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A classic work of reportage about the Katyń Massacre during World War II by a soldier who narrowly escaped the atrocity himself. In 1941, when Germany turned against the USSR, tens of thousands of Poles—men, women, and children who were starving, sickly, and impoverished—were released from Soviet prison camps and allowed to join the Polish Army being formed in the south of Russia. One of the survivors who made the difficult winter journey was the painter and reserve officer Józef Czapski. General Anders, the army’s commander in chief, assigned Czapski the task of receiving the Poles arriving for military training; gathering accounts of what their fates had been; organizing education, culture, and news for the soldiers; and, most important, investigating the disappearance of thousands of missing Polish officers. Blocked at every level by the Soviet authorities, Czapski was unaware that in April 1940 many officers had been shot dead in Katyn forest, a crime for which Soviet Russia never accepted responsibility. Czapski’s account of the years following his release from the camp and the formation of the Polish Army, and its arduous trek through Central Asia and the Middle East to fight on the Italian front offers a stark depiction of Stalin’s Russia at war and of the suffering, stoicism, and bravery of his fellow Poles. A work of clear observation and deep compassion, Inhuman Land is one of the twentieth century’s indispensable acts of literary witness.
The concept of “camp narratives” rather than “Holocaust narratives” or “Gulag narratives” is based on the assumption that literary accounts of camp experiences share common traits, aesthetically as well as thematically. The book presents readings of camp literature that underscore the similarities between texts about Soviet gulag camps, Nazi camps and about other camp experiences. While literature about Nazi concentration camps still serves as a point of reference for camp narratives in the same way that the Holocaust serves as a point of reference for other genocidal operations, socialist labor and penal camps have become transnational lieux de mémoire in their own right since 1989. This volume intends to provide a theoretical frame as well as an overview of several important European camp literatures and case studies of iconic camp narratives and to take a comparative and transnational perspective on the genre of the camp narrative.
Collection of articles or reprints from miscellaneous publications by various authors on milk cooperatives and cooperative creameries in the U.S.
Antisemitism emerged toward the end of the nineteenth century as a powerful political movement with broad popular appeal. It promoted a vision of the world in which a closely-knit tribe called “the Jews” conspired to dominate the globe through control of international finance at the highest levels of commerce and money lending in the towns and villages. This tribe at the same time maneuvered to destroy the very capitalist system it was said to control through its devotion to the cause of revolution. It is easy to draw a straight line from this turn-of-the-century paranoid thinking to the murderous delusions of twentieth-century fascism. Yet the line was not straight. Antisemitism as a political weapon did not stand unchallenged, even in Eastern Europe, where its consequences were particularly dire. In this region, Jewish leaders mobilized across national borders and in alliance with non-Jewish public figures on behalf of Jewish rights and in opposition to anti-Jewish violence. Antisemites were called to account and forced on the defensive. In Imperial and then Soviet Russia, in newly emerging Poland, and in aspiring Ukraine—notorious in the West as antisemitic hotbeds—antisemitism was sometimes a moral and political liability. These intriguing essays explore the reasons why, and they offer lessons from surprising places on how we can continue to fight antisemitism in our times.
WINNER OF THE MARK LYNTON HISTORY PRIZE LONGLISTED FOR THE RSL ONDAATJE PRIZE ‘A gripping reconstruction… utterly compelling reading.’ Adam Zamoyski ‘This is a grim story, thoroughly researched and brilliantly told.’ Geoffrey Alderman, Times Higher Education The Katyn Massacre of 22,000 Polish prisoners of war is a crime to which there are no witnesses. Committed in utmost secrecy in April–May 1940 by the NKVD on the direct orders of Joseph Stalin, for nearly fifty years the Soviet regime succeeded in maintaining the fiction that Katyn was a Nazi atrocity, their story unchallenged by Western governments fearful of upsetting a powerful wartime ally and Cold War adversary. Surviving Katyn explores the decades-long search for answers, focusing on the experience of those individuals with the most at stake – the few survivors of the massacre and the Polish wartime forensic investigators – whose quest for the truth in the face of an inscrutable, unknowable, and utterly ruthless enemy came at great personal cost.
