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'Deification' refers to the transformation of believers into the likeness of God. Of course, Christian monotheism goes against any literal 'god making' of believers. Rather, the NT speaks of a transformation of mind, a metamorphosis of character, a redefinition of selfhood, and an imitation of God. Most of these passages are tantalizingly brief, and none spells out the concept in detail. Deification was an important idea in the early church, though it took a long time for one term to emerge as the standard label for the process. That term was theosis, coined by the great fourth-century theologian, Gregory of Nazianzus. Theologians now use theosis to designate all instances where any idea of taking on God's character or being divinizedÓ (made divine) occurs, even when the term theosis is not used. And of course, different Christian authors understood deification differently. While some articles in this collection discuss pre-Christian antecedents of theosis, Greek and Jewish, most focus on particular Christian understandings. The article by Gregory Glazov examines OT covenant theology, with an emphasis on divine adoption, and on bearing the fruit of knowledge or attaining the stature of a tree of righteousness in Proverbs, Isaiah, and Sirach. The article by Stephen Finlan on 2 Pet 1:4 ('You may become participants of the divine nature') examines the epistle's apparent borrowings from Middle Platonic spirituality, Stoic ethics, and Jewish apocalyptic expectation. The epistle stresses 'knowledge of Christ,' which means cultivation of godly character and growing up into Christ. --from the Introduction
From the fall of Constantinople in 1453 until the eighteenth century, many Western European writers viewed the Ottoman Empire with almost obsessive interest. Typically they reacted to it with fear and distrust; and such feelings were reinforced by the deep hostility of Western Christendom towards Islam. Yet there was also much curiosity about the social and political system on which the huge power of the sultans was based. In the sixteenth century, especially, when Ottoman territorial expansion was rapid and Ottoman institutions seemed particularly robust, there was even open admiration. In this path-breaking book Noel Malcolm ranges through these vital centuries of East-West interaction, studying all the ways in which thinkers in the West interpreted the Ottoman Empire as a political phenomenon - and Islam as a political religion. Useful Enemies shows how the concept of 'oriental despotism' began as an attempt to turn the tables on a very positive analysis of Ottoman state power, and how, as it developed, it interacted with Western debates about monarchy and government. Noel Malcolm also shows how a negative portrayal of Islam as a religion devised for political purposes was assimilated by radical writers, who extended the criticism to all religions, including Christianity itself. Examining the works of many famous thinkers (including Machiavelli, Bodin, and Montesquieu) and many less well-known ones, Useful Enemies illuminates the long-term development of Western ideas about the Ottomans, and about Islam. Noel Malcolm shows how these ideas became intertwined with internal Western debates about power, religion, society, and war. Discussions of Islam and the Ottoman Empire were thus bound up with mainstream thinking in the West on a wide range of important topics. These Eastern enemies were not just there to be denounced. They were there to be made use of, in arguments which contributed significantly to the development of Western political thought.
Devils, ghosts, poltergeists, werewolves, and witches are all covered in this book about the "dark side" of supernatural beliefs in early modern Europe, tapping period literature, folklore, art, and scholarly writings in its investigation. The dark side of early modern European culture could be deemed equal in historical significance to Christianity based on the hundreds of books that were printed about the topic between 1400 and 1700. Famous writers and artists like William Shakespeare and Albrecht Dürer depicted the dark side in their work, and some of the first printed books in Europe were about witches. The pervasive representation of these monsters and apparitions in period literature, folklore, and art clearly reflects their power to inspire fear and superstition, but also demonstrates how integral they were to early modern European culture. This unique book addresses topics of the supernatural within the context of the early modern period in Europe, covering "mythical" entities such as devils, witches, ghosts, poltergeists, and werewolves in detail and examining how they fit in with the emerging new scientific method of the time. This unique combination of cultural studies for the period is ideal for undergraduate students and general readers.
