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“Believe you can and you’re halfway there.” - Theodore Roosevelt Best Collection of prose and poetry
Ink is in their blood. On the heels of a family tragedy, Katie Greene must move halfway across the world. Stuck with her aunt in Shizuoka, Japan, Katie feels lost. Alone. She doesn't know the language, she can barely hold a pair of chopsticks and she can't seem to get the hang of taking her shoes off whenever she enters a building. When Katie meets aloof but gorgeous Tomohiro, the star of the school's kendo team, she is intrigued by him…and a little scared. His tough attitude seems meant to keep her at a distance, and when they're near each other, strange things happen. Pens explode. Ink drips from nowhere. And unless Katie is seeing things, drawings come to life. Somehow Tomo is connected to the kami, powerful ancient beings who once ruled Japan—and as feelings develop between Katie and Tomo, things begin to spiral out of control. The wrong people are starting to ask questions, and if they discover the truth, no one will be safe.
"We have extensive accounts, typed out neatly: 'They took me into a dark room and started hitting me on the head and stomach and legs. I stayed in this room for 5 days, naked, with no clothes.'" Angela Woodward's novel Ink tells the story of the two women who spend their days doing that neat typing. Sylvia and Marina, both single mothers, work in a suburban office building, transcribing tape recordings of witness statements describing detainee abuse at Abu Ghraib. Their ordinary preoccupations—problems with the soap in the restroom, the motives of Marina's new love, Mr. Right, and Sylvia's worries about paying for her son's show choir costume—are a mundane backdrop to the violence represented by the transcripts. Woodward layers essayistic explorations of the history of ink and writing materials into the women's tale along with the story of the unfinished masterpiece of a French poet, and a writer's notations about her daily commute and the lake behind her house. Then a new crime is revealed. Ink is an illuminating meditation on what it means to bear witness.
A collection of poetry from the beginning of my writing until now...
"This outstanding book... is a genuinely pivotal contribution to the lively current debate over divine foreknowledge and human freedom.... Hasker's book has three commendable features worthy of immediate note. First, it contains a carefully crafted overview of the recent literature on foreknowledge and freedom and so can serve as an excellent introduction to that literature. Second, it is tightly reasoned and brimming with brisk arguments, many of them highly original. Third, it correctly situates the philosophical dispute over foreknowledge and freedom within its proper theological context and in so doing highlights the intimate connection between the doctrines of divine omniscience and divine providence."—Faith and Philosophy"[God, Time, and Knowledge] is an elegantly written, forcefully argued challenge to traditional views, and a major contribution to the discussion of divine foreknowledge."—Philosophical Review"This is a very competent, thorough analysis of the conflict between free will and divine foreknowledge (or, on some acounts, timeless divine knowledge of our future). It is exceptionally clear."—Theological Book Review
In thirteenth-century Sri Lanka, Asanka, poet to the king, lives a life of luxury, enjoying courtly life and a sweet, furtive love affair with a palace servant, a village girl he is teaching to write. But when Magha, a prince from the mainland, usurps the throne, Asanka's role as court poet dramatically alters. Magha is a cruel and calculating king--and yet, a lover of poetry--and he commissions Asanka to translate a holy Sanskrit epic into the Tamil language spoken by his recently acquired subjects. The poem will be an olive branch--a symbol of unity between the two cultures. But in different languages, in different contexts, meaning can become slippery. First inadvertently, then deliberately and dangerously, Asanka's version of the epic, centered on the killing of an unjust ruler, inspires and arouses the oppressed people of the land. Asanka must juggle the capricious demands of a king with the growing demands of his own political consciousness--and his heart--if he wishes to survive and imagine a future with the woman he loves. The first novel from a remarkable young writer, River of Ink is a powerful historical tale set in the shadow of oppression--one with deep allegorical resonances in any time--celebrating the triumph of literature and love.
One of 2018’s Best Mysteries by Publisher’s Weekly One of the Best Audiobooks to Listen to in October by The Washington Post “This entry solidifies her status as a top-notch historical mystery author.” – Publisher's Weekly (starred review) “Richly detailed novel of life and crime in 18th century China.” –The Wall Street Journal Following the enthralling 18th century Chinese mysteries Jade Dragon Mountain and White Mirror, comes the next Li Du adventure in City of Ink. Li Du was prepared to travel anywhere in the world except for one place: home. But to unravel the mystery that surrounds his mentor’s execution, that’s exactly where he must go. Plunged into the painful memories and teeming streets of Beijing, Li Du obtains a humble clerkship that offers anonymity and access to the records he needs. He is beginning to make progress when his search for answers buried in the past is interrupted by murder in the present. The wife of a local factory owner is found dead, along with a man who appears to have been her lover, and the most likely suspect is the husband. But what Li Du’s superiors at the North Borough Office are willing to accept as a crime of passion strikes Li Du as something more calculated. As past and present intertwine, Li Du’s investigations reveal that many of Beijing’s residents — foreign and Chinese, artisan and official, scholar and soldier — have secrets they would kill to protect. When the threats begin, Li Du must decide how much he is willing to sacrifice to discover the truth in a city bent on concealing it, a city where the stroke of a brush on paper can alter the past, change the future, prolong a life, or end one.