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From the most original and beloved screenwriter of his generation, the complete Oscar-nominated screenplay of Quentin Tarantino's World War II epic Inglorious Basterds. From the brilliant writer/director behind the iconic films Pulp Fiction, Kill Bill, and Once Upon a Time in Hollywood, comes Tarantino's most ambitious movie: a World War II epic starring Brad Pitt and filmed on location in Germany and France. The action tale follows the parallel story of a guerrilla-like squad of American soldiers called "The Basterds" and the French Jewish teenage girl Shosanna who find themselves behind enemy Nazi lines during the German occupation. When the Inglourious Basterds encounter Shosanna at a propaganda screening at the movie house she runs, they conspire to launch an unexpected plot to end the war. Pitt plays Lieutenant Aldo Raine -- the leader of the Basterds. Raine is an illiterate hillbilly from the mountains of Tennessee who puts together a team of eight Jewish-American soldiers to hunt down the Nazis. Filled with Tarantino's trademark electric dialogue and thrilling action sequences, Inglourious Basterds is one of the most celebrated films of the twenty-first century.
When Rosa Lane, a promising young journalist, impulsively hits the send button on an email to her boss saying "I quit," so begins her pursuit of enlightenment in the jungles of cutthroat London. As she embarks upon her quest for a sense of purpose, she is deceived by her lover, surprised by her friends, turned out by her roommate, threatened by her bank manager, picked over by prospective employers, and tormented by all the bizarre expectations of the modern world. An erudite and darkly comic novel, brimming with lacerating wit and compassion, Inglorious is a truly engrossing character study of a woman walking the edge between self-destruction and self-discovery.
ONE OF 2015'S BOOKS OF THE YEAR IN THE TIMES AND THE MAIL ON SUNDAY. A hard-hitting, passionate and well-researched book about the conflict between driven grouse shooting and nature conservation in Britain, with a foreword by Chris Packham. Driven grouse shooting, where flocks of Red Grouse are chased by lines of beaters so that they fly over lines of 'guns' that shoot the fast-flying birds, is a peculiarly British fieldsport. It is also peculiarly British in that it is deeply rooted in the British class system. This multi-million pound business dominates the hills of the north of England – the Pennines, the North Yorkshire Moors, the Cheviots – and throughout Scotland. Grouse shooting is big business. VERY big business And backed by powerful, wealthy lobbying groups, its tendrils run throughout British society. Inglorious makes the case for banning driven grouse shooting. The facts and arguments are presented fairly but the author, Mark Avery, states from the start why he has, after many years of soul-searching, come down in favour of an outright ban. There is too much illegal killing of wildlife, such as Buzzards, Golden Eagles, and, most egregiously of all, Hen Harriers; and, as a land use, it wrecks the ecology of the hills. However, grouse shooting is economically important, and it is a great British tradition. All of these, and other points of view, are given fair and detailed treatment and analysis – and the author talks to a range of people on different sides of the debate. The book also sets out Avery's campaign with Chris Packham to gain support for the proposal to ban grouse shooting, culminating in 'Hen Harrier Day', timed to coincide with the 'Glorious' 12th. This new paperback edition includes new material on what went on in 2015, including the devastating floods of that winter, bringing the story right up to date. Mark Avery continues to stir up a debate about fieldsports, the countryside and big business in a book that all British conservationists will want to read.
It’s no secret that the marriages of monarchs are often made in hell. Here are some of the most spectacular mismatches in five hundred years of royal history.... In a world where many kings, queens, and princes lacked nothing but true love, marital mismatches could bring out the baddest, boldest behavior in the bluest of bloodlines. Margaret Tudor, her niece Mary I, and Catherine of Braganza were desperately in love with chronically unfaithful husbands, but at least they weren’t murdered by them, as were two of the Medici princesses were. King Charles II’s beautiful, high-spirited sister “Minette” wed Louis XIV’s younger brother, who wore more makeup and perfume than she did. Forced to wed her boring, jug-eared cousin Ferdinand, Marie of Roumania—a granddaughter of Queen Victoria—proved herself one of the heroines of World War I by using her prodigious personal charm to regain massive amounts of land during the peace talks at Versailles. Brimming with outrageous real-life stories of royal marriages gone wrong, this is an entertaining, unforgettable book of dubious matches doomed from the start.
When his island is threatened by a foreign empress, the young owl-dragon boy Uriah sets off to save his home with a special stone that will grant a wish to whoever brings it to a place called the Inglorious River. On his journey, he will learn troubling secrets, face a hardy bounty hunter, and have his lifelong beliefs put to the test. Will he be able to save his home without breaking his honor? 2
Nineteenth-century Brazil's constitutional monarchy credibly committed to repay sovereign debt, borrowing repeatedly in international and domestic capital markets without default. Yet it failed to lay the institutional foundations that private financial markets needed to thrive. This study shows why sovereign creditworthiness did not necessarily translate into financial development. "Using a vast array of archival evidence, Summerhill convincingly shows that political commitment to a secure public debt was neither necessary nor sufficient to insure financial development in nineteenth-century Brazil. A must-read for economic and financial historians and for anyone interested in the politics of financial development." --Jean-Laurent Rosenthal, California Institute of Technology
Of the hundreds of thousands of soldiers who died in the Civil War, two-thirds, by some estimates, were felled by disease; untold others were lost to accidents, murder, suicide, sunstroke, and drowning. Meanwhile thousands of civilians in both the north and south perished—in factories, while caught up in battles near their homes, and in other circumstances associated with wartime production and supply. These “inglorious passages,” no less than the deaths of soldiers in combat, devastated the armies in the field and families and communities at home. Inglorious Passages for the first time gives these noncombat deaths due consideration. In letters, diaries, obituaries, and other accounts, eminent Civil War historian Brian Steel Wills finds the powerful and poignant stories of fatal accidents and encounters and collateral civilian deaths that occurred in the factories and fields of the Union and the Confederacy from 1861 to 1865. Wills retrieves these stories from obscurity and the cold calculations of statistics to reveal the grave toll these losses exacted on soldiers and civilians, families and society. In its intimate details and its broad scope, his book demonstrates that for those who served and those who supported them, noncombat fatalities were as significant as battle deaths in impressing the full force of the American Civil War on the people called upon to live through it. With the publication of Inglorious Passages, those who paid the supreme sacrifice, regardless of situation or circumstance, will at last be included in the final tabulation of the nation’s bloodiest conflict.
Presenting perspectives from Australia, Canada, China, New Zealand, the U.K., and the U.S., this volume brings together a collection of essays from library and information science (LIS) educators from around the world who delve into difficult, unpopular, and uncommonly discussed topics.
Heaman examines the ways in which British North America was advertised at home and abroad in the pursuit of productivity, markets, capital, and immigrants, and evaluates the exhibitions' impact on private industry, the government, and Canadian identity. She also considers the participation of women and native peoples at local and international exhibits, showing how they transcended the limited spheres of representation imposed upon them.
New York lawyer Alec Brno (Pardon the Ravens) is must rescue two of his firm’s largest clients to avoid professional and financial ruin. Meanwhile, his adopted sixteen-year-old daughter, the inheritor of a Mafia fortune, is targeted in a sex-slave scheme by her uncle, the capo famiglia, as is Alec’s beautiful sister-in-law. The Inglorious Arts deals with two high-stakes courtroom battles, Mob terror, and the frantic race to save both women.