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This is a path-breaking work as significant as the decipherment of Egyptian hieroglyphs by Champollion. For nearly130 years, the Indus script has remained a challenging enigma to scholars of languages, writing systems and civilization studies. The script was invented and used over an extensive area of what is called the Indus or Sindhu-Sarasvati civilization. Over 2000 or 80% of archaeological sites are found on the Sarasvati River basin, a river adored in a very old human document called the Rigveda and which dried up due to tectonic and resulting river migration causes. In 1822, history was made when Egyptian hieroglyphs were deciphered by Jean-Francois Champollion from parts of the Rosetta Stone. Champollion showed that the Egyptian writing system, c.3000 BCE was a combination of phonetic and ideographic glyphs. The Rosetta Stone is dated196 BCE and had a decree in three versions: one in ancient Egyptian hieroglyphs, one in the Egyptian demotic script, and one in ancient Greek. Since alphabets of ancient Greek were known, Champollion used the trilingual inscription to validate his historic decipherment. Indus Script Cipher makes history recording hundreds of hieroglyphs of India. Absence of a Rosetta Stone which has been the principal impediment in validating any decryption of Indus script cipher is thus overcome. Further validation comes from evidences of the historical periods in India from c. 600 BCE showing continued use of Indus script hieroglyphs which evolved from c. 3300 BCE. This book details a decipherment.of the Indus script using the same rebus method used by Champollion to read ancient phonetic hieroglyphs of Indiat. By demonstrating an Indian linguistic area of cultural and language contacts and history of language changes, this is a landmark contribution to civilization studies of the world and will promote efforts to rewrite the ancient socio-cultural and economic history of a billion people in India and neighboring regions.
The book links the invention of writing to the inventions of bronze-age technologies. Indus script is claimed to be one of the earliest writing systems of the world dated to c. 3500 BCE. The book claims that Indian language union (sprachbund or Indian linguistic area) dates back to the period when Indus script was used. About 1000 lexemes of Meluhha (mleccha) have been identified and explained in the context of ciphertext of Indian hieroglyphs. These substratum glosses are the foundation for further studies in the evolution of languages and linguistic features absorbed from one another, in Indian language union (sprachbund). Using evidence from almost all hieroglyphs in the 6000 + inscriptions, this book makes a contribution to an understanding of the middle phase in evolution of writing systems, a phase which bridged pictographic writing with syllabic writing to represent sounds of a language called meluhha (mleccha) in Indian language union - lingua franca of Harosheth hagoyim, smithy of nations. The continuum of hieroglyph tradition in Indian linguistic area is evaluated in the context of continued use of Indian hieroglyphs on thousands of punch-marked coins together with syllabic scripts of kharosti and brahmi . The book establishes that ancient India was a language union with speakers of Munda, Dravidian and Indo-Aryan languages learning technical words related to bronze-age metallurgy from one another. They used these words in the writing system. The book draws heavily from a multi-lingual dictionary of over 25 ancient languages called Indian Lexicon for unraveling the cipher of the Indus script, as an exercise in solving a cryptography problem. The writing system was called mlecchita vikalpa (Cryptography of Meluhhas/Mlecchas) and is mentioned in an 8th century BCE work by Vatsyayana. The Indian hieroglyphs find their echoes in the goat-fish hieroglyphs on a ritual basin of Uruk (Sumer) and the Egyptian hieroglyph for Bat showing a mudhif reed symbol which also occurs on Uruk basin. The 'reed' read rebus denotes Glyph: eruva 'reed'. Rebus: eruva 'copper'. Also discussed are some Egyptian hieroglyph parallels from the statue of Hathor-Menkaure-Bat triad of the fourth dynasty and the continued tradition of building reed huts by Todas comparable to the mudhifs of ancient Sumer. This book is a sequel to the author's Indus Script Cipher (2010). http: //tinyurl.com/7dflhyq
Based on corpora of Indus writing and a dictionary, the book validates Aristotle's insight on writing systems. Indus writing is composed using symbols of spoken words. The symbols are hieroglyphs of meluhha (mleccha) words spoken by artisans recording the repertoire of stone, mineral and metal workers. The writing results in a set of catalogs of metalworking of bronze age. Evidence of this competence in metallurgy which evolved from 4th millennium BCE of bronze age, is provided in corpora of metalware catalogs and a dictionary of melluhha (mleccha). Indus writing was a principal tool of economic administration for account-keeping by artisan and trader guilds and did not record literature or, history. Some sacred ideas and historical links across interaction areas between India and ancient Near East, may be inferred from the writing.