Historians and scholars of the Reformation's earliest century are invited to expand their understanding of that critical era by an examination of aspects of Reform which are lesser known than Luther and his activities. This volume widens and deepens and broadens our perceptions of »the Reformation« and reminds us that in fact what we have in the 16th and early 17th century are »Reformations«. On the occasion of the 500th anniversary of the German monk and reformer Martin Luther posting his theses (October 31, 1517), the contributors of this volume invite us to expand our understanding of »the Reformation« by an examination of aspects of Reform which are lesser known than Luther to probe some less-explored corners of the Reformation. To be sure, Martin Luther himself receives attention in this volume. But the aim of this book is really to take the occasion provided by the increased attention paid to the Reformation during the year 2017 to explore other theologians, movements, and ideas. The expanding of the scholarly mind and opening up of new vistas often overshadowed by larger figures, like Luther, can only be good for the study of the Reformation and Early Modern era. This volume is intended for students of early modern Church history with a particular focus on the non-Lutheran aspects of that history.
This book is concerned with why (or whether) paintings have value: why they might be worth creating and attending to. The author starts from the challenge expressed in Plato's critique of the arts generally, according to which they do not lead us to what is true and good, and may take us away from them. Rudd tries to show that this Platonic Challenge can be answered in its own terms: that painting is good because it does lead us to truth. What paintings can give us is a non-discursive "knowledge by acquaintance" in which the essence of the painting's subject-matter is made present to the viewer. Rudd traces this understanding of painting as ontologically revelatory from the theology of the Byzantine Icon to classical Chinese appreciations of landscape painting, to the work of Merleau-Ponty and other Phenomenologists inspired by European Modernist art. He argues that this account of painting as disclosing the essences of things can also take up what is right about expressive and formalist theories of painting; and that it can apply as much to abstract as to representational painting. But to disclose the reality of things can only be of value if the reality disclosed is itself of value; and in the concluding part of the book, Rudd argues that the value of painting can only be properly understood in the context of a wider metaphysics or theology in which value is understood, not as a human projection, but as a basic characteristic of reality as such.
During the past three years Peter Toon published articles dealing with various facets of Calvinistic theology in the Age of Reason. These articles were by-products of research he was conducting at London University into the origins of a logical, arid form of Calvinism (hyper-Calvinism) found among Congregationalists and Baptists in the first half of the 18th century. His thesis was completed in March 1967, and with some modifications is now published as a book. Though his study has particular relevance to Strict Baptist, who have become the custodians of hyper-Calvinism, it is also a contribution to our knowledge of the 18th century Nonconformity as well as the history of the development of Reformed doctrine. In the Preface Dr. J. I. Packer states: "The story is a cautionary tale with timely lessons for those who seek a revival of Reformed Christianity today."
How did traditional beliefs about the supernatural change as a result of the Reformation, and what were the intellectual and cultural consequences? Following a masterly interpretative introduction, Peter Marshall traces the effects of the Reformers’ assaults on established beliefs about the afterlife. He shows how debates about purgatory and the nature of hellfire acted as unwitting agents of modernization. He then turns to popular beliefs about angels, ghosts and fairies, and considers how these were reimagined and reappropriated when cut from their medieval moorings. Contents PART 1: HEAVEN, HELL AND PURGATORY: HUMANS IN THE SPIRIT WORLD 1. After Purgatory: Death and Remembrance in the Reformation World 2. ‘The Map of God’s Word’: Geographies of the Afterlife in Tudor and Early Stuart England’ 3. Judgment and Repentance in Tudor Manchester: The Celestial Journey of Ellis Hall 4. The Reformation of Hell? Protestant and Catholic Infernalisms, c. 1560-1640 5. The Company of Heaven: Identity and Sociability in the English Protestant Afterlife PART 2: ANGELS, GHOSTS AND FAIRIES: SPIRITS IN THE HUMAN WORLD 6. Angels Around the Deathbed: Variations on a Theme in the English Art of Dying 7. The Guardian Angel in Protestant England 8. Deceptive Appearances: Ghosts and Reformers in Elizabethan and Jacobean England 9. Piety and Poisoning in Restoration Plymouth 10. Transformations of the Ghost Story in Post-Reformation England 11. Ann Jeffries and the Fairies: Folk Belief and the War on Scepticism