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Inspector Hopper and his partner McBugg solve a mystery in each season of the year.
When Inspector Shanti de Silva moves with his English wife, Jane, to his new post in the sleepy hill town of Nuala he anticipates a more restful life than police work in the big city entails. However an arrogant plantation owner with a lonely wife, a crusading lawyer, and a death in suspicious circumstances present him with a riddle that he will need all his experience to solve. Set on the exotic island of Ceylon in the 1930s, Trouble in Nuala is an entertaining and relaxing mystery spiced with humour and a colourful cast of characters. Interview with the Author Q. There are so many murder mysteries around, what makes Trouble in Nuala stand out? A. To a great extent its setting in Ceylon, modern-day Sri Lanka, in the days when the island was still a British colony. Then, as now, the island was a fascinating place not just for its wonderful scenery and wildlife but also its mix of peoples who seem to have recovered extraordinarily well from the tragedies of their recent past. The majority are Sinhalese, who see themselves as the original owners of the island. They are followed by the Tamils who migrated over the centuries from Southern India. Add the legacy of the early Portuguese and Dutch settlers and you have a very rich culture. Although the story sits firmly in the mystery genre, at the time when it's set, colonialism also raised issues that my characters have to deal with and that provides an extra layer of interest. Q. What's your connection to the country? A. I've been lucky enough to visit and I fell in love with it straight away. My books are often inspired by my travels and as I'd been planning to write a new detective series for some time, it presented the perfect setting. Q. The mystery genre is usually very plot driven. When you wrote Trouble in Nuala did the characters or the plot come first? A. Shanti de Silva was inspired by various people I met on my travels around Sri Lanka and he took shape in my mind early on. He's pragmatic but principled with a mischievous sense of humour; at times impetuous and occasionally a rebel. As my plots develop though, I usually find that characters deepen and that was certainly the case here as Shanti de Silva and the other characters revealed themselves. Q. So what next? A. A second Inspector de Silva mystery is already well advanced and you can read a sample at the end of Trouble in Nuala. After that, there are plenty more adventures for de Silva queueing up to be written.
Introducing Inspector Hopper, a grasshopper with a feel--and feelers--for mysteries, this I Can Read Book follows two bug sleuths as they unravel the mysteries of the insect world. Full-color illustrations.
This omnibus edition contains the first three books in the Angela Marchmont Mystery series Meet enigmatic "lady detective" Angela Marchmont in this series of light-hearted and charming 1920s mysteries! Includes: THE MURDER AT SISSINGHAM HALL (Book 1) On his return from South Africa, Charles Knox is invited to spend the weekend at the country home of Sir Neville Strickland, whose beautiful wife Rosamund was once Knox's fiancée. But in the dead of night Sir Neville is murdered. Who did it? As suspicion falls on each of the house guests in turn, Knox finds himself faced with deception and betrayal on all sides, and only the enigmatic Angela Marchmont seems to offer a solution to the mystery. This 1920s whodunit will delight all fans of traditional country house murder stories. THE MYSTERY AT UNDERWOOD HOUSE (Book 2) Old Philip Haynes was never happier than when his family were at each other's throats. Even after his death the terms of his will ensured they would keep on feuding. But now three people are dead and the accusations are flying. Can there really be a murderer in the family? Torn between friendship and duty, Angela Marchmont must find out the truth before the killer can strike again. THE TREASURE AT POLDARROW POINT (Book 3) When Angela Marchmont goes to Cornwall on doctor's orders she is looking forward to a nice rest and nothing more exciting than a little sea-bathing. But her plans for a quiet holiday are dashed when she is caught up in the hunt for a diamond necklace which, according to legend, has been hidden in the old smugglers' house at Poldarrow Point for over a century. Aided by the house's elderly owner, an irrepressible twelve-year-old, and a handsome Scotland Yard detective, Angela soon finds herself embroiled in the most perplexing of mysteries. Who is the author of the anonymous letters? Why is someone breaking into the house at night? And is it really true that a notorious jewel-thief is after the treasure too? Angela must use all her powers of deduction to solve the case and find the necklace—before someone else does.
Fifth-grader Mabel (code name Sunflower) has her parents Rules for a Successful Life as an Undercover Secret Agent to live by and when her parents leave town abruptly she is not too worried--but when her beloved Aunt Gertie is arrested, and her objectionable Uncle Frank and Aunt Stella (Frankenstella) and her annoying (but clever) cousin Victoria take over her house and the family's private museum, Mabel begins to smell a rat and she is determined to find out what her suspicious relatives are up to.
