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A Charlotte Justice novel.
Black theology's addressing of economic poverty in the Black neighborhoods and communities of the United States gives substantive reasoning to the fact that Black poverty is a theological problem. In connecting the narrative of idolatry to the irreversible harm that is associated with all forms of poverty, this new book interlocks the racial subjugation of Black Americans with the false assumptions of capitalism. Here the inner-city blues of poverty are experienced by those who reside in metropolitan cities and rural towns. The poverty of Black Americans is described with a vision of development and reconciliation--one that is intentional in its use of cultural language and inclusive to the destructive images of Black people's deprivation. In understanding how idolatry foundationalizes deprivation in the inner-city communities, I envision the liberation motif in Black theology working with the mission of the Black church for the purposes of community empowerment and neighborhood development. As a form of material and structural poverty, Black poverty is an interdisciplinary study that requires a holistic approach to ministry. With a theological focus on deprived inner-city communities, this new volume strategically moves the conversation of Black poverty from description to construction to solution.
Poems inspired by traditional nursery rhymes depict the grim reality of inner city life, including such topics as crime, drug abuse, unemployment, and inadequate housing.
V.I. Warshawski, “undoubtedly one of the best-written characters in mystery fiction” (The Baltimore Sun), returns in a collection of stories that bring new meaning to “ties that bind.” Decked out in her silk shirts and no-nonsense Attitude, V.I. is out to make a living—by the skin of her teeth. In “Grace Notes,” V.I. has barely finished her morning coffee when she sees an ad in the paper asking for information about her own mother, long dead. The paper leads V.I. to her newfound Italian cousin Vico, who’s looking for music composed by their great-grandmother. What’s the score? Clearly it’s something to kill for. . . . “The Pietro Andromache” finds V.I.’s friend Dr. Lotty Herschel with motive and means to dispatch her professional rival and steal his priceless statue. Lotty didn’t do it—but does she know who did? V.I. soon cuts to the art of the case—and it’s not a pretty picture at all! Summoned by an old high school friend to a race “At the Old Swimming Hole,” V.I. ends up swimming with the sharks—the FBI and a ruthless gambling kingpin—in a pool of blood. . . . And it’s only “Skin Deep” when a relaxing facial transformation transforms a client into a stiff. V.I.’s pal Sal needs help. Her beautician sister Evangeline is prime suspect—and V.I. has only eighteen hours to crack the case before it’s headline news. . . . “Three-Dot Po” proves there’s nothing like a dog. Especially a dog on the trail of her mistress’s killer, with V.I. in tow. . . . In “Strung Out,” love means nothing and V.I.’s quick to learn the score as her old friend’s tennis-champion daughter is under suspicion for strangling her father with a racket string. And there’s more, nine stories in all, in this masterful collection of short fiction starring V.I. Warshawski, “the most engaging woman in detective fiction since Dorothy Sayers’s Harriet Vane” (Newsweek).
A NEW YORK TIMES BESTSELLER • ONE OF TIME MAGAZINE'S TOP TEN NONFICTION BOOKS OF THE YEAR A LIBRARY JOURNAL BEST BOOK SELECTION • A BOOKLIST EDITORS' CHOICE BOOK SELECTION One doctor's passionate and profound memoir of his experience grappling with race, bias, and the unique health problems of black Americans When Damon Tweedy begins medical school,he envisions a bright future where his segregated, working-class background will become largely irrelevant. Instead, he finds that he has joined a new world where race is front and center. The recipient of a scholarship designed to increase black student enrollment, Tweedy soon meets a professor who bluntly questions whether he belongs in medical school, a moment that crystallizes the challenges he will face throughout his career. Making matters worse, in lecture after lecture the common refrain for numerous diseases resounds, "More common in blacks than in whites." Black Man in a White Coat examines the complex ways in which both black doctors and patients must navigate the difficult and often contradictory terrain of race and medicine. As Tweedy transforms from student to practicing physician, he discovers how often race influences his encounters with patients. Through their stories, he illustrates the complex social, cultural, and economic factors at the root of many health problems in the black community. These issues take on greater meaning when Tweedy is himself diagnosed with a chronic disease far more common among black people. In this powerful, moving, and deeply empathic book, Tweedy explores the challenges confronting black doctors, and the disproportionate health burdens faced by black patients, ultimately seeking a way forward to better treatment and more compassionate care.
