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“PARADISE LOST.” Ever since the overthrow of Superman’s regime, Wonder Woman—his most trusted ally—has been held a prisoner on her native Themyscira. How did she come to this low point? What is it about the Wonder Woman of this world that made her so very different from any other incarnation and susceptible to Superman’s brutal, world- conquering vision? When was love lost and when did the greatest heart harden? The tragic story is told here.
ÒIt's a welcome reminder that character development, not plot or spectacle, is the real source of this comic's appeal.Ó ÑIGN The New York Times best-selling series Wonder Woman takes center stage as the war between Batman and RaÕs al Ghul intensifies in Injustice 2 Volume 3, exploring the world of the best-selling fighting game! Nightwing a.k.a. Damian Wayne asks Black AdamÕs help in freeing Wonder Woman from her Themysciran prison, but ends up discovering the existence of a new ally: SupermanÕs cousin, Kara Zor-El, whose power could change the fate of the planet! But Kara has yet to master her Kryptonian powers, and what starts as a rescue mission takes some unexpected turns in the heart of the AmazonsÕ home! Plus, Amazo is unleashed, a Red Lantern is born, and the Injustice Wonder WomanÕs origin is finally revealed in this stunning collection from writer Tom Taylor (Batman/Superman, All-New Wolverine) with Brian Buccellato (The Flash) and K. Perkins (Superwoman), and artists Mike S. Miller (JLA), Bruno Redondo (Batman: Arkham Unhinged), Marco Santucci (Injustice: Ground Zero), and more! Injustice 2 Vol. 3 collects Injustice 2 #13, #15-17, and Annual #1.
The Red Lanterns, backed by the power of Starro, wage an all-out assault on Oa and the source of the Green Lanterns’ power. But help is on the way in the form of the Titans, Blue Beetle and Booster Gold. Following close behind is Lobo, armed with a weapon that may do more harm than good. Collects issues #31-36 and ANNUAL #2!
Inspired by the video game phenomenon, INJUSTICE: GODS AMONG US YEAR ONE-THE COMPLETE EDITION collects the initial year of the best-selling series in its entirety for the first time! Superman is Earth's greatest hero. But when the Man of Steel can't protect the thing he holds most dear, he decides to stop trying to save the world-and start ruling it. Now, the Last Son of Krypton is enforcing peace on Earth by any means necessary. Only one man stands between Superman and absolute power: Batman. And the Dark Knight will use any method at his disposal to stop his former friend from reshaping the world in his shattered image. Written by Tom Taylor (EARTH 2) with art by Jheremy Raapack (RESIDENT EVIL), Mike S. Miller (A Game of Thrones) and more, this thrilling graphic novel collects INJUSTICE: GODS AMONG US digital chapters 1-36 and in single magazine form as INJUSTICE: GODS AMONG US 1-12 and INJUSTICE: GODS AMONG US ANNUAL 1.
The series concludes with Batman facing an uncertain future at the same time his most trusted ally makes a fateful decision.
The world of the Amazing Amazon expands in a collection of short stories that take Wonder Woman around the globe! In the days after ÒYear One,Ó Diana comes face-to-face with Superman and Batman for the first time, as illustrated by ÒYear OneÓ artist Nicola ScottÉand years later, Liam Sharp brings you the story of how their friendship has evolved!
When Dick, Wally, Donna and Garth awaken in an unfamiliar place, they find themselves face-to-face with their mentors: Batman, The Flash, Wonder Woman and Aquaman! Allied together against a common foe, the mentors and protŽgŽs must race against the clock to unlock the secret of their current predicament and save the planet from an alien invasion!
Almost immediately after his first appearance in comic books in June 1938, Superman began to be adapted to other media. The subsequent decades have brought even more adaptations of the Man of Steel, his friends, family, and enemies in film, television, comic strip, radio, novels, video games, and even a musical. The rapid adaptation of the Man of Steel occurred before the character and storyworld were fully developed on the comic book page, allowing the adaptations an unprecedented level of freedom and adaptability. The essays in this collection provide specific insight into the practice of adapting Superman from comic books to other media and cultural contexts through a variety of methods, including social, economic, and political contexts. Authors touch on subjects such as the different international receptions to the characters, the evolution of both Clark Kent's character and Superman's powers, the importance of the radio, how the adaptations interact with issues such as racism and Cold War paranoia, and the role of fan fiction in the franchise. By applying a wide range of critical approaches to adaption and Superman, this collection offers new insights into our popular entertainment and our cultural history.
American criminal justice is a dysfunctional mess. Cops are too violent, the punishments are too punitive, and the so-called Land of the Free imprisons more people than any other country in the world. Understanding why means focusing on color—not only on black or white (which already has been studied extensively), but also on green. The problem is that nearly everyone involved in criminal justice—including district attorneys, elected judges, the police, voters, and politicians—faces bad incentives. Local towns often would rather send people to prison on someone else’s dime than pay for more effective policing themselves. Local police forces can enrich themselves by turning into warrior cops who steal from innocent civilians. Voters have very little incentive to understand the basic facts about crime or how to fix it—and vote accordingly. And politicians have every incentive to cater to voters’ worst biases. Injustice for All systematically diagnoses why and where American criminal justice goes wrong, and offers functional proposals for reform. By changing who pays for what, how people are appointed, how people are punished, and which things are criminalized, we can make the US a country which guarantees justice for all. Key Features: Shows how bad incentives, not "bad apples," cause the dysfunction in American criminal justice Focuses not only on overincarceration, but on overcriminalization and other failures of the criminal justice system Provides a philosophical and practical defense of reducing the scope of what’s considered criminal activity Crosses ideological lines, highlighting both the weaknesses and strengths of liberal, conservative, and libertarian agendas Fully integrates tools from philosophy and social science, making this stand out from the many philosophy books on punishment, on the one hand, and the solely empirical studies from sociology and criminal science, on the other Avoids disciplinary jargon, broadening the book’s suitability for students and researchers in many different fields and for an interested general readership Offers plausible reforms that realign specific incentives with the public good.