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A “fascinating” guide to war propaganda of WWI and WWII, from “Loose Lips Sink Ships” to “Keep Calm and Carry On”—includes vintage images (Firetrench). A Guide to War Publications of the First & Second World War is devoted to the printed ephemera that was designed to educate, instruct, inform, and entertain during the first and second World Wars. This includes soldiers’ Field Regulations, updates airmen received about airborne early warnings, bomb sights, and radio navigation, and materials sailors were given to help them identify enemy aircraft and operate new weapons on submarines. This comprehensive guide illustrates the large amount of material produced during the war by looking at encouraging wartime sayings such as: “Go To IT!,” “Come Into The Factories,” “Keep Calm and Carry On,” “Dig for Victory,” “Lend A Hand on the Land,” and “Walk When You Can.” While showing how other messages warned of consequences to irresponsible behavior: “Careless Talk Cost Lives,” “Loose Lips Sink Ships,” “Keep It Under Your Hat,” and “Be Like Dad, Keep Mum.” Arthur Ward gives information on what propaganda was produced, what items are still available and where to find them, and how to conserve and store vintage printed items.
Historians have portrayed British participation in World War I as a series of tragic debacles, with lines of men mown down by machine guns, with untried new military technology, and incompetent generals who threw their troops into improvised and unsuccessful attacks. In this book a renowned military historian studies the evolution of British infantry tactics during the war and challenges this interpretation, showing that while the British army's plans and technologies failed persistently during the improvised first half of the war, the army gradually improved its technique, technology, and, eventually, its' self-assurance. By the time of its successful sustained offensive in the fall of 1918, says Paddy Griffith, the British army was demonstrating a battlefield skill and mobility that would rarely be surpassed even during World War II. Evaluating the great gap that exists between theory and practice, between textbook and bullet-swept mudfield, Griffith argues that many battles were carefully planned to exploit advanced tactics and to avoid casualties, but that breakthrough was simply impossible under the conditions of the time. According to Griffith, the British were already masters of "storm troop tactics" by the end of 1916, and in several important respects were further ahead than the Germans would be even in 1918. In fields such as the timing and orchestration of all-arms assaults, predicted artillery fire, "Commando-style" trench raiding, the use of light machine guns, or the barrage fire of heavy machine guns, the British led the world. Although British generals were not military geniuses, says Griffith, they should at least be credited for effectively inventing much of the twentieth-century's art of war.