Of the writing systems of the ancient world which still await deciphering, the Indus script is the most important. It developed in the Indus or Harappan Civilization, which flourished c. 2500-1900 BC in and around modern Pakistan, collapsing before the earliest historical records of South Asia were composed. Nearly 4,000 samples of the writing survive, mainly on stamp seals and amulets, but no translations. Professor Parpola is the chief editor of the Corpus of Indus Seals and Inscriptions. His ideas about the script, the linguistic affinity of the Harappan language, and the nature of the Indus religion are informed by a remarkable command of Aryan, Dravidian, and Mesopotamian sources, archaeological materials, and linguistic methodology. His fascinating study confirms that the Indus script was logo-syllabic, and that the Indus language belonged to the Dravidian family.
This is a treatise, a formal and systematic written discourse on knowledge discovery of a civilization in two domains of knowledge 1. Archaeo-metallurgical advances during Bronze Age Revolution; and 2. Invention of a writing system to document, in Meluhha (Harappa) language, technical details of these advances anchored on the imperative of supporting long-distance trade transactions by seafaring artisans and merchants. The objective of the treatise is to unravel the semantics of Dharma samjnA or Bharatiya hieroglyphs using a method of data mining. The method of data mining of Harappa Script Corpora of over 7000 inscriptions is based on the principles of tantra yukti. The doctrine of tantra yukti provides a scientific basis for reconstructing the lexis of an ancient Bharata language, Meluhha (Mleccha). The lexis (vocabulary) matches both the hieroglyphs/hypertexts and the metalwork catalogues signified by the Corpora. Since the Bronze Age Revolution increased interactions among people across space and time, many of the 25+ ancient languages of Bharata retain all spoken (parole) words and expressions in Meluhha lexis related to metalwork. This reinforces the linguistic identification of areal languages features within a linguistic union, Bharata sprachbund. Meluhha artisans are attested in cuneiform texts and as language on Shu-ilishu cylinder seal. Mleccha (cognate) language is attested in Manu (mleccha vAcas or mlecccha speech) and Mahabharata. The Great Epic also refers to mleccha rulers and people from many janapada-s of Ancient Bharata and many contact regions in Ancient Near East and Ancient Far East. The broad-spectrum coverage may be seen from the Table of Contents of this 799 page book. Tantra yukti doctrine is precisely defined for linguistic analyses and is applied to delineate the origin and formation of ancient languages of Bharata. Annex A Harappa Script inscriptions found in temple area of Mohenjo-daro (and Harappa) Annex B Dharma samjnA Corporate badges of Harappa Script Corpora, ceramic (stoneware) bangles, seals, fillets Annex C Form and function of inscribed tablets, miniature tablets Annex D Ligatures to ayo, aya 'fish' rebus: aya 'iron' ayas 'metal', meD 'body' rebus: meD 'iron' semantic modifiers as hypertexts and Harappa Script inscriptions on 240 copper tablets Annex E Clustering 'temple' hieroglyph, pictorial narratives of kneeling adorant, together with markhor and offering on a stool Annex F Multiple tablets with same inscription in Harappa signify work-in-process in circular platforms Annex G kulA 'hood of snake' as tail and Harappa Script hypertext Annex H Black ant hieroglyph Annex I Hieroglyphs of animal clusters. Mohenjo-daro m0304 (Reconstructed) Seal. A person is shown seated in 'penance' may signify Trisiras Annex J Crocodile, scorpion, disheveled hair in Harappa Script hieroglyphs signify work in bica 'haematite stone ore' Annex K Structure, form, function and significance of cashala on yupa and carburization Annex L List of Harappa Script 'text signs' Select inscriptions of Harappa Script Corpora A remarkable cultural continuum is traced from the octagonal yupa found in Binjor and authenticated in ancient Vedic texts. The Rudra bhAga of sivalingas are octagonal in shape and consistent with the adhyatmika enquiry of Skambha Sukta in Atharva Veda (X.7,8). The finds of 19 yupa inscriptions attest to the performance of Soma Samsthaa Yaga including 5 in East Borneo attributed to Mulavarman. The Binjor seal dated to ca. 2500 BCE is the stunning inscription comparable to the yupa inscriptions of historical periods. The Binjor seal documents metalwork, bahusuvarnaka (an expression used in the Epic, Ramayana, by Vamiki).
