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An interdisciplinary collection of essays examining Irish and Anglo-Saxon art in the early medieval period.
The focus of this volume is the book production of the Frankish regions of Western Europe in the early Middle Ages. By means of a detailed scrutiny of individual manuscripts, groups of manuscripts, and categories of texts, Dr McKitterick shows how they can be used to throw light on questions such as women and literacy, the knowledge of canon and secular law, and the English contribution to the religious culture of the Continent . Some of the studies are more concerned with palaeography and the achievements of particular scriptoria; studies; others look primarily at the fact of production, the dissemination of the texts, and their implications for intellectual and cultural history. Au centre de ce volume se trouve la production du livre dans les régions franques d’Europe occidentale au début du Moyan Age. Au travers d’un examen approfondi de manuscrits individuels, de groupes de manuscrits et de catégories de textes, le docteur McKitterick démontre l’utilisation qui peut en être faite afin d’éclaircir un certain nombre de questions dont: les femmes et l’alphabétisation, la connaissance du droit canon et séculaire, ainsi que la contribution anglaise à la culture religieuse de continent. Certaines des études s’attachent plus spécifiquement à la paléographie et aux résultats de certains scriptoria; d’autres examinent avant tout le fait même de la production, la dissémination des textes et leurs implications quant à l’histoire intellectuelle et culturelle.
A generously illustrated collection, The Insular Tradition explores the various ways in which tradition becomes part of our definition of insular culture and cultural history. The essays are the outcome of a conference held within the Medieval Academy of America meeting at Kalamazoo in 1991. Scholars from America, Scandinavia, Britain, and Ireland came together to discuss the latest research on the remarkable Christian art which flourished among the Celtic and Anglo-Saxon peoples in the Early Medieval Period. New discoveries and a renewed research interest are shedding light on the splendid manuscript illuminations, sculpture, and metalwork of the time. Historical sources are reanalyzed and, together with modern approaches to interpretation, provide fascinating new insights into the social, economic, and spiritual background of the creative artists. This book presents a number of challenging reinterpretations of landmark achievements such as the Book of Kells, the Irish High Crosses, and the enigmatic symbolic and decorative systems of the Pictish people of Scotland. The contributors discuss the processes of creativity, the way in which influences are transmitted, the cross-fertilization of the arts in different media, and the role of trade and exchange and of the patron. Extensive illustrations, some of them difficult to source elsewhere, and comprehensive up-to-date bibliographies make the volume especially useful to those wishing to find a suitable point of entry into this expanding and ever-changing field.
Shows examples of medieval British Gospel-books, discusses what is known about their history, and assesses the books as art
This volume focuses on new research on the archaeology of the early medieval Celtic churches c AD 400-1100 in Wales, Ireland, Scotland, south-west Britain and Brittany. The 21 papers use a variety of approaches to explore and analyse the archaeological evidence for the origins and development of the Church in these areas. The results of a recent multi-disciplinary research project to identify the archaeology of the early medieval church in different regions of Wales are considered alongside other new research and the discoveries made in excavations in both Wales and beyond. The papers reveal not only aspects of the archaeology of ecclesiastical landscapes with their monasteries, churches and cemeteries, but also special graves, relics, craftworking and the economy enabling both comparisons and contrasts. They likewise engage with ongoing debates concerning interpretation: historiography and the concept of the Celtic Church, conversion to Christianity, Christianization of the landscape and the changing functions and inter-relationships of sites, the development of saints cults, sacred space and pilgrimage landscapes and the origins of the monastic town .
A COMPANION TO THE HISTORY OF THE BOOK A COMPANION TO THE HISTORY OF THE BOOK Edited by Simon Eliot and Jonathan Rose “As a stimulating overview of the multidimensional present state of the field, the Companion has no peer.” Choice “If you want to understand how cultures come into being, endure, and change, then you need to come to terms with the rich and often surprising history Of the book ... Eliot and Rose have done a fine job. Their volume can be heartily recommended. “ Adrian Johns, Technology and Culture From the early Sumerian clay tablet through to the emergence of the electronic text, this Companion provides a continuous and coherent account of the history of the book. A team of expert contributors draws on the latest research in order to offer a cogent, transcontinental narrative. Many of them use illustrative examples and case studies of well-known texts, conveying the excitement surrounding this rapidly developing field. The Companion is organized around four distinct approaches to the history of the book. First, it introduces the variety of methods used by book historians and allied specialists, from the long-established discipline of bibliography to newer IT-based approaches. Next, it provides a broad chronological survey of the forms and content of texts. The third section situates the book in the context of text culture as a whole, while the final section addresses broader issues, such as literacy, copyright, and the future of the book. Contributors to this volume: Michael Albin, Martin Andrews, Rob Banham, Megan L Benton, Michelle P. Brown, Marie-Frangoise Cachin, Hortensia Calvo, Charles Chadwyck-Healey, M. T. Clanchy, Stephen Colclough, Patricia Crain, J. S. Edgren, Simon Eliot, John Feather, David Finkelstein, David Greetham, Robert A. Gross, Deana Heath, Lotte Hellinga, T. H. Howard-Hill, Peter Kornicki, Beth Luey, Paul Luna, Russell L. Martin Ill, Jean-Yves Mollier, Angus Phillips, Eleanor Robson, Cornelia Roemer, Jonathan Rose, Emile G. L Schrijver, David J. Shaw, Graham Shaw, Claire Squires, Rietje van Vliet, James Wald, Rowan Watson, Alexis Weedon, Adriaan van der Weel, Wayne A. Wiegand, Eva Hemmungs Wirtén.
This volume offers unparalleled coverage of all aspects of art and architecture from medieval Western Europe, from the 6th century to the early 16th century. Drawing upon the expansive scholarship in the celebrated 'Grove Dictionary of Art' and adding hundreds of new entries, it offers students, researchers and the general public a reliable, up-to-date, and convenient resource covering this field of major importance in the development of Western history and international art and architecture.