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A Week on the Concord and Merrimack Rivers and Walden, the only works Thoreau conceived and brought to conclusion as books, bear a distinctively important relation to each other and to his Journal, the document whose twenty-four-year composition encompasses their development. In a brilliant new book, H. Daniel Peck shows how these three works engage one another dialectically and how all of them participate in a larger project of imagination. "Morning work," a phrase from Walden, is the name Peck gives to this larger project. by it he means the work done by memory and perception as they act to shape Thoreau's emerging vision of a harmonious universe. Peck argues that the changing balance of memory and perception in the three works defines the unique literary character of each of them. He offers a major reevaluation of Walden, which he sees neither as the epitome of Thoreau's career (the traditional view) nor as an anomaly (the recent, revisionary view). Rather, he sees Walden as a pivotal work, reflecting the issues of loss and remembrance that earlier had found prominent expression in A Week and prefiguring the late Journal's vision of natural order. Focusing on the two-million-word Journal, Peck provides the first critical analysis that defines the essential forces and the imaginative coherence in its vast discursiveness. The consideration of memory and perception in Thoreau also leads peck to the issue of the writer's modernity, and he explores the ways in which Thoreau anticipates twentieth-century thought, especially in the works of such great objectivist philosophers as William James and Alfred North Whitehead.
You’re not defined by what you’ve done. You’re defined by Who pursues you. What if you could believe that God not only chases you, but has yet to leave your side for a second, has yet to go a minute without courting you, whispering in your heart, I’m right here? What if you could believe that God is never distant, never out of reach, never indifferent to what’s going on in your life? Would that make a difference in your relationship with him? And what if you could go a step further and believe that God’s pursuit has nothing to do with your level of faithfulness? He is just as near, and just as vigilant in his pursuit, regardless of your dedication to the spiritual disciplines, and in spite of your struggle with sin. Because of his nature, it is impossible for God not to pursue you. In Furious Pursuit, Tim King and Frank Martin invite you to lay down the smaller story of your life and instead tap into the Larger Story. To begin today by allowing God to transform the nature of your relationship with him. To stop chasing God and start embracing the Romance that is already well under way. Begin today! Open yourself to God’s Furious Pursuit. Companion workbook also available.
Looks at the connections between Thoreau’s Walden and the work that influenced it, the Bhagavad-Gita.
An all-new follow up quotation book to 2004’s Uncle John’s Bathroom Reader Colossal Collection of Quotable Quotes, complete with indexes by name and by subject for easy reference. Here it is: the quintessential collection of notable quotes for all occasions. Grouped together in weird categories as only Uncle John could do, you’ll find quotes about farts, firsts, dogs, Canada, male chauvinist pigs, colors, TV, aliens, and more! And not just quotes, either--there are great facts, fun quizzes, and a few longer articles about how quotations shape our world. As if that weren’t enough, there are a ton of eye-opening new entries for Uncle John’s Quotationary. (Love: “Being stupid together.” --Paul Valery) And to make it easier than ever to find the exact quote you’re looking for, there is a by-subject index as well a by-name index. Here are but a few of the thousands of great quotations awaiting you: * “I don’t really care what I’m famous for.” --Jessica Simpson * “Life is a tragedy when seen in close-up, but a comedy in long-shot.” --Charlie Chaplin * “The way that I feel about music is there is no right and wrong. Only true and false.” --Fiona Apple * “One of the advantages of being disorderly is that one is constantly making exciting discoveries.” --A. A. Milne * “Bears are crazy. They’ll bite your head if you’re wearing a steak on it.” --Space Ghost * “I don’t mind not being president. I just mind that someone else is.” --Ted Kennedy * “If little else, the brain is an educational toy.” --Tom Robbins
"I started this meditation on the first day of Lent. I hope to keep going every day until Easter. Each day I go fishing in the water of this internal voice. This week the water's still, this angled pen a blue sail; the hook is lazy in the estuary, the water the color of lapis. So what if I don't catch a fish? I said that I would fish; that's all I promised. I bait the hook with each day's discipline. I have no guarantees that there is anything at all to catch in these particular waters, that something beneath the surface won't grab my pen and pull me under." -- from Iconography When Susan Neville enrolls in an icon-painting class in the cellar of an Indianapolis monastery, she begins a journey into a fascinating hidden world where saints are fabricated of mineral and wood, yolk and blood, earth and time. The process is tedious, and she begins to make mistakes, to become impatient; she doesn't feel ready for the challenge. To prepare herself, Neville makes a vow to write during the 40 days of Lent. What emerges is a journal, a meditation, a series of confessions that we are invited to listen to as we follow Neville's sometimes painful attempts to reveal the truth and discover the mystery of her existence. In the layering of colors and moods, her writing is the spiritual equivalent of an icon. As she observes the world around her and applies the paint of language to her observations, she realizes that spirit and matter are not separate -- that now and then moments of meaning emerge from daily life, and the stillness and majesty of the universe shine through.