Chief Jim Hopper reveals long-awaited secrets to Eleven about his old life as a police detective in New York City, confronting his past before the events of the hit show Stranger Things. Christmas, Hawkins, 1984. All Chief Jim Hopper wants is to enjoy a quiet first Christmas with Eleven, but his adopted daughter has other plans. Over Hopper's protests, she pulls a cardboard box marked "New York" out of the basement-and the tough questions begin. Why did Hopper leave Hawkins all those years ago? What does "Vietnam" mean? And why has he never talked about New York? Although he'd rather face a horde of demogorgons than talk about his own past, Hopper knows that he can't deny the truth any longer. And so begins the story of the incident in New York-the last big case before everything changed... Summer, New York City, 1977. Hopper is starting over after returning home from Vietnam. A young daughter, a caring wife, and a new beat as an NYPD detective make it easy to slip back into life as a civilian. But after shadowy federal agents suddenly show and seize the files about a series of brutal, unsolved murders, Hopper takes matters into his own hands, risking everything to discover the truth. Soon Hopper is undercover among New York's notorious street gangs. But just as he's about to crack the case, a blackout rolls across the boroughs, plunging Hopper into a darkness deeper than any he's faced before.
“[B. H. Fairchild] is the American voice at its best: confident and conflicted, celebratory and melancholic.”—New York Times Gathering works from five of B. H. Fairchild's previous volumes stretching over thirty years, and adding twenty-six brilliant new poems, The Blue Buick showcases the career of a poet who represents "the American voice at its best: confident and conflicted, celebratory and melancholic" (New York Times). Fairchild's poetry covers a wide range, both geographically and intellectually, though it finds its center in the rural Midwest: in oilfields and dying small towns, in taverns, baseball fields, one-screen movie theaters, and skies "vast, mysterious, and bored." Ultimately, its cultural scope—where Mozart stands beside Patsy Cline, with Grunewald, Gödel, and Rothko only a subway ride from the Hollywood films of the 1950s—transcends region and decade to explore the relationship of memory to the imagination and the mysteries of time and being. And finally there is the character of Roy Eldridge Garcia, a machinist/poet/philosopher who sees in the landscape and silence of the high plains the held breath of the earth, "as if we haven't quite begun to exist. That coming into being still going on." From the machine work elevated to high art that is the subject of The Arrival of the Future (1985) to the despairing dreamers of Early Occult Memory Systems of the Lower Midwest (2002) to the panoramic, voice-driven structure of Usher (2009), Fairchild's work, "meaty, maximalist, driven by narrative, stakes out an American mythos" (David Ulin, Los Angeles Times). From "The Blue Buick:" A boy standing on a rig deck looks across the plains. A woman walks from a trailer to watch the setting sun. A man stands beside a lathe, lighting a cigar. Imagined or remembered, a girl in Normandy Sings across a sea, that something may remain.
In this thriller in the #1 New York Times bestselling Joe Pickett series, the Wyoming game warden is up against a vicious killer who's more beast than man... Local authorities in Twelve Sleep County, Wyoming, are quick to label a rash of animal mutilations as the work of a grizzly bear, but game warden Joe Pickett suspects that something far more sinister is afoot. And when the bodies of two men are found disfigured in the same way, his worst fears are confirmed: A modern-day Jack the Ripper is on the loose—and the killings have just begun.
Anthropology is the study of all humans in all times in all places. But it is so much more than that. "Anthropology requires strength, valor, and courage," Nancy Scheper-Hughes noted. "Pierre Bourdieu called anthropology a combat sport, an extreme sport as well as a tough and rigorous discipline. ... It teaches students not to be afraid of getting one's hands dirty, to get down in the dirt, and to commit yourself, body and mind. Susan Sontag called anthropology a "heroic" profession." What is the payoff for this heroic journey? You will find ideas that can carry you across rivers of doubt and over mountains of fear to find the the light and life of places forgotten. Real anthropology cannot be contained in a book. You have to go out and feel the world's jagged edges, wipe its dust from your brow, and at times, leave your blood in its soil. In this unique book, Dr. Michael Wesch shares many of his own adventures of being an anthropologist and what the science of human beings can tell us about the art of being human. This special first draft edition is a loose framework for more and more complete future chapters and writings. It serves as a companion to anth101.com, a free and open resource for instructors of cultural anthropology. This 2018 text is a revision of the "first draft edition" from 2017 and includes 7 new chapters.