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The extremes of eighteenth-century debauchery and vice depicted by the artist Hogarth were not confined to the poor; the English Prime Minister, Walpole, led the way by his openly immoral life, and his principle of let sleeping dogs lie allowed every kind of public and private corruption to flourish unchecked.Yet side by side with these poisonous weeds there grew the good seed that was to produce the Evangelical Revival--Daniel Rowland and Howell Harris in Wales, Jonathan Edwards in New England, the golden-tongued Whitefield in England and Scotland, and the two Wesleys, who took the world for their parish. While these and others helped to save Britain from the horrors of such a Reign of Terror as engulfed her nearest neighbor, they lit a blaze that the darkness could not put out. With an enthusiasm informed and controlled by diligent scholarship and up-to-date research, Skevington Wood here tells the gripping story of those momentous days, and shows how the candle of men like Master Ridley and Latimer, that had become the refining fires of Puritan times, had now turned into an inextinguishable blaze that would, in the century to follow, carry the Light of the World to the ends of the earth.
Learn how the story of Joseph prefigures the gospel, testifying to God's electing grace and showing how he redeems and restores broken and dysfunctional sinners to accomplish his purposes.
These volumes provide a forum for the spectrum of historical, analytical and aesthetic approaches to the study of Nielsen's music from an international line-up of contributors. In addition, each volume features reviews and reports on current Nielsen projects and an updated Nielsen bibliography...
After the return of the transcender, all sorts of otherworldly elders would collide within the shop. The person who destroyed a planet with a single punch could only obediently listen to the main character ...
“This is beautiful and brilliant stuff, profound and plain, incredibly human, wise and charming. I trusted and enjoyed every word.” –Anne Lamott, New York Times bestselling author about Looking for God in Messy Places For any who feel frustrated and world-weary, and who want more than just wishful thinking or superficial spirituality, this book is for you! In these pages, my friend Jake Owensby poignantly shows how LOVE is what can truly give us hope to carry on: real love, God's love for us, our love for each other, right here, right now in all the struggles of this messy life. And God knows, we need this book NOW! —Bishop Michael Curry, Presiding Bishop of The Episcopal Church and author of Love is the Way: Holding on to Hope in Troubling Times Life is messy. We can get discouraged by setbacks, overwhelmed by busyness, and shaken by worry. Hope is the power that gets us out of bed in the morning and gives us the courage to face adversity. Looking for God in Messy Places by Jake Owensby is a book about how love gives us an inextinguishable hope. This book is for anyone who has ever been frozen in place by loss or regret, anyone who has endured suffering, cruelty, or rejection. From word to word and page to page, readers will experience themselves as God’s beloved—so that they can be hopeful. From the introduction [This book is] For those whose struggles have been long and for those who are growing weary from heavy burdens. For those facing an unforeseen crisis or for those enduring a slow personal train wreck. For those whose throats have grown raw from crying for justice and for those whose wounds have gone unhealed. This is a book about hope, and I have written it especially for those who refuse to yield to discouragement and despair. Topics include: - The power of love to give us hope - The ways that God shows up in our daily lives - Recognizing God’s call in our lives - Becoming your true self - Having a sense of belonging - Forming a friendship with Christ - Contemplative faith
The demonization, internment, and deportation of celebrated Boston Symphony Orchestra conductor Dr. Karl Muck, finally told, and placed in the context of World War I anti-German sentiment in the United States. BEST CLASSICAL MUSIC BOOK RELEASE OF 2019 by Classical-music.com, the official website of BBC Music Magazine. 2019 SUMMER READS ABOUT CLASSICAL MUSIC by the Australian Broadcasting Corporation. 2019 BEST BOOK AWARD FINALIST in both the History and Performing Arts categories, sponsored by American Book Fest. 2019 SUBVENTION AWARD by the American Musicological Society, funded in part by the National Endowment for the Humanities and the Andrew W. Mellon Foundation. One of the cherished narratives of American history is that of the Statue of Liberty welcoming immigrants to its shores. Accounts of the exclusion and exploitation of Chinese immigrants in the late nineteenth century and Japanese internment during World War II tell a darker story of American immigration. Less well-known, however, is the treatment of German-Americans and Germannationals in the United States during World War I. Initially accepted and even welcomed into American society at the outbreak of war, this group would face rampant intolerance and anti-German hysteria. Melissa D. Burrage's book illustrates this dramatic shift in attitude in her engrossing narrative of Dr. Karl Muck, the celebrated German conductor of the Boston Symphony Orchestra, who was targeted and ultimately disgraced by a New York Philharmonic board member and by capitalists from that city who used his private sexual life as a basis for having him arrested, interned, and deported from the United States. While the campaign against Muck made national headlines, and is the main focus of this book, Burrage also illuminates broader national topics such as: Total War; State power; vigilante justice; internment and deportation; irresponsible journalism; sexual surveillance; attitudes toward immigration; anti-Semitism; and the development of America's musical institutions. The mistreatment of Karl Muck in the United States provides a narrative thread that connects these various wartime and postwar themes. MELISSAD. BURRAGE, a former writing consultant at Harvard University Extension School, holds a Master's Degree in History from Harvard University and a PhD in American Studies from University of East Anglia. Support for thispublication was provided by the Howard Hanson Institute for American Music at the Eastman School of Music at the University of Rochester.
