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In recent years, the field of literary studies at the international level has become more involved in the analysis of the so-called industrial literature, a literary genre that focuses on the literary representation of factory work and workers’ alienation. This book engages in the ongoing debate by offering a narratological analysis of Italian industrial novels in particular, while taking into consideration their paratexts and interrogating the possibility of the presence of a testimonial intent in the text. The study reconstructs the connections between visions of factory utopias and Italian industrial literature, starting with an overview of said visions of utopia and how they came into being in Europe following the industrial revolution. It then proceeds by exploring the relationship between the twentieth-century Italian entrepreneur Adriano Olivetti and Italian industrial authors, and the influence that Olivetti’s visions of factory utopia had on these writers and how they perceived themselves as witnesses of factory life and workers’ alienation. In analyzing these texts, and particularly the novels by Paolo Volponi and Ottiero Ottieri, the book focuses on the previously overlooked representation of the self in industrial literature and on how this self expresses the need for testimony.
"In recent years, the field of literary studies at international level has become more and more involved in the analysis of the so-called industrial literature, a literary genre which focuses on the literary representation of factory work and workers' alienation. This book engages in the on-going debate by offering a narratological analysis of Italian industrial novels in particular, while taking into consideration their paratexts and interrogating the possibility of the presence of a testimonial intent in the text. The study reconstructs the connections between visions of factory utopias and Italian industrial literature, starting with an overview on said visions of utopia and on how they came into being in Europe following the industrial revolution. It then proceeds by exploring the relationship between the twentieth-century Italian entrepreneur Adriano Olivetti and Italian industrial authors, and the influence that Olivetti's visions of factory utopia had on these writers and on how they perceived themselves as witnesses of factory life and workers' alienation. In analyzing these texts, and particularly the novels by Paolo Volponi and Ottiero Ottieri, the book focuses on the previously overlooked representation of the self in industrial literature, and on how this self expresses the need for testimony"--
Transatlantic approach: This project explores British and American texts in conversation together. Use of archival materials, which is relatively unusual within Gothic studies, and even in literary studies more generally. A focus on poetry, drama, and periodical writing, genres that are often ignored in the study of the Gothic. A focus on women’s work (both on the labor of women and on texts by women). A focus on local Gothic (especially in Lowell and Manchester), with a connection to larger international trends of the genre.
Working Women, Literary Ladies explores the simultaneous entry of working-class women in the United States into wage-earning factory labor and into opportunities for mental and literary development. It is the first book to examine the fascinating exchange between the work and literary spheres for laboring women in the rapidly industrializing America of the nineteenth and early twentieth centuries. As women entered the public sphere as workers, their opportunities for intellectual growth expanded, even as those same opportunities were often tightly circumscribed by the factory owners who were providing them. These developments, both institutional and personal, opened up a range of new possibilities for working-class women that profoundly affected women of all classes and the larger social fabric. Cook examines the extraordinary and diverse literary productions of these working women, ranging from their first New England magazine of belles lettres, The Lowell Offering, to Emma Goldman's periodical, Mother Earth; from Lucy Larcom's epic poem of female factory life, An Idyl of Work, to Theresa Malkiel's fictional account of sweatshop workers in New York, The Diary of a Shirtwaist Striker. This vital new book traces the hopes and tensions generated by the expectations of working-class women as they created a wholly new way of being alive in the world.
This book assesses developmental experience in different countries as well as British expansion following the industrial revolution from a developmental perspective. It explains why some nations are rich and others are poor, and discusses how manufacturing made economies flourish and spur economic development. It explains how today’s governments can design and implement industrial policy, and how they can determine economically strategic sectors to break out of Low and Middle Income Traps. Closely linked to global trade and (im)balances, industrialization was never an accident. Industrialization explains how some countries experience export-led growth and others import-led slowdowns. Many confuse industrialization with the construction of factory buildings rather than a capacity and skill building process through certain stages. Industrial policy helps countries advance through those stages. Explaining technical concepts in understandable terms, the book discusses the capacity and limits of the developmental state in industrialization and in general in economic development, demonstrating how picking-the-winner type focused industrial policy has worked in different countries. It also discusses how industrial policy and science, technology and innovation policies should be sequenced for best results.
'Calumet "K"' is an unexpected page-turner about construction delays and problem-solving that follows Charlie Bannon as he faces a myriad of challenges while trying to complete an ambitious grain elevator project by the end of the year. From material shortages to union blackmail, Charlie must use his ingenuity and leadership skills to keep the project on track. Set against the backdrop of a business rivalry for control of the wheat market, this inspiring story showcases the power of perseverance and creative thinking. Although the language may be considered offensive by modern standards, this turn-of-the-century book is a quick and enjoyable read that will leave readers feeling inspired.
This novel vividly portrays an industrial city crippled by the country's economic failures and also provides a stirring example of fiction predicated on social and political principles
Sherwood Anderson's Poor White captures the spirit of small-town America during the Machine Age. A lonely and passionate inventor of farm machinery, Hugh McVey, who rises from poverty on the bank of the Mississippi River, struggles to gain love and intimacy in a community where "life had surrendered to the machine." Through his story Anderson aims his criticism at the rise of technology and industry at the turn of the century. Simultaneously, he renders a tale of eloquent naturalism and disturbing beauty. Poor White was praised by such writers as H. L. Mencken and Hart Crane when it was first published in 1920. It remains a curiously contemporary novel, and a marvelous testament to Sherwood Anderson's "sombre metaphysical preoccupation and his smouldering sensuousness". Sherwood Anderson (1876 – 1941) was an American novelist and short story writer, known for subjective and self-revealing works. Anderson published several short story collections, novels, memoirs, books of essays, and a book of poetry. He may be most influential for his effect on the next generation of young writers, as he inspired William Faulkner, Ernest Hemingway, John Steinbeck, and Thomas Wolfe.