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Isabelle de Charrière (Belle van Zuylen) has been known primarily as a novelist who experimented with narrative techniques to express her concern about the oppression of women in her society. Most scholarship has focused on only a small part of her work, her pre-revolutionary novels. This is one of the first synthetic studies of Charrière's entire oeuvre, and it turns its attention to Charrière's overlooked contribution as an intellectual in the eighteenth-century debate over education. In addition, Letzter analyzes the rhetorical and discursive strategies Charrière employed to insert herself in this debate; a debate from which she was excluded because she was a woman and she was not French. Letzter's model for this analysis is the rhetorical figure of tacking, a nautical term used by Charrière herself in order to describe her tactics for intellectual engagement within the gendered environment the gendered environment of revolutionary debate. Letzter demonstrates Charrière's contribution as an important intellectual of the Revolution and of the post-revolutionary period, whose significance resided in her ability to express her ambivalence toward the theories and ideologies that ceaselessly imposed themselves on women.
The novels published by Isabelle de Charrière before the French Revolution offer a perceptive account of the psychology and the social climate of the late eighteenth century. The anti-Freudian psychoanalysis of the neurologist and psychiatrist Heinz Kohut (1913-81) is used in this study as a means of developing an awareness of the position of the fictional characters. Feminist and Freudian readings of Charrière's novels of the 1780s have stressed the 'closed' deterministic atmosphere of contemporary society; this new study emphasises what can be called the 'modern' side of the novels: patriarchal society and individual needs confront each other and allow the relationships to be seen in a new light. By means of Kohut's notion of 'selfobject' a rich insight is gained into the complex relationships described by Isabelle de Charrière.
At the same time it demonstrates how the Revolution fostered many dreams and ambitions for women that would be doomed to disappointment in the repressive post-Revolutionary era.".
Suisse romande depuis son mariage, mais ayant passé la première moitié de sa vie aux Pays-Bas où le français était devenu très tôt sa langue « naturelle », Belle de Zuylen / Isabelle de Charrière joue quelque peu les trublions dans nos habitudes académiques. Lire son œuvre – ses lettres, ses romans, ses pamphlets et ses pièces de théâtre – c’est accepter des retouches à notre tableau des Lumières qui n’en ressortira pas indemne ; c’est revoir les limites du champ de la critique littéraire, structuré et hiérarchisé depuis le XIXe siècle en fonction de littératures « nationales ». Bilingue (français et anglais), ce recueil contient des articles basés sur les contributions à un colloque international qui s’est tenu à l’Université d’Utrecht en avril 2005 pour commémorer le bicentenaire de la mort de l’écrivaine. As a Dutch woman who spent half her life in Switzerland and chose French as her writing language, Belle de Zuylen / Isabelle de Charrière parades a defiant attitude towards the constraints of the literary field. To read with care her letters, her novels, pamphlets and plays means accepting some modifications to our picture of the Enlightenment, and obliges us to question the limits of the field of literary criticism such as it has been structured since the nineteenth century, that is, along the lines of national canons. This bilingual volume (English and French) contains articles based on contributions to the international congress that was organized at Utrecht University in April 2005 on the occasion of the bicentennial of the author’s death.
"From this lively and personal account, we learn that we can all practice inventorship to great advantage-measured either in gold or pleasure, or perhaps both!"-From the Foreword by Walter Cronkite "Inventorship is truly the stuff from which the future will be molded. Giving us an insight into the everyday thought processes of great inventive minds, Greene's wonderful collection of stories and ideas is a model for each of us in the art of inventiveness."-Pat Hallberg, Executive Director, National Inventors Hall of Fame "This entertaining and well-written work educates without pain and motivates the reader to learn more. It should be widely read not only by business people and entrepreneurs, but by young people, their parents, and their teachers. The lesson: Inventorship is for everyone and can change lives for the better."-Joseph N. Hankin, President, Westchester Community College "After all the scholarly books and articles about innovation and the entrepreneurial process by theorists, how refreshing it is to hear from a real live inventor holding hundreds of patents in fields as diverse as aeronautics, sailing, chess, and skiing! He has even invented a word, 'inventorship', to describe the process and guide us through dozens of examples. A very useful book."-John Diebold, Chairman, The JD Consulting Group, Inc.
