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What goes on inside a paragraph of printed text? Cyrus Highsmith's Inside Paragraphs is an essential primer on the basics of typography that focuses specifically on the role of printed text within a paragraph. Engaging full-page illustrations and Highsmith's accessible explanations show the role of white space between letters, words, and lines. Perfect for students and professionals alike, this updated edition includes a new preface.
This engaging and highly regarded book takes readers through the key stages of their PhD research journey, from the initial ideas through to successful completion and publication. It gives helpful guidance on forming research questions, organising ideas, pulling together a final draft, handling the viva and getting published. Each chapter contains a wealth of practical suggestions and tips for readers to try out and adapt to their own research needs and disciplinary style. This text will be essential reading for PhD students and their supervisors in humanities, arts, social sciences, business, law, health and related disciplines.
Take your design work to the next level with Making and Breaking the Grid: A Graphic Design Layout Workshop (Third Edition), the essential easy-to-use guide for designers working in every medium. With over 150,000 copies in print, this new edition makes a classic text relevant to a new generation of designers. Updates include: A cross-cultural inclusive re-envisioning of design history related to the grid, including alternative approaches to layout Expanded discussion of grid use in interactive, UX/UI scenarios Greater equity in the representation of design work by women and BIPOC designers Grids are the most basic and essential forms in graphic design—and they can be the most rigid. This book shows you how to understand the rules of the grid to use them effectively, and then how to break them, resulting in phenomenal cohesive layouts. Timothy Samara explains the history of the grid and shows examples of grid basics, such as column, compound, and modular grids. He shows methods for building and using grids, and offers numerous examples of stunning design projects using a variety of imagery and typography. Pages are filled with hundreds of large, full-color layout concepts and diagrams that educate and inspire. After mastering the grid, discover how to break it using conceptual designs that deconstruct and flip the grid successfully. Split, splice, and shift; create spontaneous compositions; make narrative constructs; work on an axis; use intuitive design; and more to create unique layouts or other projects. See ideas in action with eye-catching layout examples. With this book you will: learn how grids work. be inspired to explore new concepts for using—or not using—grids. discover achievable alternatives for boring layouts. get the results you want using fresh design elements. learn designers’ processes via fascinating case studies. see numerous examples of successful layouts created with and without grids. communicate ideas effectively using visual language. This new, expanded edition presents the most comprehensive, accessible, in-depth exposition of layout concepts ever published.
"Every morning I jump out of bed and step on a land mine. The land mine is me. After the explosion, I spend the rest of the day putting the pieces back together. Now, it's your turn. Jump!" Zest. Gusto. Curiosity. These are the qualities every writer must have, as well as a spirit of adventure. In this exuberant book, the incomparable Ray Bradbury shares the wisdom, experience, and excitement of a lifetime of writing. Here are practical tips on the art of writing from a master of the craft-everything from finding original ideas to developing your own voice and style-as well as the inside story of Bradbury's own remarkable career as a prolific author of novels, stories, poems, films, and plays.Zen In The Art Of Writingis more than just a how-to manual for the would-be writer: it is a celebration of the act of writing itself that will delight, impassion, and inspire the writer in you. In it, Bradbury encourages us to follow the unique path of our instincts and enthusiasms to the place where our inner genius dwells, and he shows that success as a writer depends on how well you know one subject: your own life.
An important challenge to what currently masquerades as conventional wisdom regarding the teaching of writing. There seems to be widespread agreement that—when it comes to the writing skills of college students—we are in the midst of a crisis. In Why They Can't Write, John Warner, who taught writing at the college level for two decades, argues that the problem isn't caused by a lack of rigor, or smartphones, or some generational character defect. Instead, he asserts, we're teaching writing wrong. Warner blames this on decades of educational reform rooted in standardization, assessments, and accountability. We have done no more, Warner argues, than conditioned students to perform "writing-related simulations," which pass temporary muster but do little to help students develop their writing abilities. This style of teaching has made students passive and disengaged. Worse yet, it hasn't prepared them for writing in the college classroom. Rather than making choices and thinking critically, as writers must, undergraduates simply follow the rules—such as the five-paragraph essay—designed to help them pass these high-stakes assessments. In Why They Can't Write, Warner has crafted both a diagnosis for what ails us and a blueprint for fixing a broken system. Combining current knowledge of what works in teaching and learning with the most enduring philosophies of classical education, this book challenges readers to develop the skills, attitudes, knowledge, and habits of mind of strong writers.