In this allegorical journey, a traveler sets out on an expedition to discover life’s greatest secret. The nature of time is an age-old question that has been pondered by mankind for centuries, leading to many a quest for the illusive fountain of youth. What is time? How is it measured? Can we affect time? How can it be optimized for people to fulfill their life’s purpose? In Timeless, Kathy and Victor Brook blend elements of reality, fantasy, history, spirituality, and science to take readers on one traveler’s journey covering the four corners of the earth, armed with an unquenchable thirst for destiny’s call to understand the truth of human experience. Told in first-person narration, readers watch the traveler’s evolution as he discovers ancient artifacts and allows them to guide his journey and take him through lessons from ancient civilizations. Young and old alike hold their breath with the traveler at each stage of his journey as he moves closer to unveiling life’s greatest secret—and cascading through time.
Rastram, supranation, is about a golden page in the history of human civilizations. It is an opportunity to realize almost 2 millennia of dharam-dhamma values enshrined in the hearts of over 2 billion people along the nations of the Indian Ocean Rim. This is a compilation of insights, analyses and excerpts from works of by many savants and scholars about Hindu history. Rastram is a federation of peoples' republics - a supranational covenant as the true foundation of an organized Indian Ocean Community (IOC) -- a counterpoise to European Community. This IOC should remain open to all nations of Indian Ocean Rim. The states located along the rim from South Africa to Tasmania is a Community which has the attributes of Rastram. The Hindu historical traditions and the amended UN Law of the Sea help use the potential to create a 6 trillion dollar GDP and to provide for enhanced welfare of over 2 billion people. Along the 63,000 mile long rim, work can start on Trans-Asian Highway and Railway Projects and strengthen the bonds of civilizational heritage.The 1994 modified Law of the Sea extends territorial waters into 200 nautical miles from the baseline as economic zones. This historical account of Hindu history is an attempt to delineate the wealth of nations, along the Indian Ocean Rim. Together, these nations neighboring the Ocean, can chart out a path for establishing Rastram in dharma-dhamma continuum. This account provides the portraits from Hindu history on the travails of a nation caught in the throes of civilizational clashes onslaughts during mediaeval periods of barbarism and loots of 17th to 20th century periods of a British Colonial empire and the 21st century in a swarajyam Hindusthan by post-colonial marauders, suffocating the potential for forming a Rastram. This account is clearly NOT intended to be a chronologically organized Hindu history for two millennia until 2000 CE. Portraits are presented of political economy on the banks of Hindu civilization in modern epoch for the last two millennia. It is a record since the turn of the Common Era, informed by earlier five millennia of history of Sanatana Dharma in Bharata Rastram. trans. 'I am the Rastra moving people together for abhyudayam...) Hindu history is presented as a quest for the establishment of such a Rastram.IOC a supranational foundation to remove vestiges of colonial loot, to make such a loot unthinkable and materially impossible and reinforce democracy of all nations along the IOC rim as janapada (peoples' republics) for peoples' welfare (abhyudayam) governed by the inexorable, Hindu sanatana traditional ethic: dharma-dhamma.This book is a tribute to George Coedes who concluded, after a study of fourteen centuries of history of Southeast Asia: " the importance of studying the Indianized countries of Southeast Asia- which, let us repeat, were never political dependencies of India, but rather cultural colonies - lies above all in the observation of the impact of Indian civilization on the primitive civilizations... We can measure the power of penetration of this culture by the importance of that which remains of it in these countries even though all of them except Siam passed sooner or later under European domination and a great part of the area was converted to Islam...we may ask ourselves if the particular aspect assumed by Islam in Java was not due rather to the influence that Indian religions exercised over the character of the inhabitant of the island for more than ten centuries...The literary heritage from ancient India is even more apparent that the religious heritage. Throughout the entire Indian period, the Ramayana and the Mahabharata, the Harivamsa, and the Puranas were the principal, if not the only, sources of inspiration for local literature, to which was added the Buddhist folklore of the Jatakas, still makes up the substance of the classical theatre, of the dances, and of the shadow-plays and puppet theatre."
This vintage book contains Alexander D’Agapeyeff’s famous 1939 work, Codes and Ciphers - A History of Cryptography. Cryptography is the employment of codes and ciphers to protect secrets, and it has a long and interesting history. This fantastic volume offers a detailed history of cryptography from ancient times to modernity, written by the Russian-born English cryptographer, Alexander D'Agapeyeff. The contents include: - The beginnings of Cryptography - From the Middle Ages Onwards - Signals, Signs, and Secret Languages - Commercial Codes - Military Codes and Ciphers - Types of Codes and Ciphers - Methods of Deciphering Many antiquarian texts such as this, especially those dating back to the 1900s and before, are increasingly hard to come by and expensive, and it is with this in mind that we are republishing this book now in an affordable, modern, high quality edition. It comes complete with a specially commissioned new biography of the author.