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Advanced Technical Ceramics Directory and Databook is a world-wide directory of the properties and suppliers of advanced technical ceramic material used in, or proposed for, numerous engineering applications. The information is subdivided into sections based on the class of ceramic, e.g. Nitrides-silicon nitride, sialon, boron carbide, aluminium nitride etc. Each section consists of a short introduction, a table comparing basic data and a series of data sheets. The book adopts standardised data in order to help the reader in finding and comparing different data and identifying the required information. It is designed to complement the existing Chapman & Hall publications on high performance materials.
This book gives a comprehensive account on the manufacturing techniques to synchronize the desired properties of both traditional and advanced ceramics. Offers exclusive and up to date information on industrial ceramic processing equipment and approaches and discusses actual industrial practices taking a product-oriented approach It should serve as a text to answer the processing of ceramics and achieve targeted product in industrial environment.
Advanced Technical Ceramics provides a thorough overview of technical ceramics. This book is divided into three parts encompassing 13 chapters that cover all aspects of technical ceramics, including definitions, raw materials, electronic and mechanical materials and processes, and biomaterials. Part I deals with the classification of ceramics by their chemical composition, mineral content, processing and production methods, properties, and uses. This part also includes the synthetic raw materials, production processes, and thermo-mechanical properties of ceramics. Part II describes the electrical, electronic, magnetic, thermal, chemical, and optical properties of ceramics, as well as their biomedical applications. Part III focuses on several precision machining methods for ceramics, such as cutting, grinding, lapping, polishing, and laser processing. Ceramics scientists, engineers, and researchers will find this text invaluable.
The book consists of papers on several methods used in the preparation of basic ceramic powders with the required particle size distribution and purity. Processing methods such as spray drying, thermal decomposition of organometallic complexes, the sol-gel process and solution sythesis, among others, have been discussed.
Ceramics and the Museum interrogates the relationship between art-oriented ceramic practice and museum practice in Britain since 1970. Laura Breen examines the identity of ceramics as an art form, drawing on examples of work by artist-makers such as Edmund de Waal and Grayson Perry; addresses the impact of policy making on ceramic practice; traces the shift from object to project in ceramic practice and in the evolution of ceramic sculpture; explores how museums facilitated multisensory engagement with ceramic material and process, and analyses the exhibition as a text in itself. Proposing the notion that 'gestures of showing,' such as exhibitions and installation art, can be read as statements, she examines what they tell us about the identity of ceramics at particular moments in time. Highlighting the ways in which these gestures have constructed ceramics as a category of artistic practice, Breen argues that they reveal gaps between narrative and practice, which in turn can be used to deconstruct the art.