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Jane Caldwell, daughter of Joseph Caldwell and Mary Bennett, was born in 1808 or 1809 in Mercer County, Pennsylvania or Steubenville, Ohio. She married John Waite in about 1830. They had seven children. She married Eli Brazee Kelsey. She died in 1891 in Bountiful, Utah.
Joseph Smith, Jr. (1805-1844) was born in Sharon, Windsor County, Vermont. In 1820 he received a heavenly visitation of God the Father and His Son, Jesus Christ. In 1830, with the authority of God, Joseph restored the Church of Jesus Christ. After being driven from three different states and suffering much persecution, Joseph Smith and his brother, Hyrum Smith (1800-1844), were murdered by a heinous mob in Carthage, Illinois on June 27, 1844.
A voice for the community of LDS scholars.
Descriptive bibliography of every known book produced by Mormons in support of the Church of Jesus Christ of Latter-day Saints during the period 1830-1847. Also includes some author biographies.
Beginning in the 1830s, at least thirty-three women married Joseph Smith. These were passionate relationships which had some longevity, except in instances in which Smith's first wife, Emma, learned of the secret union and quashed it. Emma remained a steadfast opponent of polygamy throughout her life.
As pioneers attempted to settle and civilize the ?Wild West,? cemeteries became important cultural centers. Filled with carved wooden headboards, inscribed local stones, and Italian marble statues, cemeteries functioned as symbols of stability and progress toward a European-inspired vision of Manifest Destiny. As repositories of art and history, these pioneer cemeteries tell the story of communities and visual culture emerging together within the developing landscape of the Old West. Annette Stott traces this story through Rocky Mountain towns on the western frontier, from the unkempt ?boot hills? of the early mining camps and cattle settlements to the more refined ?fair mounts.? She shows how people from Asia, Europe, and the Americas contributed to the visual character of the mountain cemeteries, and how the sepulchral garden functioned as an open-air gallery of public sculpture, at once a site for relaxation, learning, and social ritual. Here, widespread participation in a variety of ceremonies brought mountain communities together with a frequency almost unimaginable today. Illustrated with eighty-three striking photographs, this book shows how the pioneer cemetery emerged as a site of public sculpture and cultural transmission in which each carved or molded monument played dual (and sometimes conflicting) public and private roles, recording the community?s history and values while memorializing individuals and events.
Reprint of the original, first published in 1875.