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She was just 17, a high school dropout named Milly Jones, found walking down the middle of the highway, engulfed in flames. Even in a tough Mississippi county like Tibbehah, it shatters the community, and it is up to Sheriff Quinn Colson, back on the job after a year away, and his deputy Lillie Virgil, to investigate what happened, and why. Before long, however, accusations start to fly; national media and federal authorities descend; and what seemed like a senseless act of violence begins to appear like something even more disturbing - with more victims waiting in the shadows.
Having set out to seduce her teacher as part of a personal agenda, a sixteen-year-old schoolgirl realizes her seductive powers are greater than she realized and leaves the home of her guardian aunt and uncle in order to move in with him. Original.
"Photographer Taryn Simon brings us face-to-face with individuals falsely accused and convicted. While mugshots and photo arrays are used to condemn and imprison these innocents, Simon has turned the camera around to document these victims of mistaken identity and perverted justice. Through Simon's interviews with each, the men and women in this book confront the paradox of innocence and imprisonment, the inability to recover the years stolen from them, and the states' unconscionable refusal to compensate them or ease their traumatic transition to civilian life."--BOOK JACKET.
Even the innocent don't kiss and tell... “…the quick pacing will keep readers engrossed in this series kickoff as Alice and Charlie try to sort through the soap opera that is their new lives and figure out who they can trust. It’s Gossip Girl for Connecticut’s Gold Coast.” –Publishers Weekly The Innocents weaves a saga of nail-biting drama, breathless romance, and gothic mystery perfect for fans of ABC's Revenge. Though they share the same blood, Alice and Charlie couldn’t be more different. Alice is older (by one year and one day), shy and reserved, a cool blonde, a painter, a reader, a thinker. Charlie is feisty and uninhibited, a wild brunette, the kind of girl who punches a bully right in the mouth. They hate each other. They love each other. They stand by each other, when no one else will. They’re sisters. Then their parents divorce. Soon, Alice, Charlie, and their mother are leaving their old life behind. They’re saying goodbye to their cramped Cambridge apartment and driving along the rocky Connecticut coastline—to their stepfather's summer estate in the wealthy town of Serenity Point. The minute they drive through the gates, they wish they never had. Their arrival reopens old wounds, memories of lost loves, best friends—and bitter rivals. The people of Serenity Point thought the past was dead and buried. They were wrong.
Recounts the events surrounding the 1993 murders of three boys in West Memphis, Arkansas, and the trials of the three teens who were convicted of the crime.
Jack Clayton's gothic masterpiece The Innocents, though not a commercial success on its release in 1961, has been hailed as one of the greatest psychological thrillers of all time. Dividing reviewers with its ambiguous depiction of ghosts, the film ignited a debate about the aesthetics of horror which still rages today. In this stimulating introduction to The Innocents, Sir Christopher Frayling traces the film from its genesis in the original novel The Turn of The Screw by Henry James, via contemporary critical contexts and William Archibald's 1950 stage adaptation of the same name, to the screenplay by William Archibald, Truman Capote and John Mortimer. Drawing on unpublished material from Jack Clayton's archive – including Capote's handwritten drafts for the film – and interviews with Deborah Kerr, Freddie Francis, and John Mortimer, Frayling explores how this classic ghost story came to life on screen. This special edition features original cover artwork by Matthew Young.
When a fifteen-year-old babysitter and the toddler entrusted to hercare vanish from their sleepy sub-urban town, Maddy Blake -- like the rest of Taylorsville -- is horrified. When the teenager turns up dead and the baby is nowhere to be found, Maddy's once tranquil life is shattered. Her husband becomes the prime suspect for this heinous crime, having only recently been acquitted of sexual misconduct charges brought by one of his teenage students. Plagued by doubts of her husband's innocence, tortured by a growing attraction to her priest, and disconcerted by the grim strangers to whom she has opened her home, Maddy realizes too late that she is inmortal danger.
Continually occupied by its indigenous peoples, as well as a siren to waves of pioneers, the Northwest has long fostered a sense of isolation and opportunity. Alice Wheeler's subjects embody both. Internationally known for her photographs of Nirvana, Bikini Kill, and the punk-feminist bands of Riot Grrl, Wheeler is drawn to people and landscapes that possess unique strength and beauty. Hers are the lesser-seen realities of Seattle's history over the last three decades: not the incessant rain and coffeehouse earnestness represented in films and sitcoms, but the glory of the drag scene; the devastation of AIDS; the freedom of choice celebrated at Hempfest and protest rallies; brilliant sunsets and radiant clouds; and a music scene that for decades has captivated devotees internationally. This is her first monograph.
Sr Helen Prejean has accompanied five men to execution since she began her work in 1982. She believes the last two, Dobie Williams in Louisiana and Joseph O'Dell in Virginia, were innocent, but their juries were blocked from seeing all the evidence and their defence teams were incompetent. 'The readers of this book will be the first "jury" with access to all the evidence the trail juries never saw', she says. The Death of Innocents shows how race, prosecutorial ambition, poverty and publicity determine who dies and who lives. Prejean raises profound constitutional questions about the legality of the death penalty.
The war against child abuse has become a war against children. Every year, hundreds of children die, thousands more are forced to live with strangers, and countless American families are torn apart. This is called a "child-protection system." While the problem of child abuse is serious and real, journalist Richard Wexler charges that our solutions to the problem have actually made it worse - in fact, hurting the very children that they were intended to help. Wexler reinforces his arguments with horrifying descriptions of children summarily removed from their homes, of families shattered because of false reports, and of children whose parents are guilty of nothing more than poverty being thrust into the maelstrom of the chaotic foster-care program. He writes of severly abused children - those needing the most help - whose cases are ignored because the system diverts scarce resources to trivial or unfounded cases, and who are reinjured, sometimes fatally after their plight has been called to the attention of authorities. Wounded Innocents illustrates how well-meaning efforts to help children have gone terribly wrong and how the current child-protection system desperately needs to be replaced with one that offers real help and real hope to abused and neglected children.