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A firsthand, behind-the-scenes account of the turmoil that pervaded the New York Yankee franchise in the late 1970s, this book discusses George Steinbrenner's purchase and continual rebuilding of the team--alongside a colorful cast of players and businessmen. Not merely a look at the time spent in Yankee Stadium, this chronicle also describes the team's public arguments, practical jokes, drunken excess, self-aggrandizing publicity efforts, and the ups and downs that accompanied the Yankees and George Steinbrenner through the 1970s and beyond.
Ingenious Machinists recounts the early development of industrialization in New England and New York through the lives of two prominent innovators whose work advanced the transformation to factory work and corporations, the rise of the middle class, and other momentous changes in nineteenth-century America. Paul Moody chose a secure path as a corporate engineer in the Waltham-Lowell system that both rewarded and constrained his career. David Wilkinson was a risk-taking entrepreneur from Rhode Island who went bankrupt and relocated to Cohoes, New York, where he was instrumental in that city's early industrial development. Anthony J. Connors writes not just a history of technological innovation and business development, but also two interwoven stories about these inventors. He shows the textile industry not in its decline, but in its days of great social and economic promise. It is a story of the social consequences of new technology and the risks and rewards of the exhilarating, but unsettling, early years of industrial capitalism.
A New Nation of Goods highlights the significant role of provincial artisans in four crafts in the northeastern United States—chairmaking, clockmaking, portrait painting, and book publishing—to explain the shift from preindustrial society to an entirely new configuration of work, commodities, and culture.
Is invention really "99 percent" perspiration and "one percent inspiration" as Thomas Edison assured us? Inventive Minds assembles a group of authors well equipped to address this question: contemporary inventors of important new technologies, historians of science and industry, and cognitive psychologists interested in the process of creativity. In telling their stories, the inventors describe the origins of such remarkable devices as ultrasound, the electron microscope, and artificial diamonds. The historians help us look into the minds of innovators like Thomas Edison, Alexander Graham Bell, Michael Faraday, and the Wright brothers, drawing on original notebooks and other sources to show how they made their key discoveries. Finally, cognitive psychologists explore the mental processes that figure in creative thinking. Contributing to the authors' insight is their special focus on the "front end" of invention -- where ideas come from and how they are transformed into physical prototypes. They answer three questions: How does invention happen? How does invention contrast with other commonly creative pursuits such as scientific inquiry, musical composition, or painting? And how might invention best happen -- that is, what kinds of settings, conditions, and strategies appear to foster inventive activity? The book yields a wealth of information that will make absorbing reading for cognitive and social psychologists, social historians, and many working scientists and general readers who are interested in the psychology of personality and the roots of ingenuity.
The famous "Stage Yankees," with their eccentric New England dialect comedy, entertained audiences from Boston to New Orleans, from New York to London in the years between 1825 and 1850. They provided the creative energy for the development of an American-type character in early plays of native authorship. This book examines the full range of their theatre activity, not only as actors, but also as playmakers, and re-evaluates their contribution to the growth of the American stage. Yankee theatre was not an oddity, a passing fad, or an accident of entertainment; it was an honest exploitation of the materials of American life for an audience in search of its own identification. The delineation of the American character—a full-length realistic portrait in the context of stage comedy—was its projected goal; and though not the only method for such delineation, the theatre form was the most popular and extensive way of disseminating the American image. The Yankee actors openly borrowed from what literary sources were available to them, but because of their special position as actors, who were required to give flesh-and-blood imitations of people for the believable acceptance of others viewing the same people about them, they were forced to draw extensively on their actors' imaginations and to present the American as they saw him. If the image was too often an external one, it still revealed the Yankee as a hardy individual whose independence was a primary assumption; as a bargainer, whose techniques were more clever than England's sharpest penny-pincher; as a country person, more intelligent, sharper and keener in dealings than the city-bred type; as an American freewheeler who always landed on top, not out of naive honesty but out of a simple perception of other human beings and their gullibility. Much new evidence in this study is based on London productions, where the view of English audiences and critics was sharply focused on what Americans thought about themselves and the new culture of democracy emerging around them. The shift from America, the borrower, to America, the original doer, can be clearly seen in this stager activity. Yankee theatre, then, is an epitome of the emerging American after the Second War for Independence. Emerging nationalism meant emerging national definition. Yankee theatre thus led to the first cohesive body of American plays, the first American actors seen in London, and to a new realistic interpretation of the American in the "character" plays of the 1870s and 1880s.
How did America become great? How did this country become the most successful, powerful, and prosperous nation in the history of the world? Was it because of the nation's unprecedented founding documents? Was it due to the scores of immigrants from all over the world who brought their dreams and talents to America's shores? Or did America become great, as some contend, through racism, theft, and genocide? Author Troy Tyson proposes a unique argument as to the origins of American greatness: that the country's unparalleled success is a result not of its founding documents, nor its celebrated openness to people of all backgrounds, nor of genocidal tyranny. Rather, The Yankee Way asserts that the nation's great power and success stem primarily from the traits of a comparatively small, peculiar ethnic group from New England known as the Yankees. These traits, which include morality, industriousness, respect for law and order, commitment to education, and dedication to traditional family values, were developed first by the early Puritans of New England, then passed down to their Yankee descendants, who finally embedded them into the cultural DNA of the United States. The Yankee Way explores, in fascinating detail, the history of the Yankees, and the process by which they created modern America and instilled within it their distinct cultural characteristics. Further, though, the book serves as a warning to Americans as to what the future might hold, as the nation rapidly moves away from this critical cultural inheritance, and leaves The Yankee Way behind.
An illustrated history of American innovators -- some well known, some unknown, and all fascinating -- by the author of the bestselling The American Century.