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Inner Space/Outer Space brings together much of the exciting work contributing to a new synthesis of modern physics. Particle physicists, concerned with the "inner space" of the atom, are making discoveries that their colleagues in astrophysics, studying outer space, can use to develop and test hypotheses about the events that occurred in the microseconds after the Big Bang and that shaped the universe as we know it today. The papers collected here, from scores of scientists, constitute the proceedings of the first major international conference on research at the interface of particle physics and astrophysics, held in May 1984. The editors have written introductions to each major section that draw out the central themes and elaborate on the primary implications of the papers that follow.
An invigorating tour of topics that brings together dozens of essays that offer a sweeping account of the author's explorations about science, philosophy, and religion. 34 line illustrations.
An investigation into experiences of other realms of existence and contact with otherworldly beings • Examines how contact with alien life-forms can be obtained through the “inner space” dimensions of our minds • Presents evidence that other worlds experienced through consciousness-altering technologies are often as real as those perceived with our five senses • Correlates science fiction’s imaginal realms with psychedelic research For thousands of years, voyagers of inner space--spiritual seekers, shamans, and psychoactive drug users--have returned from their inner imaginal travels reporting encounters with alien intelligences. Inner Paths to Outer Space presents an innovative examination of how we can reach these other dimensions of existence and contact otherworldly beings. Based on their more than 60 combined years of research into the function of the brain, the authors reveal how psychoactive substances such as DMT allow the brain to bypass our five basic senses to unlock a multidimensional realm of existence where otherworldly communication occurs. They contend that our centuries-old search for alien life-forms has been misdirected and that the alien worlds reflected in visionary science fiction actually mirror the inner space world of our minds. The authors show that these “alien” worlds encountered through altered states of human awareness, either through the use of psychedelics or other methods, possess a sense of reality as great as, or greater than, those of the ordinary awareness perceived by our five senses.
Based on a series of lectures that Rabbi Aryeh Kaplan gave to a small group of students in Brooklyn in 1981, this contains transcripts of the series on the Kabbalistic system, and testifies to his wonderful ability to transmit profound ideas in a readily-graspable way. Although this is an introductory text, it contains many perspectives that are expressed in a unique way, so it would be quite valuable even for the more advanced student of Jewish mysticism.
The leading mind behind the mathematics of string theory discusses how geometry explains the universe we see. Illustrations.
The moon has long furnished humankind with an artistic icon, an image of longing and object of scientific inquiry. Encompassing art, film, literature, architecture, design, natural history and historical objects, and published on the occasion of the 50th anniversary of the first manned landing (July 20, 1969), "The Moon" surveys the iconography of the moon, from Romantic landscape paintings to space-age art. It takes the 1969 landing as a thematic fulcrum and a culmination of the deep-rooted cultural conceptions invested in the space race in the 1960s, from David Bowie to Disney. The book also accounts for the science of the moon throughout the ages, from Galileo to NASA, addressing the many lunar myths that have existed throughout time. Also explored here is moonlight, an important theme in the Romantic nocturnal landscapes of Caspar David Friedrich, J.C. Dahl and Carl Julius von Leypold. "The Moon" looks at all these lunar themes and myths, in a thrilling and inspirational gathering for anyone who has felt the moon's pull on their imagination.
Who are we and how do we define our inner selves? In his last work, Professor Stephen Prickett presents a literary and cultural exploration of our inner selves – and how we have created and written about them – from the Old Testament to social media. What he finds is that although our secret, inner, sense of self – what we feel makes us distinctively 'us' – seems a natural and permanent part of being human, it is in fact surprisingly new. Whilst confessional religious writings, from Augustine to Jane Austen, or even diaries of 20th-century Holocaust victims, have explored inwards as part of a path to self-discovery, our inner space has expanded beyond any possible personal experience. This development has enhanced our capacity not merely to write about what we have never seen, but even to create fantasies and impossible fictions around them. Yet our secret selves can also be a source of terror. The fringes of our inner worlds are often porous, ill-defined and susceptible to frightening forms of external control. Mystics and poets, from Dante to John Henry Newman or Gerard Manley Hopkins, sought God in their secret spaces not least because they feared the 'abyss beneath.' From the origin of human consciousness through modern history and into the future, Secret Selves uses literature to consider the profound possibilities and ramifications of our evolving ideas of self.
The autobiography of Sebastien Martin rings with the intensity of a well-turned action novel and the rigid clarity of an academic study. Through the mysteries surrounding his birth to the awareness gathered along the way, his story spills from these pages with the honesty and passion of someone who has seen the tragedies of our world and communed with ancient beings, ranging from archangels to Sumerian gods. Sebastien has plowed through life, connecting the dots from his varied and exciting experiences to make him whole again. This allowed him to remember everything from his past lives to his soul origin. Traveling through the cosmos and receiving sacred information has assisted him in his goal on of how to share what he has learned. Remaining grounded, he has learned greatly from his time as the CEO of a multinational corporation as well, from and raising a family with his wife of almost twenty years. He has walked through the Quantum lines of space and time, traveling through the intricacies of the multiverse, which offers a glimpse of hope in how to change the world we live in. He can now bring a realization to the role we have to play as a species in the cosmos, instead of just trying to survive through the illusory idea of our made-up world.
Kjell Espmarks The Inner Space (Den Inre Rymden, 2014) is the culmination of an oeuvre ranging over more than a half century. His previous book of poetry, Vintergata (2007), in English called Lend Me Your Voice, was a success. One of the leading Swedish newspapers, Svenska Dagbladet, called it the best Swedish poetry in the new millenium and it was promptly translated into ten languages, including Chinese and Arabic. This new book The Inner Space is to appear in Sweden in the autumn of 2014, but is simultaneously published in Italian, Spanish, and Arabic. A Chinese version is on its way. Vintergata - literally Milky Way - is a constellation of a hundred small mono-logues in which the dead from all ages, some famous, most of them anonymous, appeal to our attention. They could be said to form a modest history on the margin of History. The Inner Space is more personal and has a light mood. It brings us a further hundred monologues but this time there is a continuous shift between autobiographical moments and the voices of the dead. The earlier book finished in the picture of an ego on a bench at the bay, hit by an obviously fatal heart attack.The Inner Space starts there, in a new attempt at life, recreating prehistory and family chronicle, childhood and formation, work and love, up to "the final vertigo of childrens voices." The ages appear unhampered by logic, one beside the other - your head is "full of memories of all that hasnt happened yet." At the same time urgent voices from outside break in, voices that carry essential, often harrowing messages, contributing to form the life they invade. This poetry is direct, clear-cut and dramatic, presenting "the second simplicity" that one of the poems talks about. It addresses a wide audience.