Richard figure out the mystery in time, or will a sinister, dark force from the past claim everyone he holds dear?
This work is the first comprehensive history of the Lebanese migrant communities of colonial French West Africa, a vast expanse that covered present-day Senegal, Côte d'Ivoire, Mali, Guinea, Benin and Mauritania. Where others have concentrated on the commercial activities of these migrants, casting them as archetypal middlemen, this work reconstructs not just their economic strategies, but also their social and political lives. Moreover, it examines the fraught responses of colonial Frenchmen to the unsettling presence of these interlopers of empire--responses which, with their echoes of metropolitan racism, helped to shape the ways in which Lebanese migrants represented themselves and justified their place in West Africa. This is a work which attempts not just to reshape broader understandings of diasporic life-of Janus-like existences lived in transit between distant locales, and de- pendent on the constant to-and-fro of people, news, and goods--but also to challenge the way we think about empires, and the relations between their constituent territories and diverse inhabitants.
The debut from the author of Mouth to Mouth, a novel about obsession that makes for obsessive reading. All Owen Patterson wants is an normal life, a happy marriage, and a stable family. But following the brutal and random murder of his brother-in-law, that dream is shattered. A year later, his wife is still in mourning and his in-laws won't talk about anything but their dead son. The murderer, Henry Joseph Raven, has been put in prison, but as far as Owen is concerned, prison isn’t punishment enough. He embarks on a quest to "balance the scales of justice," writing letters to Henry Raven under the pseudonym Lily Hazelton. His plan: to seduce the murderer, make him fall in love with his fictional correspondent, and then break his heart. From one letter to the next, Lily Hazelton develops into a curious amalgam of details from Owen’s imagination, snatches of his difficult childhood, and memories of his cousin Eileen, a suicide who was his first true love. Not entirely in control of his own creation, Owen dives headfirst into the correspondence, only to find himself caught in the trap he’s set for Henry Raven. Bringing together an epistolary game of cat and mouse with the harrowing record of one man’s psychological collapse, The Interloper is a compelling and original debut from a bold new writer. "As assured and sumptuously written as any first novel I’ve encountered—Antoine Wilson’s prose sings, and the story he tells here is both clever and compelling. This is writing at its very best." — T. Coraghessan Boyle