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This book constitutes the refereed proceedings of five workshops and an industrial session held at the 20th International Conference on Image Analysis and Processing, ICIAP 2019, in Trento, Italy, in September 2019: Second International Workshop on Recent Advances in Digital Security: Biometrics and Forensics (BioFor 2019); First International Workshop on Pattern Recognition for Cultural Heritage (PatReCH 2019); First International Workshop eHealth in the Big Data and Deep Learning Era (e-BADLE 2019); International Workshop on Deep Understanding Shopper Behaviors and Interactions in Intelligent Retail Environments (DEEPRETAIL 2019); Industrial Session.
This catalogue assembles sumptuous photographs of the world's leading collection of Cham sculpture, along with the most recent insights of Vietnamese and international scholars. The Champa culture thrived in magnificent temples, sculpture, dance and music along the central and southern coast of today's Vietnam from the 5th to the 15th centuries. A focused exploration here uncovers this brilliant yet almost lost culture to newcomers as well as experts. To mark its centenary, the Da Nang Museum of Cham Sculpture has been expanded and refurbished to appropriately house the world's leading collection of Cham art. The museum staff, supported by the Southeast Asia art programme of the School of Oriental and African Studies (SoaS), London University, funded by the Alphawood Foundation, worked in concert with researchers from around the world to present these masterpieces.
The Cham people once inhabited and ruled over a large stretch of what is now the central Vietnamese coast. Written by specialists in history, archaeology, anthropology, art history, and linguistics, these essays reassess the ways that the Cham have been studied.
Contributed articles presented at the fourth Biannual International Conference on Dharma and Abhidharma at University of Mumbai, held in March 2006.
In the 5th century, the Champa kingdom held sway over a large area of today’s Vietnam. Several magnificent structures still testify to their former presence in the Nha Trang region. Cham sculpture was worked in a variety of materials, principally sandstone, but also gold, silver and bronze. It was primarily used to illustrate themes from Indian mythology. The kingdom was gradually eroded during the 15th century by the inexorable descent of the people towards the south (“Nam Tiên”) from their original base in the Red River region. The author explores, describes, and comments on the various styles of Cham sculpture, drawing on a rich and, as yet, largely unpublished iconographic vein.
Traces the story of India's expansion that is woven into the culture of Southeast Asia.
This book brings something new in both dimension and detail to our understanding of Southeast Asia from the first to the fourteenth centuries. It puts Southeast Asia in the context of the international trade that stretched from Rome to China and draws upon a wide range of recent scholarship in history and the social sciences to redefine the role that this trade played in the evolution of the classical states of Southeast Asia. By examining the sources of Southeast Asia's classical era with the tools of modern economic history, the author shows that well-developed socioeconomic and political networks existed in Southeast Asia before significant foreign economic penetration took place. With the growth of interest in Southeast Asian commodities and the refocusing of the major East-West commercial routes through the region during the early centuries of the Christian era, internal conditions within Southeast Asia adjusted to accommodate increased external contacts. Hall takes the view that Southeast Asia's response to international trade was a reflection of preexisting patterns of trade and statecraft. In the forty years since Coede's monumental work The Indianized States of Southeast Asia was published, a great deal of archaeological and epigraphical work has been done and new interpretations advanced. By integrating new theoretical constructs, recent archaeological finds and interpretations, and his own informed reading and research, Kenneth R. Hall puts his historical narrative on a large canvas and treats areas not previously brought together for discussion along comparative lines. Like Coedes' work, his book will be important as a basic text for the teaching of early Southeast Asian history.
A stunning autobiographical account of the fight for freedom in Ho Chi Min's Vietnam.