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“My breasts stopped growing when my grandfather touched them,” confides ‘Elisa’, a young woman who recounts the traumatic incest and sexual abuse she experienced in childhood. In Family Secrets, Gloria González-López tells the life stories of 60 men and women in Mexico who, like Elisa, saw their lives irrevocably changed in the wake of childhood and adolescent incest. In Mexico, a patriarchal, religious society where women are expected to make themselves sexually available to men and where same-sex experiences for both men and women bring great shame, incest is easily hidden, seldom discussed, and rarely reported to authorities. Through gripping, emotional narrative, González-López brings the deeply troubling, hidden, and unspoken issues of incest and sexual violence in Mexican families to light. González-López contends that family and cultural structures in Mexican life enable incest and the culture of silence that surrounds it. She examines the strong bonds of familial obligation between parents and children, brothers and sisters, and elders and youth that, in the case of incest, can morph into sexual obligation; the codes of honor and shame reinforced by tradition and the Church, discouraging openness about sexual violence and trauma; the double standards of morality and stereotypes about sexuality that leave girls and women and gender nonconforming boys and men especially vulnerable to sexual abuse. Together, these cultural factors create a perfect storm for generations upon generations of unspoken incest, a cycle that takes great courage and strength to heal from and overcome. A riveting account, Family Secrets turns a feminist and sociological lens on a disturbing trend that has gone unnoticed for far too long.
Civil society organizations report that fourteen children disappear every day in Mexico. This book studies the origins of this social phenomenon and its consequences, not only in the emotional sphere, but also in how children have been treated. Focusing on children's special positions within Mexican society rather than criminal acts or the implementation of the law, Sosenski links social and cultural history, the history of crime and fear, the application of justice and the media's role, childhood and the city to paint a multi-dimensional picture of child abduction and its causes. Exploring the social impact of child protection policies and the figure of the robachicos, or child kidnapper, Soneski draws from oral traditions, films and books, songs and plays; all of which embody a culture of fear and danger reported and accentuated by a mass media response. The Fear of Robachicos in Mexico focuses on the role of the media and entertainment in the legitimization of violence toward children and the objectification of their lives, stripping them of their right to freedom and curtailing their autonomy.