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“Alice Albinia is the most extraordinary traveler of her generation. . . . A journey of astonishing confidence and courage.”—Rory Stewart One of the largest rivers in the world, the Indus rises in the Tibetan mountains and flows west across northern India and south through Pakistan. It has been worshipped as a god, used as a tool of imperial expansion, and today is the cement of Pakistan’s fractious union. Alice Albinia follows the river upstream, through two thousand miles of geography and back to a time five thousand years ago when a string of sophisticated cities grew on its banks. “This turbulent history, entwined with a superlative travel narrative” (The Guardian) leads us from the ruins of elaborate metropolises, to the bitter divisions of today. Like Rory Stewart’s The Places In Between, Empires of the Indus is an engrossing personal journey and a deeply moving portrait of a river and its people.
The Indus civilization flourished for half a millennium from about 2600 to 1900 BCE, when it mysteriously declined and vanished from view. It remained invisible for almost four thousand years, until its ruins were discovered in the 1920s by British and Indian archaeologists. Today, after almost a century of excavation, it is regarded as the beginning of Indian civilization and possibly the origin of Hinduism. The Indus: Lost Civilizations is an accessible introduction to every significant aspect of an extraordinary and tantalizing “lost” civilization, which combined artistic excellence, technological sophistication, and economic vigor with social egalitarianism, political freedom, and religious moderation. The book also discusses the vital legacy of the Indus civilization in India and Pakistan today.
One winter, Dervla Murphy and her six-year-old daughter explored 'Little Tibet' high up in the Karakoram Mountains in the frozen heart of the Western Himalayas. Dervla records their adventures, from crumbling tracks over bottomless chasms, to assaults by lascivious Kashmiris.
This book represents the first serious consideration of Ismaili-Shia esotericism in material and architectural terms, as well as of pre-modern conceptions of religious plurality in rituals and astrology. Sufism has long been reckoned to have connections to Shi'ism, but without any concrete proof. The book shows this connection in light of current scholarly work on the subject, historical sources, and most importantly, metaphysics and archaeological evidence. The monuments of the Suhrawardi Order, which are derived from the basic lodges set up by Pir Shams in the region, constitute a unique building archetype. The book's greatest strength lies in its archaeological evidence and in showing the metaphysical commonalities between Shi'ism/Isma'ilism and the Suhrawardi Sufi Order, both of which complement each other. In addition, working on premise and supposition, certain reanalysed historical periods and events in Indian Muslim history serve as added proof for the author's argument.
An illustrated history of African-American farmers, Homecoming is a requiem for a way of life that has almost disappeared. Based on the film Homecoming, produced for the Independent Television Service with funding provided by the Corporation for Public Broadcasting. The videocassette of Homecoming is available from California Newsreel at www.newsreel.org.
Now as sumptuously packaged as they are critically acclaimed—new deluxe trade paperback editions of the beloved stories. Husain Haddawy’s rapturously received translation of The Arabian Nights is based on a landmark reconstruction of the earliest extant manuscript version. Readers of this classic will also want to own Sindbad, a collection of four later stories associated with the Arabian Nights tradition, including “Sindbad the Sailor” and “Aladdin and the Magic Lamp.”