Writing Paragraphs takes students from sentence formation to paragraph writing through a process approach. This not only develops students' paragraph writing skills, but also encourages them to become independent and creative writers. The back of the Student's Book contains peer review forms and a grammar reference section
"Puzzle Paragraphs will show you how to: construct and deconstruct the most common nonfiction text types, seamlessly integrate these activities into readers' and writers workshops, and use the sample texts and BLMs provided in this comprehensive resource book."--back cover.
A panorama of curiosity, delight and thoughtful analysis. An anthology that takes the reader on an insightful journey through the past in understanding the present. Robert Fulford is arguably Canada's most distinguished journalist, essayist, and liberal thinker of our time. He began his career in 1950 at the Globe and Mail and wrote columns for more than 20 years at The Toronto Star, as well as being the editor for Saturday Night Magazine. Since 1999 his columns appear twice a week in The National Post. He is the author of more than ten books, and he delivered the Massey Lectures in 1984. But some of his best writing, certainly some of the most vibrant, appeared in the Queen's Quarterly from 2004-2014, home to many of Canada's more eloquent and thought-provoking writers for over a century including such luminaries as W.O Mitchell, Sinclair Ross, Mavis Gallant, Carol Shields and Margaret Atwood. Fulford's brilliant anthology is offered here. It is a literary time machine that transports the reader on a passage through events and social commentary with some of the most influential figures of the 20th and 21st centuries. Entertaining, thoughtful, and insightful, Fulford will engage young and old with these short stories and essays - and the timing could not be better. Concerned citizens wrestle with the knowledge that current political discourse has slipped to a level of contempt and rhetoric that treats most as intellectually weak. Today our collective conscience is influenced by art, literature, movies and music while modern philosophy and its stream of consciousness have been discounted or forgotten by many of the leaders amongst us. Robert recognized that the foundations of great societies are built on Ethics and Ethos, Right and Wrong and the concept of the Rule of Law. Ideals espoused by both classical and contemporary philosophers. Fulford taps into his fascination with ancient and 20th-century philosophy and present reasoning as he explores a myriad of subjects in his book. Readers will be entertained as they soon find themselves embarking on a journey of introspection, perspective and fascination with how our world has evolved around us. Significant figures, events and a changing social contract are prominent within these beautiful essays. A Robert Fulford essay is like a crisp dry martini; crystalline, refreshing, elating. An elegant craftsman in full command of the language, his work glows with dazzling insights, a profound humanity and gregarious good humour. The man's a master. - Michael Enright, broadcaster, host of CBC Radio's The Sunday Edition Robert Fulford has often enough been the lonely but eloquent conscience for Canada. His crusading humanity, lean prose and inner steel made a monument of acute insight of his "Notebook" in Saturday Night, and this vivid collection of essays more than reinforces the point. - John Fraser, author of The Chinese and Eminent Canadians If you are lucky enough to spend time with someone who is incorrigibly curious, brainy, mordantly funny, passionate but always, always, companionable, then you know what it's like to savour an essay by Robert Fulford. - Katherine Ashenburg, author of Sofie & Cecilia One thing I really admire about Robert Fulford's essays, apart from their calm erudition and the certainty of their judgement, is the boggling range of subjects he wraps his mind around, everything from television to the tango, from H.G. Wells's sexual affairs to parataxis in the King James Bible. - Ian Brown, columnist for the Globe and Mail, author of The Boy in the Moon and Man Overboard.