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Murder Most Foul is a literary study aimed at a general audience that links and compares several great works of world literature to themes of violence and suffering. Included are Shakespeare’s Hamlet, Homer’s Iliad and Odyssey, Herman Melville’s Moby Dick, and several works of the great Greek tragedians—Aeschylus, Sophocles, and Euripides. The gods of Greek mythology, led by the great god Zeus, were instrumental in causing the pain and strife. The author makes the point that death and destruction, war and violence assert themselves everywhere in great works, and thus draws a conclusion that it is part and parcel of existence in all eras of mankind. The title is taken from Hamlet, words spoken to Hamlet by the ghost of his murdered father.
Hostis humani generis, meaning "enemy of humankind," is the legal basis by which Western societies have defined such criminals as pirates, torturers, or terrorists as beyond the pale of civilization. Sonja Schillings argues that the legal fiction designating certain persons or classes of persons as enemies of all humankind does more than characterize them as inherently hostile: it supplies a narrative basis for legitimating violence in the name of the state. The book draws attention to a century-old narrative pattern that not only underlies the legal category of enemies of the people, but more generally informs interpretations of imperial expansion, protest against structural oppression, and the transformation of institutions as "legitimate" interventions on behalf of civilized society. Schillings traces the Anglo-American interpretive history of the concept, which she sees as crucial to understanding US history, in particular with regard to the frontier, race relations, and the war on terror.
First series, books 1-43, includes "Notes on U.S. reports" by Walter Malins Rose.
Complete with headnotes, summaries of decisions, statements of cases, points and authorities of counsel, annotations, tables, and parallel references.