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Batman finds two of the people he cares about most in the world placed in grave danger in his own home. The intruder is the last person he'd expect.
It's all out rebellion in Gorilla City, with the Suicide Squad figthing to protect Ra's al Ghul from the usurper, Grodd.
The Model Rules of Professional Conduct provides an up-to-date resource for information on legal ethics. Federal, state and local courts in all jurisdictions look to the Rules for guidance in solving lawyer malpractice cases, disciplinary actions, disqualification issues, sanctions questions and much more. In this volume, black-letter Rules of Professional Conduct are followed by numbered Comments that explain each Rule's purpose and provide suggestions for its practical application. The Rules will help you identify proper conduct in a variety of given situations, review those instances where discretionary action is possible, and define the nature of the relationship between you and your clients, colleagues and the courts.
ÒIt's a welcome reminder that character development, not plot or spectacle, is the real source of this comic's appeal.Ó ÑIGN The New York Times best-selling series Wonder Woman takes center stage as the war between Batman and RaÕs al Ghul intensifies in Injustice 2 Volume 3, exploring the world of the best-selling fighting game! Nightwing a.k.a. Damian Wayne asks Black AdamÕs help in freeing Wonder Woman from her Themysciran prison, but ends up discovering the existence of a new ally: SupermanÕs cousin, Kara Zor-El, whose power could change the fate of the planet! But Kara has yet to master her Kryptonian powers, and what starts as a rescue mission takes some unexpected turns in the heart of the AmazonsÕ home! Plus, Amazo is unleashed, a Red Lantern is born, and the Injustice Wonder WomanÕs origin is finally revealed in this stunning collection from writer Tom Taylor (Batman/Superman, All-New Wolverine) with Brian Buccellato (The Flash) and K. Perkins (Superwoman), and artists Mike S. Miller (JLA), Bruno Redondo (Batman: Arkham Unhinged), Marco Santucci (Injustice: Ground Zero), and more! Injustice 2 Vol. 3 collects Injustice 2 #13, #15-17, and Annual #1.
“PARADISE LOST.” Ever since the overthrow of Superman’s regime, Wonder Woman—his most trusted ally—has been held a prisoner on her native Themyscira. How did she come to this low point? What is it about the Wonder Woman of this world that made her so very different from any other incarnation and susceptible to Superman’s brutal, world- conquering vision? When was love lost and when did the greatest heart harden? The tragic story is told here.
All groups tell stories, but some groups have the power to impose their stories on others, to label others, stigmatize others, paint others as undesirables—and to have these stories presented as scientific fact, God’s will, or wholesome entertainment. Watermelons, Nooses, and Straight Razors examines the origins and significance of several longstanding antiblack stories and the caricatures and stereotypes that support them. Here readers will find representations of the lazy, childlike Sambo, the watermelon-obsessed pickaninny, the buffoonish minstrel, the subhuman savage, the loyal and contented mammy and Tom, and the menacing, razor-toting coon and brute. Malcolm X and James Baldwin both refused to eat watermelon in front of white people. They were aware of the jokes and other stories about African Americans stealing watermelons, fighting over watermelons, even being transformed into watermelons. Did racial stories influence the actions of white fraternities and sororities who dressed in blackface and mocked black culture, or employees who hung nooses in their workplaces? What stories did the people who refer to Serena Williams and other dark-skinned athletes as apes or baboons hear? Is it possible that a white South Carolina police officer who shot a fleeing black man had never heard stories about scary black men with straight razors or other weapons? Antiblack stories still matter. Watermelons, Nooses, and Straight Razors uses images from the Jim Crow Museum, the nation’s largest publicly accessible collection of racist objects. These images are evidence of the social injustice that Martin Luther King Jr. referred to as “a boil that can never be cured so long as it is covered up but must be exposed to the light of human conscience and the air of national opinion before it can be cured.” Each chapter concludes with a story from the author’s journey, challenging the integrity of racial narratives.
As the origins of the Crime Syndicate members are revealed, the last surviving Justice League member, Cyborg, leads a resistance force against his Crime Syndicate coutnerpart, Grid.
The event that the New 52 has been building towards since the beginning! #1 NEW YORK TIMES best-selling writer Geoff Johns (GREEN LANTERN, BATMAN: EARTH ONE) brings together almost two years of plot threads for an epic tale that will forever change the shape of the DC Universe. When the three Justice Leagues go to war with one another, who's side will everyone be on? Allies will be born, friends will become enemies and the DC Universe will never be the same. This volume collects JUSTICE LEAGUE #18-23.
Wall Street Journal, USA Today, and Publishers Weekly Bestseller! Have you heard that language is violence and that science is sexist? Have you read that certain people shouldn't practice yoga or cook Chinese food? Or been told that being obese is healthy, that there is no such thing as biological sex, or that only white people can be racist? Are you confused by these ideas, and do you wonder how they have managed so quickly to challenge the very logic of Western society? In this probing and intrepid volume, Helen Pluckrose and James Lindsay document the evolution of the dogma that informs these ideas, from its coarse origins in French postmodernism to its refinement within activist academic fields. Today this dogma is recognizable as much by its effects, such as cancel culture and social-media dogpiles, as by its tenets, which are all too often embraced as axiomatic in mainstream media: knowledge is a social construct; science and reason are tools of oppression; all human interactions are sites of oppressive power play; and language is dangerous. As Pluckrose and Lindsay warn, the unchecked proliferation of these anti-Enlightenment beliefs present a threat not only to liberal democracy but also to modernity itself. While acknowledging the need to challenge the complacency of those who think a just society has been fully achieved, Pluckrose and Lindsay break down how this often-radical activist scholarship does far more harm than good, not least to those marginalized communities it claims to champion. They also detail its alarmingly inconsistent and illiberal ethics. Only through a proper understanding of the evolution of these ideas, they conclude, can those who value science, reason, and consistently liberal ethics successfully challenge this harmful and authoritarian orthodoxy—in the academy, in culture, and beyond.
Since its emergence in the 1990s, the field of Urban Political Ecology (UPE) has focused on unsettling traditional understandings of the ‘city’ as entirely distinct from nature, showing instead how cities are metabolically linked with ecological processes and the flow of resources. More recently, a new generation of scholars has turned the focus towards the climate emergency. Turning up the heat seeks to turn UPE's critical energies towards a politically engaged debate over the role of extensive urbanisation in addressing socio-environmental equality in the context of climate change. The collection brings together theoretical discussions and rigorous empirical analysis by key scholars spanning three generations, engaging UPE in current debates about urbanisation and climate change. Engaging with cutting edge approaches including feminist political ecology, circular economies, and the Anthropocene, case studies in the book range from Singapore and Amsterdam to Nairobi and Vancouver. Contributors make the case for a UPE better informed by situated knowledges: an embodied UPE that pays equal attention to the role of postcolonial processes and more-than-human ontologies of capital accumulation within the context of the climate emergency. Acknowledging UPE’s rich intellectual history and aiming to enrich rather than split the field, Turning up the heat reveals how UPE is ideally positioned to address contemporary environmental issues in theory and practice.