This volume concerns metarepresentation: the construction and use of representations that represent other representations. It collects studies on the subject by an interdisciplinary group of contributors.
During the era of the French revolution, patriots across Europe tried to introduce a national uniform. This book, the first comparative study of national uniform schemes, discusses case studies from Austria, Bulgaria, England, France, Germany, Hungary, Italy, the Netherlands, Spain, Sweden, Turkey the United States, and Wales.
This book is an interdisciplinary study of antebellum American literature and the problem of political emergency. Arguing that the United States endured sustained conflicts over the nature and operation of sovereignty in the unsettled era from the Founding to the Civil War, the book presents two forms of governance: local and regional control, and national governance. The period’s states of exception arose from these clashing imperatives, creating contests over land, finance, and, above all, slavery, that drove national politics. Extensively employing the political and cultural insights of Walter Benjamin, this book surveys antebellum American writers to understand how they situated themselves and their work in relation to these episodes, specifically focusing on the experience of violence. Exploring the work of Edgar Allan Poe, ex-slave narrators like Moses Roper and Henry Bibb, Herman Melville and Emily Dickinson, the book applies some central aspects of Walter Benjamin’s literary and cultural criticism to the deep investment in pain in antebellum politics and culture.
Over the course of the long eighteenth century, a network of some fifty women writers, working in French, English, Dutch, and German, staked out a lasting position in the European literary field. These writers were multilingual and lived for many years outside of their countries of origin, translated and borrowed from each others' works, attended literary circles and salons, and fashioned a transnational women's literature characterized by highly recognizable codes. Drawing on a literary geography of national types, women writers across Western Europe read, translated, wrote, and rewrote stories about exceptional young women, literary heroines who transcend the gendered destiny of their distinctive cultural and national contexts. These transcultural heroines struggle against the cultural constraints determining the sexualized fates of local girls. In Heroines and Local Girls, Pamela L. Cheek explores the rise of women's writing as a distinct, transnational category in Britain and Europe between 1650 and 1810. Starting with an account of a remarkable tea party that brought together Frances Burney, Sophie von La Roche, and Marie Elisabeth de La Fite in conversation about Stéphanie de Genlis, she excavates a complex community of European and British women authors. In chapters that incorporate history, network theory, and feminist literary history, she examines the century-and-a-half literary lineage connecting Madame de Maintenon to Mary Wollstonecraft, including Charlotte Lennox and Françoise de Graffigny and their radical responses to sexual violence. Neither simply a reaction to, nor collusion with, patriarchal and national literary forms but, rather, both, women's writing offered an invitation to group membership through a literary project of self-transformation. In so doing, argues Cheek, women's writing was the first modern literary category to capitalize transnationally on the virtue of identity, anticipating the global literary marketplace's segmentation of affinity-based reading publics, and continuing to define women's writing to this day.
The Complete Works of D. H. Lawrence is a comprehensive collection of the renowned author's literary masterpieces, showcasing his unique blend of modernist writing with themes of love, sexuality, and the human condition. Through his works, Lawrence explores the complexities of relationships, societal norms, and the inner workings of the human psyche, all written in a poetic and introspective style that captivates readers. This collection not only reflects the literary context of the early 20th century but also delves into timeless themes that continue to resonate with readers today. D. H. Lawrence, known for his controversial and trailblazing writing, drew inspiration from his own life experiences and observations of the world around him. His desire to push boundaries and challenge societal conventions led him to create works that were ahead of their time and sparked discussion and debate among readers and critics alike. I highly recommend The Complete Works of D. H. Lawrence to those who appreciate thought-provoking and introspective literature that explores the complexities of human relationships and emotions. This collection is a must-read for anyone interested in delving into the mind of a literary icon who fearlessly tackled controversial topics with poetic grace and profound insight.