Just as babies slowly learn to communicate in more and more complex ways, so the new believer should move from simply crying out to God to a developed prayer life. The basic elements of prayer found in the Lord's Prayer are a helpful guide to Christians hoping to enrich their prayers. In On Earth as It Is in Heaven, beloved teacher and writer Warren W. Wiersbe explains and applies the elements of the Lord's Prayer to everyday prayer so readers get excited about maturing in their personal prayer ministries. Any reader wanting to experience a more satisfying and effective prayer life will cherish this thoughtful book.
In this essential companion to the classic The Inward Morning, sixteen distinguished contemporary philosophers celebrate Henry Bugbee’s remarkable philosophy. The essays trace his explorations of thought, emotion, and the need for a sense of place attuned to wilderness. Representing a range of traditions, the thinkers included here touch on an equally broad spectrum of inquiry, including existential philosophy, religion, and environmental studies. The essays progress from general introductions to considerations of more specific themes in Bugbee’s philosophy to reflections on the man as teacher, mentor, and friend. Provocative in their own right, these contributions provide a commentary on The Inward Morning. This volume thus becomes a valuable tool for the careful reader seeking to fully appreciate the vivid text that has inspired it while at the same time offering insight into contemporary issues in the philosophy of nature.
The Congressional Record is the official record of the proceedings and debates of the United States Congress. It is published daily when Congress is in session. The Congressional Record began publication in 1873. Debates for sessions prior to 1873 are recorded in The Debates and Proceedings in the Congress of the United States (1789-1824), the Register of Debates in Congress (1824-1837), and the Congressional Globe (1833-1873)
In this long-awaited work, Ray L. Hart offers a speculative theology that profoundly challenges traditional understandings of God. Drawing on a lifetime of reading in philosophy and religious thought, Hart unfolds a vision of God perpetually in process: an unfinished God. Breaking out of the classical doctrine of divine persons, Hart reimagines Trinity as composed of theogony, cosmogony, and anthropogony an emerging Godhead in relation to origins, temporal creation, and human existence. The book s ultimate import is that all of Being and Nonbeing emerges together in interrelation and interdependence. This divine reality, Hart explains, is unfinished, imperfect, still in the course of a living-dying process that implicates all things, existent and inexistent, temporal and eternal. Doctrinal closuresomething that every orthodox theology requiresthus becomes impossible, and rightly so. Hart confronts those orthodoxies by asking: How can thinking of God reach closure when the divine is itself unfinished and its appearance to us always amounts to new creation? Hart s insights open the potencies of the nothing to the actualization of freedomthe freedom to create. That is, the nothing is not for nothingit is procreative. In the domain of radical speculative theology, then, Hart offers a fully deconstructive revisioning of the Christian God as ever an emerging and self-transfiguring actuality. It is a work with which all serious students of theology will wish to contend."