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By tracing the impulses of punk rock, trash film, and camp through poetry, Drew Gardner sheds light on a literary tendency that has been part of poetry’s DNA all along: uncovering the poetic values hidden in unpoetic things. This unique anthology introduces readers to collage-driven poetry that embodies the sensibilities of punk, trash, and camp in a line of writing that cuts through received taxonomies of movements, influences, and styles. Moving through the twentieth century, the poetry focuses on the unexpected, the anarchic, the demotic, the absurd, the irreverent, the coarse, the rude, and the deliriously playful. It marks an alternative strain of modernism that stretches from one side of the century to the other and includes such diverse voices as Baroness Elsa von Freytag-Loringhoven, Gertrude Stein, William Carlos Williams, Mina Loy, Russell Atkins, Sun Ra, and Bernadette Mayer, along with many other well-known and lesser-known poets. Readers of Ingenious Pleasures will delight in experiencing poetry as they never have before.
By tracing the impulses of punk rock, trash film, and camp through poetry, Drew Gardner sheds light on a literary tendency that has been part of poetry's DNA all along: uncovering the poetic values hidden in unpoetic things. This unique anthology introduces readers to collage-driven poetry that embodies the sensibilities of punk, trash, and camp in a line of writing that cuts through received taxonomies of movements, influences, and styles. Moving through the twentieth century, the poetry focuses on the unexpected, the anarchic, the demotic, the absurd, the irreverent, the coarse, the rude, and the deliriously playful. It marks an alternative strain of modernism that stretches from one side of the century to the other and includes such diverse voices as Baroness Elsa von Freytag-Loringhoven, Gertrude Stein, William Carlos Williams, Mina Loy, Russell Atkins, Sun Ra, and Bernadette Mayer, along with many other well-known and lesser-known poets. Readers of Ingenious Pleasures will delight in experiencing poetry as they never have before.
'ANDREW MILLER'S WRITING IS A SOURCE OF WONDER AND DELIGHT' Hilary Mantel 'ONE OF OUR MOST SKILFUL CHRONICLERS OF THE HUMAN HEART AND MIND' Sunday Times Winner of the James Tait Black Memorial Prize and the International Dublin Literary Award 'Astoundingly good' The Times 'Dazzling' Observer 'Timeless' Spectator The extraordinary prize-winning debut from Andrew Miller - a highly imaginative, atmospheric first novel At the dawn of the Enlightenment, a man is born unable to feel pain. A source of wonder and scientific curiosity as a child, he rises through the ranks of Georgian society to become a brilliant surgeon. Yet as a human being he fails, for he can no more feel love and compassion than pain. Until, en route to St Petersburg to inoculate the Empress Catherine, he meets his nemesis and saviour. PRAISE FOR ANDREW MILLER 'Unique, visionary, a master at unmasking humanity' Sarah Hall 'A writer of very rare and outstanding gifts' Independent on Sunday 'A highly intelligent writer, both exciting and contemplative' The Times 'A wonderful storyteller' Spectator
In the decades after the American Revolution, inhabitants of the United States began to shape a new national identity. Telling the story of this messy yet formative process, Carolyn Eastman argues that ordinary men and women gave meaning to American nationhood and national belonging by first learning to imagine themselves as members of a shared public. She reveals that the creation of this American public—which only gradually developed nationalistic qualities—took place as men and women engaged with oratory and print media not only as readers and listeners but also as writers and speakers. Eastman paints vibrant portraits of the arenas where this engagement played out, from the schools that instructed children in elocution to the debating societies, newspapers, and presses through which different groups jostled to define themselves—sometimes against each other. Demonstrating the previously unrecognized extent to which nonelites participated in the formation of our ideas about politics, manners, and gender and race relations, A Nation of Speechifiers provides an unparalleled genealogy of early American identity.
Andy Warhol (1928-1987) is one of the seminal artists of the twentieth century. The twin themes of life and death are central to an understanding of his work. In his art he celebrated the richness of modern life, from everyday consumer products to iconic images of celebrities and movie stars. He was equally fascinated by death in all its guises: the high profile death of Marilyn Monroe; the political assassination of President Kennedy and its effect on the widow; the gruesome death of car crashes and suicides; and death as a universal symbol in his paintings of skulls. This book, which marks the eightieth anniversary of Andy Warhol's birth and the twentieth anniversary of his death, covers the whole spectrum of his work and includes the early drawings produced when he was a graphic artist; his celebrity portraits from the 1960s onwards; his films and installations; and his most iconic work such as Campbell's Soup Cans, Brillo Boxes and his screenprints of Marilyn Monroe, Liz Taylor, and Elvis Presley.
The skies of Oxford are aflame with meteors the night Edgar Jones comes into the world–clearly this porter’s son, born in a small cottage in 1847, is no ordinary boy. While his mother is apprehensive about her restless, inquisitive child, Edgar’s father believes without a doubt that his son is destined for greatness. As the years pass, it becomes apparent that Edgar has a unique talent: He is a born inventor, and his gift for making is matched by a fierce will. Edgar turns his back on the scholarly life his father had intended for him and apprentices himself to a blacksmith. It is not long before his ingenuity and metalworking skills bring him to the attention of a maverick professor at Oxford University, a bone collector with plans for a museum of natural history. Finally, Edgar has the opportunity to showcase the singular gifts he’s learned in the hazardous soot and heat of the forge. But his great ability also becomes a curse, and his prominence is fraught with danger–both for him and for his family. Set at the dramatic midpoint of the nineteenth century, in a world on the cusp of change, The Ingenious Edgar Jones is an unforgettable coming-of-age story about the complexities of family life and the journey of one young man as he finds his place in a rapidly shifting world.
People magazine named Eloisa James’ novel Midnight Pleasures “Page Turner of the Week” and raved “Romance writing does not get much better than this.” Now the acclaimed author returns with another sumptuous tale of passion and misadventure in Regency England. . . . Gabrielle Jerningham cherishes the portrait of her betrothed, the perfect Peter Dewland . . . until she meets his commanding older brother Quill. But it is Peter to whom she has been promised. And how can she possibly transform her voluptuous, outspoken self into the poised gentlewoman Peter requires? When Gabby’s shocking décolletage plunges to her waist at her first ball, Peter is humiliated. But Quill comes to the rescue, to the peril of his heart. An accident years before has left Quill plagued by headaches—the kind that grows more excruciating with strenuous exercise. Needless to say, this hardly bodes well for siring progeny. But the very sight of Gabby leaves Quill breathless. One forbidden kiss and Quill vows to have her, headaches—and Peter—be damned! But it will take a clever man—and a cleverer woman--to turn the tables on propriety and find their way to true love. . . . BONUS: This edition contains an excerpt from Eloisa James's Paris in Love. Praise for Enchanting Pleasures “Another winner . . . delightful heroine, masterful hero, and an ingenious plot: intelligent, sexy fun.”—Kirkus Reviews “Charasmatic characters and a healthy dose of humor . . . once again, James weaves a story as rich in plot as in character.”—Publishers Weekly