The first translation of painter and writer Józef Czapski's inspiring lectures on Proust, first delivered in a prison camp in the Soviet Union during World War II. During the Second World War, as a prisoner of war in a Soviet camp, and with nothing but memory to go on, the Polish artist and soldier Józef Czapski brought Marcel Proust’s In Search of Lost Time to life for an audience of prison inmates. In a series of lectures, Czapski described the arc and import of Proust’s masterpiece, sketched major and minor characters in striking detail, and movingly evoked the work’s originality, depth, and beauty. Eric Karpeles has translated this brilliant and ­altogether unparalleled feat of the critical imagination into English for the first time, and in a thoughtful introduction he brings out how, in reckoning with Proust’s great meditation on memory, Czapski helped his fellow officers to remember that there was a world apart from the world of the camp. Proust had staked the art of the novelist against the losses of a lifetime and the imminence of death. Recalling that triumphant wager, unfolding, like Sheherazade, the intricacies of Proust’s world night after night, Czapski showed to men at the end of their tether that the past remained present and there was a future in which to hope.
Vivid accounts of life in a Soviet prison camp by the author of Inhuman Land. Interned with thousands of Polish officers in the Soviet prisoner-of-war camp at Starobielsk in September 1939, Józef Czapski was one of a very small number to survive the massacre in the forest of Katyń in April 1940. Memories of Starobielsk portrays these doomed men, some with the detail of a finished portrait, others in vivid sketches that mingle intimacy with respect, as Czapski describes their struggle to remain human under hopeless circumstances. Essays on art, history, and literature complement the memoir, showing Czapski’s lifelong engagement with Russian culture. The short pieces on painting that he wrote while on a train traveling from Moscow to the Second Polish Army’s strategic base in Central Asia stand among his most lyrical and insightful reflections on art.
Often overlooked in accounts of World War II is the Soviet Union's quiet yet brutal campaign against Polish citizens, a campaign that included, we now know, war crimes for which the Soviet and Russian governments only recently admitted culpability. Standing in the shadow of the Holocaust, this episode of European history is often overlooked. Wesley Adamczyk's gripping memoir, When God Looked the Other Way, now gives voice to the hundreds of thousands of victims of Soviet barbarism. Adamczyk was a young Polish boy when he was deported with his mother and siblings from their comfortable home in Luck to Soviet Siberia in May of 1940. His father, a Polish Army officer, was taken prisoner by the Red Army and eventually became one of the victims of the Katyn massacre, in which tens of thousands of Polish officers were slain at the hands of the Soviet secret police. The family's separation and deportation in 1940 marked the beginning of a ten-year odyssey in which the family endured fierce living conditions, meager food rations, chronic displacement, and rampant disease, first in the Soviet Union and then in Iran, where Adamczyk's mother succumbed to exhaustion after mounting a harrowing escape from the Soviets. Wandering from country to country and living in refugee camps and the homes of strangers, Adamczyk struggled to survive and maintain his dignity amid the horrors of war. When God Looked the Other Way is a memoir of a boyhood lived in unspeakable circumstances, a book that not only illuminates one of the darkest periods of European history but also traces the loss of innocence and the fight against despair that took root in one young boy. It is also a book that offers a stark picture of the unforgiving nature of Communism and its champions. Unflinching and poignant, When God Looked the Other Way will stand as a testament to the trials of a family during wartime and an intimate chronicle of episodes yet to receive their historical due. “Adamczyk recounts the story of his own wartime childhood with exemplary precision and immense emotional sensitivity, presenting the ordeal of one family with the clarity and insight of a skilled novelist. . . . I have read many descriptions of the Siberian odyssey and of other forgotten wartime episodes. But none of them is more informative, more moving, or more beautifully written than When God Looked the Other Way.”—From the Foreword by Norman Davies, author of Europe: A History and Rising ’44: TheBattleforWarsaw “A finely wrought memoir of loss and survival.”—Publishers Weekly “Adamczyk’s unpretentious prose is well-suited to capture that truly awful reality.” —Andrew Wachtel, Chicago Tribune Books “Mr. Adamczyk writes heartfelt, straightforward prose. . . . This book sheds light on more than one forgotten episode of history.”—Gordon Haber, New York Sun “One of the most remarkable World War II sagas I have ever read. It is history with a human face.”—Andrew Beichman, Washington Times