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The Latin Poems of Manilius Cabacius Rallus of Sparta presents the poetic oeuvre of a forgotten poet of Renaissance Rome. A Greek by birth, Manilius Cabacius Rallus (c. 1447–c. 1523) spent most of his life far from his motherland, unable to return. Through his poems, composed in a range of metres and genres, Rallus engaged with some major events and personalities of his time, including Angelo Poliziano, Ianus Lascaris, and Pope Leo X. His poems also reflect on timeless human experiences such as helplessness in the face of fortune and nostalgia for what is lost. Han Lamers edited the Latin text of Rallus’ poems (most of them printed for the last time in 1520) and added annotations and an English prose translation.
Pablo Adalberto Ortiz Quiñones (1914–2002) was one of the most gifted writers in Ecuador and all of Latin America. Yet outside of Ecuador and amongst Afro-Hispanic literature scholars in the United States, little critical attention has been given to this pioneer whose multi-genre contributions spanned decades. In his writings, Ortiz explores some of the defining social issues in the Americas since the African and European encounters with the New World, including the notion of “race.” He articulates a complex process of affirming the ethnic while not denying the national. Consequently, miscegenation—a biological process—as well as acculturation are motifs in his writings, which explore the essence of what it means to be Ecuadorian. Ortiz does not dwell upon the so-called “race” question, the issue that causes such anxiety and hostility, overtly and covertly, in the United States. Rather, he explores, in depth, ethnicity, class, and caste in his earlier writings and evolves into an international writer while maintaining a strong black awareness. Adalberto Ortiz’s transcendence of victimization to a broader view of the world is indicative of the title of Marvin A. Lewis’ analysis —from margin to center—and reflective of the approach taken by many Afro-Hispanic writers. The dialectical nature of Ortiz’s writings makes his work particularly interesting and rewarding, as revealed in Adalberto Ortiz: From Margin to Center. In this book, Lewis examines the form and content relationships between works published during different literary periods and movements. Emphasis is placed on Ortiz’s transition from the local to the international in each genre, and the theoretical approach is “eclectic,” depending upon the exigencies of the texts. Ecocriticism, post-colonialism, post-modernism, and other methodologies addressing the environment, place/displacement, identity, and historiographic metafiction are fundamental to the Lewis’ readings of Ortiz’s prose and poetry.
A reflection on Federico García Lorca’s life, his haunting death, and the fame that reinvigorated the marvelous in the modern world “A galaxy of critical insights into the cultural shock waves circling and crisscrossing Lorca’s execution and his unknown resting place, there is not a single book on Lorca like this one.”—Andrés Zamora, Vanderbilt University There is something fundamentally unfinished about the life and work of Federico García Lorca (1898–1936), and not simply because his life ended abruptly. Noël Valis reveals how this quality gives shape to the ways in which he has been continuously re-imagined since his death. Lorca’s execution at the start of the Spanish Civil War was not only horrific but transformative, setting in motion many of the poet’s afterlives. He is intimately tied to both an individual and a collective identity, as the people’s poet, a gay icon, and fabled member of a dead poets’ society. The specter of his violent death continues to haunt everything connected to Lorca, fueling the desire to fill in the gaps in the poet’s biography.
La obra podría llamarse, "expresiones, sentires, enfoques, puntos de vista", intrascendentes, quizás, pero necesariamente humanos. Siguiendo a Borges, podríamos decir que son "cuentos según la expectativa del lector". Si el lector no se acerca a ellos esperando leer cuentos, pues no lo son. Son, simplemente, rasgos de vida humana objetivada, reflejos de experiencias propias o ajenas, pues también de las experiencias de otros aprendemos y vivimos. Momentos de lo humano a los que (dijo Terencio), no podemos ser ajenos, meras salidas espontáneas de las flores, de las espinas, de los abrojos y de las piedras que llevamos por dentro... No pretendemos ser el "espejo que anda por el camino", sino mostrar el camino para que el espejo del lector lo perciba y lo interprete a su manera, conforme a su propia luz...
Traces the processes and paradoxes at work in the late parodic poetry of Luis de Góngora and Lope de Vega, illuminating correlations and connections.