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Cait is recently seventeen and running from innocence. Fake IDs, wild parties, and cute musicians with demons of their own make the running even easier.
DIVA reprint of a novel and other temperance writings by Walt Whitman, with an introduction and explanatory notes by the editors./div
We think we know how to appreciate wine—trained connoisseurs take dainty sips in sterile rooms and provide ratings based on objective knowledge and technical expertise. In Epistenology, Nicola Perullo vigorously challenges this approach, arguing that it is the enjoyment of drinking wine as an active and participatory experience that matters. Perullo argues that wine comes to life not in the abstract space of the professional tasting but in the real world of shared experiences; wines can change in these encounters, and drinkers along with them. Just as a winemaker is not simply a producer but a nurturer, a wine is fully known only through an encounter among a group of drinkers in a specific place and time. Wine is not an object to analyze but an experience to make, creatively opening up new perceptual possibilities for settings, cuisines, and companions. The result of more than twenty years of research and practical engagement, Epistenology presents a new paradigm for the enjoyment of wine and through it a philosophy based on participatory and relational knowledge. This model suggests a profound shift—not knowledge about but with wine. Interweaving philosophical arguments with personal reflections and literary examples, this book is a journey with wine that shows how it makes life more creative and free.
Richard Burton, Richard Harris, Peter O'Toole, and Oliver Reed: On screen they were stars, off screen they were legends. This is the story of drunken binges of near biblical proportions, parties and orgies, broken marriages, riots, and wanton sexual conquests--indeed, acts so outrageous that if ordinary mortals had perpetrated them they would have ended up in jail. They got away with the kind of behavior that today's film stars could scarcely dream of, because of their mercurial acting talent and because the press and public loved them. They were truly the last of a breed. This is a celebratory catalogue of their miscreant deeds, a greatest-hits package of their most breathtakingly outrageous behavior, told with humor and affection. You can't help but enjoy it--after all, they certainly did.--From publisher description.
In Drunk on Genocide, Edward B. Westermann reveals how, over the course of the Third Reich, scenes involving alcohol consumption and revelry among the SS and police became a routine part of rituals of humiliation in the camps, ghettos, and killing fields of Eastern Europe. Westermann draws on a vast range of newly unearthed material to explore how alcohol consumption served as a literal and metaphorical lubricant for mass murder. It facilitated "performative masculinity," expressly linked to physical or sexual violence. Such inebriated exhibitions extended from meetings of top Nazi officials to the rank and file, celebrating at the grave sites of their victims. Westermann argues that, contrary to the common misconception of the SS and police as stone-cold killers, they were, in fact, intoxicated with the act of murder itself. Drunk on Genocide highlights the intersections of masculinity, drinking ritual, sexual violence, and mass murder to expose the role of alcohol and celebratory ritual in the Nazi genocide of European Jews. Its surprising and disturbing findings offer a new perspective on the mindset, motivation, and mentality of killers as they prepared for, and participated in, mass extermination. Published in Association with the US Holocaust Memorial Museum.
Viewing a variety of narratives through the lens of inebriation imagery, this book explores how such imagery emerges in colonial Peru as articulator of notions of the self and difference, resulting in a new social hierarchy and exploitation. Reading Inebriation evaluates the discursive and geo-political relevance of representations of drinking and drunkenness in the crucial period for the consolidation of colonial power in the Viceroyalty of Peru, and the resisting rhetoric of a Hispanicized native Andean writer interested in changing stereotypes, fighting inequality, and promoting tolerance at imperial level in one of the main centers of Spanish colonial economic activity in the Americas. In recognizing and addressing this imagery, Mónica Morales restores an element of colonial discourse that hitherto has been overlooked in the critical readings dealing with the history of sixteenth and early seventeenth-century Andes. She presents drinking as the metaphorical site where Western culture and the New World collide and define themselves on the grounds of differing drinking rituals and ideas of moderation and excess. Narratives such as dictionaries, legal documents, conversion manuals, historical writings, literary accounts, and chronicles frame her context of analysis.
Alcool, drugs, heroine, stimulants, Gammahydroxybutyrate poisoning effects are included
“Blessed is the man that hath not gone away in the counsel of the ungodly” (ver. 1). This is to be understood of our Lord Jesus Christ, the Lord Man. “Blessed is the man that hath not gone away in the counsel of the ungodly,” as “the man of earth did,” who consented to his wife deceived by the serpent, to the transgressing the commandment of God. “Nor stood in the way of sinners.” For He came indeed in the way of sinners, by being born as sinners are; but He “stood” not therein, for that the enticements of the world held Him not. “And hath not sat in the seat of pestilence.” He willed not an earthly kingdom, with pride, which is well taken for “the seat of pestilence;” for that there is hardly any one who is free from the love of rule, and craves not human glory. Aeterna Press
Augustine’s writings influenced the development of Western philosophy and Western Christianity, and he is viewed as one of the most important Church Fathers of the Latin Church in the Patristic Period. His many important works include The City of God, On Christian Doctrine, and Confessions. His masterpieces has spawned innumerable other books and articles since. Later philosophers and theologians have been deeply influenced by The City of God, with its impact being felt from literature and historiography. Its greatest influence has been within the Christian church itself. Classic About the Timeless City is now an undisputed classic. The sheer scope of the work is impressive. 1. The City of God 2. On Christian Doctrine 3. The Confessions of Saint Augustine 4. Letters of Saint Augustine 5. The Soliloquies 6. Expositions on the Book of Psalms 7. Our Lord's Sermon on the Mount, According to Matthew 8. The Harmony of the Gospels 9. On the Holy Trinity 10. The Fifteen Books of Aurelius Augustinus, Bishop of Hippo, on the Trinity 11. Lectures or Tractates on the Gospel According to St. John 12. Doctrinal Treatises 13. On Faith and the Creed 14. Concerning Faith of Things Not Seen 15. Moral Treatises 16. Of the Work of Monks 17. Anti-Pelagian Writings 18. Anti-Manichaean Writings 19. Anti-Donatist Writings 20. Sermons (Homilies)