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Published in 1857, at the time of the Crimean War and the Indian Mutiny, this is the official manual on musketry training and tactics used in British infantry units. The book includes sections on the duties of musketry instructors; drill; and the manufacture of cartridges (this latter section is particularly interesting in that it specifies that the paper cartridges should be greased in a mixture of tallow candle wax and bees' wax; rather than the animal fats, rumours of which offended Hindu and Muslim sepoys alike, and were a major contributing cause of the Mutiny). There are chapters on file and volley firing; skirmishing; target practice and judging distance. With well executed drawings and diagrams.
The Pattern 1853 Enfield Rifle was the first rifled firearm issued to every soldier in the British Army, and gave the infantry a revolutionary increase in firepower. First issued in 1853, the Enfield proved itself worthy during both the Crimean War and the Indian Mutiny, where its long range, durability, and interchangeable parts made it a perfect campaign rifle. However, it was during the American Civil War that the Enfield saw the greatest use, with over a million rifles being sold to the armies of both the North and South. This title takes an in-depth look at the design, the history, the mechanics, and the use of one of the most important firearms of the 19th century.
The Cawnpore Well, Lucknow Residency, and Delhi Ridge were sacred places within the British imagination of India. Sanctified by the colonial administration in commemoration of victory over the 'Sepoy Mutiny' of 1857, they were read as emblems of empire which embodied the central tenets of sacrifice, fortitude, and military prowess that underpinned Britain's imperial project. Since independence, however, these sites have been rededicated in honour of the 'First War of Independence' and are thus sacred to the memory of those who revolted against colonial rule, rather than those who saved it. The 1857 Indian Uprising and the Politics of Commemoration tells the story of these and other commemorative landscapes and uses them as prisms through which to view over 150 years of Indian history. Based on extensive archival research from India and Britain, Sebastian Raj Pender traces the ways in which commemoration responded to the demands of successive historical moments by shaping the events of 1857 from the perspective of the present. By telling the history of India through the transformation of mnemonic space, this study shows that remembering the past is always a political act.