The following is a brief description of the prevailing spiritual and moral tides that were washing over much of Europe and America in the early eighteenth century--God's "righteous name had been intolerably dishonored, his pure and holy word disregarded by incompetent or unconverted clergy, and the human family, created to glorify God and enjoy him forever, willfully and with abandon gave themselves to all manner of corruption." These were despairing times--with striking similarities to our present day. And yet, in the midst of this seemingly hopeless era, the omnipotent God did what no man alone could accomplish: he restored the honor due to his great name, and exalted the power of his holy word through a revival that set ablaze two spiritually parched continents--God Walked Among the Nations! The pulpit was powerfully revived, men and women by the tens of thousands were soundly converted, and biblical renewal and social reformation flourished throughout the land. Do you wonder if a revival so vast in scope that it produces extraordinary biblical, moral, and social reformation throughout your nation is even possible? If you're pondering this question, then it is time to read about the glorious event best known as the First Great Awakening and renew your hope.
"This book brings together two pieces of writing. In the first, "After Eve Kosofsky Sedgwick," Jonathan Goldberg assesses her legacy, prompted mainly by writing about Sedgwick's work that has appeared in the years since her death in April 2009. Writing by Lauren Berlant, Jane Gallop, Katy Hawkins, Scott Herring, Lana Lin, and Philomina Tsoukala are among those considered as he explores questions of queer temporality and the breaching of ontological divides. Main concerns include the relationship of Sedgwick's later work in Proust, fiber, and Buddhism to her fundamental contribution to queer theory, and the axes of identification across difference that motivated her work and attachment to it. "Come As You Are," the other piece of writing, is a previously unpublished talk Sedgwick gave in 1999-2000. It represents a significant bridge between her earlier and later work, sharing with her book Tendencies the ambition to discover the "something" that makes queer inextinguishable. In this piece, Sedgwick does that by contemplating her own mortality alongside her creative engagement with Buddhist thought, especially the in-between states named bardos and her newfound energy for making things. These were represented in a show of her fabric art, "Floating Columns/In the Bardo," that accompanied her talk, a number of images of which are included in this book. They feature floating figures suspended in the realization of death. They are objects produced by Sedgwick, made of fabric; they come from her, yet are discontinuous with her, occupying a mode of existence that exceeds the span of human life and the confines of individual identity. They could be put beside the queer transitive identifications across difference that Goldberg's essay explores"--Publisher's description
"Offers a clear introduction to a fascinating, yet little known, phenomenon in Nazi Germany, whose very existence will be a surprise to the general public and to historians. Easily blending general history with musicology, the book provides provocative yet compelling analysis of complex issues." ---Michael Meyer, author of The Politics of Music in the Third Reich "Hirsch poses complex questions about Jewish identity and Jewish music, and she situates these against a political background vexed by the impossibility of truly viable responses to such questions. Her thorough archival research is complemented by her extensive use of interviews, which gives voice to those swept up in the Holocaust. A Jewish Orchestra in Nazi Germany is a book filled with the stories of real lives, a collective biography in modern music history that must no longer remain in silence." ---Philip V. Bohlman, author of Jewish Music and Modernity "An engaging and downright gripping history. The project is original, the research is outstanding, and the presentation lucid." ---Karen Painter, author of Symphonic Aspirations: German Music and Politics, 1900-1945 The Jewish Culture League was created in Berlin in June 1933, the only organization in Nazi Germany in which Jews were not only allowed but encouraged to participate in music, both as performers and as audience members. Lily E. Hirsch's A Jewish Orchestra in Nazi Germany is the first book to seriously investigate and parse the complicated questions the existence of this unique organization raised, such as why the Nazis would promote Jewish music when, in the rest of Germany, it was banned. The government's insistence that the League perform only Jewish music also presented the organization's leaders and membership with perplexing conundrums: what exactly is Jewish music? Who qualifies as a Jewish composer? And, if it is true that the Nazis conceived of the League as a propaganda tool, did Jewish participation in its activities amount to collaboration? Lily E. Hirsch is Assistant Professor of Music at Cleveland State University.