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From the prehistoric cave paintings to Andy Warhol's soup cans, this lively chronicle surveys the rich history of artistic expression. INSTANT ART HISTORY examines such geniuses as Michelangelo, da Vinci, Rembrandt, Renoir, van Gogh, and the Impressionists as well as Dali, Matisse, Picasso, Kandinsky, and Lichtenstein. With INSTANT ART HISTORY you'll learn: * How Mona Lisa's smile changed forever the grim face of portrait sitters. * The differences between Analytic and Synthetic Cubism. * How the avant-garde movements of Constructivism, Dadaism, and Surrealism of the 1920s redefined how society viewed art. * How the action paintings of the Abstract Expressionists allow the viewer to "feel" a painting, not just see it.
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Introduction : marking time -- What is slow art? (when images swell into events and events condense into images) -- Living pictures -- Before slow art -- Slow art emerges in modernity I : secularization from Diderot to Wilde -- Slow art emerges in modernity II : the great age of speed -- Slow fiction, film, video, performance, 1960 to 2010 -- Slow photography, painting, installation art, sculpture, 1960 to 2010 -- Angel and devil of slow art
Do you want to sketch a self-portrait, paint the view from your window, or draw the bunch of flowers that was purchased at the florists this morning? Most non-professionals wishing to depict a subject are uncertain where to begin and are intimidated by the huge and expansive range of materials now available. Many popular practical art books are technique dominated, overwhelming the potential reader with a variety of skills that seem complex and inaccessible. 'The Instant Artist' shows you how to achieve immediate results and capture a whole range of popular subjects in a variety of different media, from simple pencil sketches to acrylic painting. All the projects are achievable in a limited time-frame, keeping the work quick and spontaneous. Each project is an easy-to-follow sequence of clear and informative step-by-step photographs leading to an image of the final result. Feature boxes are included that highlight subsidiary techniques and skills. The different media used in the projects are chosen for their simplicity of use and speed of execution. Great care is taken to encourage the reader to recognise the validity of the marks they make whilst not being afraid to make mistakes.
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PCMag.com is a leading authority on technology, delivering Labs-based, independent reviews of the latest products and services. Our expert industry analysis and practical solutions help you make better buying decisions and get more from technology.
PCMag.com is a leading authority on technology, delivering Labs-based, independent reviews of the latest products and services. Our expert industry analysis and practical solutions help you make better buying decisions and get more from technology.
The Handbook of Research and Policy in Art Education marks a milestone in the field of art education. Sponsored by the National Art Education Association and assembled by an internationally known group of art educators, this 36-chapter handbook provides an overview of the remarkable progress that has characterized this field in recent decades. Organized into six sections, it profiles and integrates the following elements of this rapidly emerging field: history, policy, learning, curriculum and instruction, assessment, and competing perspectives. Because the scholarly foundations of art education are relatively new and loosely coupled, this handbook provides researchers, students, and policymakers (both inside and outside the field) an invaluable snapshot of its current boundaries and rapidly growing content. In a nutshell, it provides much needed definition and intellectual respectability to a field that as recently as 1960 was more firmly rooted in the world of arts and crafts than in scholarly research.
This book offers a compelling perspective on the striking similarity of art and commerce in contemporary culture. Combining the history and theory of art with theories of contemporary culture and marketing, Maria A. Slowinska chooses three angles (space, object/experience, persona) to bridge present and past, aesthetic appearance and theoretical discourse, and traditional divisions between art and commerce. Beyond both pessimistic and celebratory rhetorics, »Art/Commerce« illuminates contemporary phenomena in which the aestheticization of commerce and the commercialization of aesthetics converge.