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Sleeping In Chairs is Leo Christopher's first book of poetry. Focusing on life, love and heartbreak, his style speaks directly from the heart and grips readers in a way that feels relatable and honest.
This poignant, haunting poem, originally written for the author's fiancée Ruth who died in a plane crash in 1943, was given to the SOE agent Violette Szabo as her code poem, before she was dropped into occupied France in 1944. It afterwards became famous through the film of her life, Carve Her Name With Pride, starring Virginia McKenna, and has been a source of inspiration ever since to those who have lost a loved one or are themselves facing death.Only in 1998, with the publication of Leo Marks' remarkable book about his works with SOE, Between Silk and Cyanide, did it become known that he was the author of this and many other poems used by SOE agents during World War II.Now one of the best loved poems in the English language, The Life That I Have is presented as a special illustrated gift book, with pencil drawings by the artist Elena Gaussen Marks, the author's wife. Her pencil sketch of Violette Szabo, based on a photograph, is also included.
An owl with an unusual passion learns to shine in this fresh, funny debut picture book introducing a poetry-loving owl whom kids will cheer for. Otto loves poetry—Keats, Rossetti, Dickinson, even T. S. Eliot. He prefers reading to roosting and reciting to hunting. Ordinarily, this wouldn’t be a problem. But, you see, Otto is an owl. When the other owls begin to make fun of Otto, he embarks on a difficult journey, finding along the way both his inner poet and a community that accepts him for who he is. Celebrating courage and the importance of sticking with your passion, and incorporating an engaging mix of original and famous poems, Vern Kousky has created an enchanting and inviting world—a forest filled with the sounds of poetry.
Positive and powerful, I Am Her Tribe is a collection of poetry drawing on the viral Instagram handle and online hashtag that serves to create moments of connection through empowerment and storytelling. Focusing on inspiration, Doby's poetry invites its reader to "Come as you are. Your tribe has arrived. Your breath can rest here." both soft and fierce can coexist and still be powerful
When He Leaves You is a collection of short poetry and prose, biopsied with tears and red wine. It dives into themes of love, loss, a connection to water, and never forgetting what it means to be alive. Separated into six sections: Childhood, Him, Everything Is You, Over, Repairing, and Perspective, it takes you on a journey to find a new outlook.
William Blake, overlooked in his time, remains an enigmatic figure to contemporary readers despite his near canonical status. Out of a wounding sense of alienation and dividedness he created a profoundly original symbolic language, in which words and images unite in a unique interpretation of self and society. He was a counterculture prophet whose art still challenges us to think afresh about almost every aspect of experience—social, political, philosophical, religious, erotic, and aesthetic. He believed that we live in the midst of Eternity here and now, and that if we could open our consciousness to the fullness of being, it would be like experiencing a sunrise that never ends. Following Blake’s life from beginning to end, acclaimed biographer Leo Damrosch draws extensively on Blake’s poems, his paintings, and his etchings and engravings to offer this generously illustrated account of Blake the man and his vision of our world. The author’s goal is to inspire the reader with the passion he has for his subject, achieving the imaginative response that Blake himself sought to excite. The book is an invitation to understanding and enjoyment, an invitation to appreciate Blake’s imaginative world and, in so doing, to open the doors of our perception.
This book is about love. What it is and what it isn't. It is about you--and about everybody who has ever reached out to touch the heart of another. Among many other lessons of the heart, Leo Buscaglia reminds us: Love is open arms. If you close your arms about love you will find that you are left holding only yourself.@@@@From the Paperback edition.@
John Updike’s fifth collection of poetry faces nature on a number of levels. An opening section of sonnets touches upon death, aging, and, in a sequence of describing a week in Spain, insomnia and dread. The poems that follow consider nature in the form of seasons, of planting trees and being buried, of shadow and rain, of pain and accumulation, and of such human diversions as art and travel. The last poem here, and the longest in the book, undertakes a walking tour of each of Jupiter’s four major moons, a scientific excursion that leads into the extravagant precisions of the “Seven Odes to Seven Natural Processes,” a lyrical yet literal-minded celebration of some of the earthly forces that uphold and surround us. Finally, a dozen examples of light verse toy with such natural phenomena as presbyopia, the energy crunch, food, and sex. Like the best of the metaphysical poets, Mr. Updike embraces the world in all its forms and creates conceits out of the casual as well as the moments.
As if a strong, delightful water that we knew only as a river appeared in the character of a fountain; as if one whom we had wondered at as a good walker or inexhaustible pedestrian, began to dance; as if Mr. Bright, in the middle of a public meeting, were to oblige the company with a song, — no, no, not like that exactly, but like something quite new, — is the appearance of George Eliot in the character of a poet. " The Spanish Gypsy," a poem in five books, originally written, as a prefatory note informs us, in the winter of 1864-65, and, after a visit to Spain in 1867, rewritten and amplified, dominates this book. This great poems alone spans across three hundred and fifty octavo pages. But there are many more works included, only to mention "Armgart", "How Lisa Loved The King", "Stradivarius" and many more.
Novels began to incorporate literary theory in unexpected ways in the late twentieth century. Through allusion, parody, or implicit critique, theory formed an additional strand in fiction that raised questions about the nature of authorship and the practice of writing. Studying this phenomenon provides fresh insight into the recent development of the novel and the persistence of modern theory beyond the period of its greatest success. In this book, Judith Ryan opens these questions to a range of readers, drawing them into debates over the value of theory. Ryan investigates what prompted fiction writers to incorporate and respond to theory nearly thirty years ago. Designed for readers unfamiliar with the complexities of theory, Ryan’s book introduces the discipline’s major trends and controversies and notes the salient ideas of a carefully selected set of individual thinkers. Ryan follows novelists’ adaptation to and engagement with arguments drawn from theory as they translate abstract ideas into language, structure, and fictional strategy. At the core of her book is a fascinating microstudy of French poststructuralism in its dialogue with narrative fiction. Investigating theories of textuality, psychology, and society in the work of Don DeLillo, Thomas Pynchon, J. M. Coetzee, Margaret Atwood, W. G. Sebald, and Umberto Eco, as well as Monika Maron, Alain Robbe-Grillet, Marguerite Duras, Marilynne Robinson, David Foster Wallace, and Christa Wolf, Ryan identifies subtle negotiations between author and theory and the richness this dynamic adds to texts. Resetting the way we think and learn about literature, her book reads current literary theory while uniquely tracing its shaping of a genre.