A riveting cautionary tale about the ecstasy and dangers of loving Marvin Gaye, a performer passionately pursued by all—and a searing memoir of drugs, sex, and old school R&B from the wife of legendary soul icon Marvin Gaye. After her seventeenth birthday in 1973, Janis Hunter met Marvin Gaye—the soulful prince of Motown with the seductive liquid voice whose chart-topping, socially conscious album What’s Going On made him a superstar two years earlier. Despite a seventeen-year-age difference and Marvin’s marriage to the sister of Berry Gordy, Motown’s founder, the enchanted teenager and the emotionally volatile singer began a scorching relationship. One moment Jan was a high school student; the next she was accompanying Marvin to parties, navigating the intriguing world of 1970s-‘80s celebrity; hanging with Don Cornelius on the set of Soul Train, and helping to discover new talent like Frankie Beverly. But the burdens of fame, the chaos of dysfunctional families, and the irresistible temptations of drugs complicated their love. Primarily silent since Marvin’s tragic death in 1984, Jan at last opens up, sharing the moving, fervently charged story of one of music history’s most fabled marriages. Unsparing in its honesty and insight, illustrated with sixteen pages of black-and-white photos, After the Dance reveals what it’s like to be in love with a creative genius who transformed popular culture and whose artistry continues to be celebrated today.
In its 114th year, Billboard remains the world's premier weekly music publication and a diverse digital, events, brand, content and data licensing platform. Billboard publishes the most trusted charts and offers unrivaled reporting about the latest music, video, gaming, media, digital and mobile entertainment issues and trends.
A New York Times Notable Book of 2016 Winner of the Zócalo Public Square Book Prize On March 29, 1516, the city council of Venice issued a decree forcing Jews to live in il geto—a closed quarter named for the copper foundry that once occupied the area. The term stuck. In this sweeping and original account, Mitchell Duneier traces the idea of the ghetto from its beginnings in the sixteenth century and its revival by the Nazis to the present. As Duneier shows, we cannot comprehend the entanglements of race, poverty, and place in America today without recalling the ghettos of Europe, as well as earlier efforts to understand the problems of the American city. Ghetto is the story of the scholars and activists who tried to achieve that understanding. As Duneier shows, their efforts to wrestle with race and poverty cannot be divorced from their individual biographies, which often included direct encounters with prejudice and discrimination in the academy and elsewhere. Using new and forgotten sources, Duneier introduces us to Horace Cayton and St. Clair Drake, graduate students whose conception of the South Side of Chicago established a new paradigm for thinking about Northern racism and poverty in the 1940s. We learn how the psychologist Kenneth Clark subsequently linked Harlem’s slum conditions with the persistence of black powerlessness, and we follow the controversy over Daniel Patrick Moynihan’s report on the black family. We see how the sociologist William Julius Wilson redefined the debate about urban America as middle-class African Americans increasingly escaped the ghetto and the country retreated from racially specific remedies. And we trace the education reformer Geoffrey Canada’s efforts to transform the lives of inner-city children with ambitious interventions, even as other reformers sought to help families escape their neighborhoods altogether. Duneier offers a clear-eyed assessment of the thinkers and doers who have shaped American ideas about urban poverty—and the ghetto. The result is a valuable new estimation of an age-old concept.
As a diplomat's son, star athlete, and Harvard Law School graduate, in the early 1980s Joseph Holland had a world of opportunities awaiting him on Wall Street and in corporate America. Instead, Holland moved to the inner city, driven by a divine calling full of unfolding mystery and challenge. He found himself in Harlem during the nadir of its blight and endeavored to contribute to a neighborhood that was tough in every sense of the word. A Republican among Democrats, a privileged Southern scion among working-class Northerners, Holland earned his stripes as an entrepreneur/activist embracing a vision of personal and community transformation. A five-year sojourn became a three-decade commitment, as his Harlem-based career morphed from practicing law to empowering the homeless, to running small businesses, to writing plays, to serving in politics, to building housing--all aimed at revitalizing a beaten-down, dream-deferred cultural mecca haunted by poignant memories of its glory days in the early twentieth century.
David Ritz presents his uniquely candid and and intimate account of the tumultuous life of the Prince of Soul music, Marvin Gaye. Author Ritz has assembled years of conversations and interviews from his life as a close friend and lyricist to the gifted Soul sensation, and tells the Marvin Gaye story with fly-on-the-wall accuracy and detail. From his early years as an abused child in the slums of Washington DC, through his rise to the very peaks of the Motown phenomenon, his fall from grace and subsequent comeback, to his untimely death at the hands of his father, Marvin's story is the stuff of legends. The cast of characters includes the Jacksons, Smokey Robinson, Diana Ross and countless other icons of the world of soul music.The definitive biography of an enormously gifted and sensitive musician.