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"Infernal Parade begins with the tale of a convicted criminal, Tom Requiem, who returns from the brink of death to restore both fear and a touch of awe to a complacent world. Tom becomes the leader of the eponymous "parade," which ranges from the familiar precincts of North Dakota to the mythical city of Karantica. Golems, vengeful humans both living and dead, and assorted impossible creatures parade across these pages. The result is a series of highly compressed, interrelated narratives that are memorable, disturbing, and impossible to set aside"--Jacket.
A fierce, searing response to the chaos of the war on terror—an utterly original and blackly comic debut In the early years of the Iraq War, a severely burned boy appears on a remote rock formation in the Akkad Valley. A shadowy, powerful group within the U.S. government speculates: Who is he? Where did he come from? And, crucially, what does he know? In pursuit of that information, an interrogator is summoned from his prison cell, and a hideous and forgotten apparatus of torture, which extracts "perfect confessions," is retrieved from the vaults. Over the course of four days, a cavalcade of voices rises up from the Akkad boy, each one striving to tell his or her own story. Some of these voices are familiar: Osama bin Laden, L. Paul Bremer, Condoleezza Rice, Mark Zuckerberg. Others are less so. But each one has a role in the world shaped by the war on terror. Each wants to tell us: This is the world as it exists in our innermost selves. This is what has been and what might be. This is The Infernal.
TIME-TRAVELER AND THE INFERNAL BASE-From the Future Dimension to Area 51 and Dulce Base-10th Edition. A publication of Times Square Press], New York. How should you read this book? As a documentary? A work of fiction? Or a factual account? Insiders know best. Although some passages from the book could appear as phantasmagoric and unrealistic depictions of events, the majority of its contents is based upon facts and events which occurred as described in the book. Of course, names were either camouflaged or altered in order to protect the identity of some officials who were part of this drama, whether their participation was accidental or voluntary. Nevertheless, the veracity of the accounts should not be denied or challenged, for the incidents which are presented to you did occur despite the facts that some events were dramatized. Area 51, Dulce Base, genetic programs, collaboration with non-terrestrial beings, and black ops can no longer be ignored or refuted.
In creating his acclaimed masterpiece Parade's End, Ford Madox Ford "wanted the Novelist in fact to appear in his really proud position as historian of his own time . . . The 'subject' was the world as it culminated in the war." Published in four parts between 1924 and 1928, his extraordinary novel centers on Christopher Tietjens, an officer and gentleman-"the last English Tory"-and follows him from the secure, orderly world of Edwardian England into the chaotic madness of the First World War. Against the backdrop of a world at war, Ford recounts the complex sexual warfare between Tietjens and his faithless wife Sylvia. A work of truly amazing subtlety and profundity, Parade's End affirms Graham Greene's prediction: "There is no novelist of this century more likely to live than Ford Madox Ford."
The Assignment by Dan Gordon Carlos the Jackal is a terrorist without rules, without a conscience, without a heart. And no intelligence agency in the free world has been able to stop him. CIA agent Jack Shaw has seen what Carlos is capable of. Now he wants Naval Lt. Commander Annibal Ramirez to help him. Ramirez has a nice wife, two kids, a house in the suburbs...and Carlos' face. All Shaw has to do is train Ramirez to act like Carlos and kill him. Ramirez is Carlos' exact double, Shaw's pawn in a chilling game to trap the terrorist. And stripped of his morals, family ties, and his soul, Ramirez becomes his mirror image--a ruthless psychopath on a collision course with pure evil--where only one man will survive.
Parade's End is a tetralogy by Ford Madox. The four novels were originally published under the titles: Some Do Not ... (1924), No More Parades (1925), A Man Could Stand Up — (1926), and Last Post (or The Last Post in the USA) (1928). It is set mainly in England and on the Western Front in World War I, where Ford served as an officer in the Welsh Regiment, a life vividly depicted in the novels. The novels chronicle the life of Christopher Tietjens, a brilliant government statistician from a wealthy landowning family who is serving in the British Army during World War I. His wife Sylvia is a flippant socialite who seems intent on ruining him. Tietjens may or may not be the father of his wife's child. Meanwhile, his incipient affair with Valentine Wannop, a high-spirited pacifist and suffragette, has not been consummated, despite what all their friends believe. The two central novels follow Tietjens in the army in France and Belgium, as well as Sylvia and Valentine in their separate paths over the course of the war. Ford Madox Ford ( 1873 – 1939) was an English novelist, poet, critic and editor whose journals, The English Review and The Transatlantic Review, were instrumental in the development of early 20th-century English literature. He is now remembered best for his publications The Good Soldier, the Parade's End tetralogy and The Fifth Queen trilogy.
"A mesmerizing study of books by despots great and small, from the familiar to the largely unknown." —The Washington Post A darkly humorous tour of "dictator literature" in the twentieth century, featuring the soul-killing prose and poetry of Hitler, Mao, and many more, which shows how books have sometimes shaped the world for the worse Since the days of the Roman Empire dictators have written books. But in the twentieth-century despots enjoyed unprecedented print runs to (literally) captive audiences. The titans of the genre—Stalin, Mussolini, and Khomeini among them—produced theoretical works, spiritual manifestos, poetry, memoirs, and even the occasional romance novel and established a literary tradition of boundless tedium that continues to this day. How did the production of literature become central to the running of regimes? What do these books reveal about the dictatorial soul? And how can books and literacy, most often viewed as inherently positive, cause immense and lasting harm? Putting daunting research to revelatory use, Daniel Kalder asks and brilliantly answers these questions. Marshalled upon the beleaguered shelves of The Infernal Library are the books and commissioned works of the century’s most notorious figures. Their words led to the deaths of millions. Their conviction in the significance of their own thoughts brooked no argument. It is perhaps no wonder then, as Kalder argues, that many dictators began their careers as writers.