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China’s recent rapid economic growth has drawn global attention to its foreign policy, which increasingly has had an impact on world politics. In contrast with China’s long-standing preference for bilateralism or unilateralism in foreign policy, recent decades have seen changes in the PRC’s attitude and in its declaratory and operational policies, with a trend toward the accepting and advocating of multilateralism in international affairs. Whilst China’s involvement has been primarily in the economic arena, for example, participation in the World Trade Organization and ASEAN Plus Three, it has more recently expanded into international security institutions, such as the Shanghai Cooperation Organization. This book records, analyzes, and attempts to conceptualize, this phenomenal development in Chinese foreign policy and its impact on international relations, with the emphasis on China’s active participation in multilaterally-oriented regional security regimes. Written by an impressive team of international scholars, this book is the first collective effort in the field of China studies and international relations to look at China’s recent turn to multilateralism in foreign affairs. It will appeal to students and scholars of Chinese politics and foreign policy, security studies and international relations.
This book examines Chinese traditional poetry with an emphasis on the sources of pleasure in creating and appreciating classical Chinese poems and the basis for valid aesthetic judgments about poetry. The pleasure derived from art plays a crucial role in people’s evaluation of its worth. This book shows that Chinese classical poetics and Western aesthetics agree on the sources of aesthetic pleasure. Both hold, despite their obvious differences, that aesthetic taste essentially involves cognition. The book explores important ideas in traditional Chinese poetry, emphasizing that “Poetry is founded upon the power of judgement (shi).” This central idea guides other key concepts throughout the history of Chinese poetics, revealing the fundamental principles of creating and appreciating poetic art. The author presents new views of traditional Chinese poetry and poetics by unifying these long-dispersed basic propositions into a new coherent cognitivist framework that also gives due importance to emotion. Scholars and students studying Chinese literature, poetics, philosophy of art, and philosophy of mind will find this book interesting.
Using the enormous number of available examples and a range of theoretical perspectives, the author demonstrates the ways in which the news media are able to manipulate an individual's perception of the world.