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Inspiring African American Women of Virginia was written to provide readers with a variety of ethic women from various eras in our countries history. It captivates the reader and pulls them into the lives of women who were not just faced with the obstacle of race but gender. It also reveals how they overcame their obstacles to achieve international acclaim. From Missy Elliott and Roberta Flack to Maggie Walker and Nannie Boroughs, you'll be surprised at how each of these women are connected to Virginia. Enjoy!!
A timely and important search for architecture's missing women For a century and a half, women have been proving their passion and talent for building and, in recent decades, their enrollment in architecture schools has soared. Yet the number of women working as architects remains stubbornly low, and the higher one looks in the profession, the scarcer women become. Law and medicine, two equally demanding and traditionally male professions, have been much more successful in retaining and integrating women. So why do women still struggle to keep a toehold in architecture? Where Are the Women Architects? tells the story of women's stagnating numbers in a profession that remains a male citadel, and explores how a new generation of activists is fighting back, grabbing headlines, and building coalitions that promise to bring about change. Despina Stratigakos's provocative examination of the past, current, and potential future roles of women in the profession begins with the backstory, revealing how the field has dodged the question of women's absence since the nineteenth century. It then turns to the status of women in architecture today, and the serious, entrenched hurdles they face. But the story isn't without hope, and the book documents the rise of new advocates who are challenging the profession's boys' club, from its male-dominated elite prizes to the erasure of women architects from Wikipedia. These advocates include Stratigakos herself and here she also tells the story of her involvement in the controversial creation of Architect Barbie. Accessible, frank, and lively, Where Are the Women Architects? will be a revelation for readers far beyond the world of architecture.
NEW YORK TIMES BESTSELLER • CBC KIDS’ BOOK CHOICE AWARD WINNER Civil rights icon Ruby Bridges—who, at the age of six, was the first black child to integrate into an all-white elementary school in New Orleans—inspires readers and calls for action in this moving letter. Her elegant, memorable gift book is especially uplifting in the wake of Kamala Harris making US history as the first female, first Black, and first South Asian vice president–elect. Written as a letter from civil rights activist and icon Ruby Bridges to the reader, This Is Your Time is both a recounting of Ruby’s experience as a child who had to be escorted to class by federal marshals when she was chosen to be one of the first black students to integrate into New Orleans’ all-white public school system and an appeal to generations to come to effect change. This beautifully designed volume features photographs from the 1960s and from today, as well as stunning jacket art from The Problem We All Live With, the 1964 painting by Norman Rockwell depicting Ruby’s walk to school. Ruby’s honest and impassioned words, imbued with love and grace, serve as a moving reminder that “what can inspire tomorrow often lies in our past.” This Is Your Time will electrify people of all ages as the struggle for liberty and justice for all continues and the powerful legacy of Ruby Bridges endures.
Reveals the rhetorical strategies African American writers have used to promote Black women’s recovery and wellness through educational and entertainment genres and the conservative gender politics that are distributed when these efforts are sold for public consumption. Since the Black women’s literary renaissance ended nearly three decades ago, a profitable and expansive market of self-help books, inspirational literature, family-friendly plays, and films marketed to Black women has emerged. Through messages of hope and responsibility, the writers of these texts develop templates that tap into legacies of literacy as activism, preaching techniques, and narrative formulas to teach strategies for overcoming personal traumas or dilemmas and resuming one’s quality of life. Drawing upon Black vernacular culture as well as scholarship in rhetorical theory, literacy studies, Black feminism, literary theory, and cultural studies, Tamika L. Carey deftly traces discourses on healing within the writings and teachings of such figures as Oprah Winfrey, Iyanla Vanzant, T. D. Jakes, and Tyler Perry, revealing the arguments and curricula they rely on to engage Black women and guide them to an idealized conception of wellness. As Carey demonstrates, Black women’s wellness campaigns indicate how African Americans use rhetorical education to solve social problems within their communities and the complex gender politics that are mass-produced when these efforts are commercialized.
In Emancipation's Daughters, Riché Richardson examines iconic black women leaders who have contested racial stereotypes and constructed new national narratives of black womanhood in the United States. Drawing on literary texts and cultural representations, Richardson shows how five emblematic black women—Mary McLeod Bethune, Rosa Parks, Condoleezza Rice, Michelle Obama, and Beyoncé—have challenged white-centered definitions of American identity. By using the rhetoric of motherhood and focusing on families and children, these leaders have defied racist images of black women, such as the mammy or the welfare queen, and rewritten scripts of femininity designed to exclude black women from civic participation. Richardson shows that these women's status as national icons was central to reconstructing black womanhood in ways that moved beyond dominant stereotypes. However, these formulations are often premised on heteronormativity and exclude black queer and trans women. Throughout Emancipation's Daughters, Richardson reveals new possibilities for inclusive models of blackness, national femininity, and democracy.
Nineteen stories focus on the magical lore and wondrous imaginings of African American women.
A Black Woman Did That! spotlights vibrant, inspiring black women whose accomplishments have changed the world for the better. A Black Woman Did That! is a celebration of strong, resilient, innovative, and inspiring women of color. Through vibrant illustrations and engaging storytelling, author Malaika Adero spotlights well-known historical figures including Ida B. Wells, Madam CJ Walker, Mae Jemison, and Shirley Chisholm, as well as contemporary stars including Kamala Harris, Stacey Abrams, Jesmyn Ward, Ava DuVernay, and Amy Sherald. Readers will recognize some names in the book, but will also be introduced to many important Black women who have changed history or who are reshaping the cultural landscape. They’ll learn: *how Barbara Harris became the first female bishop of the Episcopal Church *how Misty Copeland became the first Black principal dancer of the American Ballet Theater *how the work and inventions of Dr. Patricia Bath have saved or restored the eyesight of people around the world *how Shirley Chisolm changed the face of politics in America *how Glory Edim has turned her passion for reading into a thriving online community *and much more! .
Reprint of the original, first published in 1883.
Newspaper journalist, teacher, and social reformer, Josephine J. Turpin Washington led a life of intense engagement with the issues facing African American society in the post-Reconstruction era. This volume recovers numerous essays, many of them unavailable to the general public until now, and reveals the major contributions to the emerging black press made by this Virginia-born, Howard University-educated woman who clerked for Frederick Douglass and went on to become a writer with an important and unique voice. Written between 1880 and 1918, the work collected here is significant in the ways it disrupts the nineteenth-century African American literary canon, which has traditionally prioritized slave narratives. It paves the way for the treatment of race and gender in later nineteenth-century African American novels, and engages Biblical scriptures and European and American literatures to support racial uplift ideology. It also articulates shrewdly the aesthetic needs and responsibilities necessary for the black press to establish a reputable literary sphere. Part of a vibrant movement in recent scholarship to reclaim writings of nineteenth-century African American women writers, this expertly edited and annotated collection represents not only a valuable scholarly resource but a powerful example of the determination of a southern black woman to inspire others to improve their own lives and those of all African Americans.