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If you love The Great Gatsby, you'll want to read the Flappers series. Power . . . love . . . scandal . . . there’s never enough to go around. In the city that never sleeps, Lorraine Dyer is wide awake. Ever since she exposed Clara Knowles for the tramp she was—and lost her closest confidante in the process—Lorraine has spent every second scheming to make her selfish, lovesick ex–best friend pay for what she did. No one crosses Lorraine. Not even Gloria. True love conquers everything—or so Gloria Carmody crazily believed. She and Jerome Johnson can barely scrape together cash for their rent, let alone have a moment to whisper sweet nothings in the dark. And if they thought escaping Chicago meant they’d get away with murder . . . they were dead wrong. Clara was sure that once handsome, charming Marcus Eastman discovered her shameful secret, he’d drop her like a bad habit. Instead, he swept her off her feet and whisked her away to New York. Being with Marcus is a breath of fresh air—and a chance for Clara to leave her wild flapper ways firmly in the past. Except the dazzling parties and bright lights won’t stop whispering her name. . . . INGENUE is the second novel in the sexy, dangerous, and ridiculously romantic Flappers series set in the Roaring Twenties . . . where revenge is a dish best served cold.
Six girls come together to form a pop-rock band and get more than they bargained for with global success, fame and fortune...
Set in Paris in the 1780s, Rétif de la Bretonne's Ingénue Saxancour is a thinly veiled account of his daughter's disastrous marriage to an abusive husband. From the time of her marriage in January, 1780, until she left her husband in July, 1785, Agnès Rétif suffered continually from severe physical, sexual, and emotional abuse. Published in 1789, Rétif's novel scandalized the public with its graphic descriptions of his son-in-law's sexual perversity and brutal violence. Rétif's novel remains shocking more than two centuries later and continues to raise disturbing questions about power relations within abusive relationships. Perhaps most disturbing of all are the accusations leveled against Rétif himself concerning his motives for writing and publishing this account: Was he, as some charged, a shameless exhibitionist willing to reveal his family's darkest secrets merely to attract attention and broaden his readership? Was he an unscrupulous opportunist willing to capitalize on his daughter's misfortunes and risk her reputation simply to pay his debts? Or was he, as he himself claimed, trying to warn young women about the dangers of marrying men of dubious backgrounds against their parents' wishes? Rétif was all this and more: a reform-minded pioneer far in advance of his time with his graphic portrayal of spousal abuse, his call for greater public awareness of this perennial problem, and his crusade for liberal divorce laws that would allow women to escape from abusive relationships and to remarry. This, in fact, is what Agnès Rétif was able to do after passage of the divorce law passed by France's revolutionary government in 1792.
Canadian performer k.d. lang broke new ground in the 1980s by blending the genres of punk and country, dubbed “cowpunk,” with her band, the Reclines. Despite Grammy-award-winning recordings and frequent North American TV spots, mainstream country radio excluded lang from airplay due to her unconventional gender presentation and perceived sexuality. Not until lang's 1992 pop album Ingénue, the release of the single “Constant Craving,” and her subsequent coming out in The Advocate did lang earn critical acclaim worldwide. The book addresses lang's rise to fame after switching genres, the successful reinvention of her sound and persona, and how she found herself immersed in the whirlwind of MTV and the "lesbian chic" aesthetic of 1990s pop culture. As an LGBTQ author, Joanna McNaney Stein discusses her adolescence and sexual development by weaving in short narrative prose pieces with her analysis of lang and Ingénue. Also included are interviews with lang's musical collaborators: Ingénue co-writer Ben Mink, drummer Fred Eltringham, pianist Daniel Clarke, and singer-songwriter Laura Veirs.
Set in Paris in the 1780s, Rétif de la Bretonne's novel Ingénue Saxancour is a thinly veiled account of his daughter's disastrous marriage to an abusive husband. From the time of her marriage in January 1780, until she left her husband in July 1785, Agnès Rétif suffered continually from severe physical, sexual, and emotional abuse. Published in 1789, Rétif's novel scandalized the public with its graphic descriptions of his son-in-law's sexual perversity and brutal violence. Rétif's novel remains shocking even two centuries later and continues to raise disturbing questions about power relations within abusive relationships. Perhaps most disturbing of all are the accusations leveled against Rétif himself concerning his motives for writing and publishing this account: Was he, as some charged, a shameless exhibitionist willing to reveal his family's darkest secrets merely to attract attention and broaden his readership? Was he an unscrupulous opportunist willing to capitalize on his daughter's misfortunes and risk her reputation simply to pay his debts? Or was he, as he himself claimed, trying to warn young women about the dangers of marrying men of dubious backgrounds against their parents' wishes? Rétif was all this and more: a reform-minded pioneer far in advance of his time with his graphic portrayal of spousal abuse, his call for greater public awareness of this perennial problem, and his crusade for liberal divorce laws that would allow women to escape from abusive relationships and to remarry. This is the first English translation of Ingénue Saxancour ever published and offers a wealth of background material on the novel and the real-life events that inspired it. It serves as a companion piece to the annotated French edition edited by Professor Trouille and published by the MHRA in 2014.
A collection of essays discussing the process of theatrical costume design. Ingenue In White includes the stories from the author's twenty-five years of experience in the field. Among the designer's concerns are both the practical and symbolic functions of clothing, as well as the collective nature of theatrical creativity.
Letters between Emily Clark, a writer and the founding editor of The Reviewer, a Richmond-based literary magazine and Joseph Hergesheimer, an American writer of the early 20th century.