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Deep in the Advanced Technique Concentration, Wentik created a mind-altering drug. Suddenly he is transported to the jungles of Brazil in the 22nd century and a world devastated by nuclear war and poison gas. Only South America survived but even here 'The Disturbances' create havoc. Can Wentik find a way back? For himself? And all of humanity?
"A Surprise in the Mailbox" brings the news that Tutter's grandmother is coming to visit--that day! Will Tutter clean the house well enough to satisfy her very neat relative? Full color.
How did social, cultural and political events in Britain during and leading up to the 1960s shape modern British fiction? The 1960s were the “swinging decade”: a newly energised youth culture went hand-in-hand with new technologies, expanding educational opportunities, new social attitudes and profound political differences between the generations. This volume explores the ways in which these apparently seismic changes were reflected in British fiction of the decade. Chapters cover feminist writing that fused the personal and the political, gay, lesbian and immigrant voices and the work of visionary experimental and science fiction writers. A major critical re-evaluation of the decade, this volume covers such writers as J.G. Ballard, Anthony Burgess, A.S. Byatt, Angela Carter, John Fowles, Christopher Isherwood, Doris Lessing, Michael Moorcock and V.S. Naipaul.
“One of the master illusionists of our time.” —Wired “A head-spinning blast of blurred reality . . . jaw-dropping.” —NPR “Completely fascinating.” —San Francisco Book Review Set against “a kaleidoscopic backdrop of Earth’s past, present, and future”, this time-hopping science fiction novel is a moving meditation on “the resonance of history, memory, and love” (AV Club) In the near future, Tibor Tarent, a freelance photographer, is recalled from Anatolia to Britain when his wife, an aid worker, is killed—annihilated by a terrifying weapon that reduces its target to a triangular patch of scorched earth. A century earlier, Tommy Trent, a stage magician, is sent to the Western Front on a secret mission to render British reconnaissance aircraft invisible to the enemy. Present day. A theoretical physicist develops a new method of diverting matter, a discovery with devastating consequences that will resonate through time.
In 1878, two young stage magicians clash in a darkened salon during the course of a fraudulent séance, and from this moment they try to expose and outwit each other at every turn.
Featured in Science Fiction: The Best 100 Novels Winner of the British Science Fiction Award Nominated for the Hugo Award The “devilishly entertaining” masterpiece of hard science fiction, set in a city moving through a strange, dystopian world—from the multi-award-winning author of The Prestige (Time Out New York) The city is winched along tracks through a devastated land full of hostile tribes. Rails must be freshly laid ahead of the city and carefully removed in its wake. Rivers and mountains present nearly insurmountable challenges to the ingenuity of the city’s engineers. But if the city does not move, it will fall farther and farther behind the “optimum” into the crushing gravitational field that has transformed life on Earth. The only alternative to progress is death. The secret directorate that governs the city makes sure that its inhabitants know nothing of this. Raised in common in crèches, nurtured on synthetic food, prevented above all from venturing outside the closed circuit of the city, they are carefully sheltered from the dire necessities that have come to define human existence. And yet the city is in crisis. The people are growing restive, the population is dwindling, and the rulers know that, for all their efforts, slowly but surely the city is slipping ever farther behind the optimum. Helward Mann is a member of the city’s elite. Better than anyone, he knows how tenuous is the city’s continued existence. But the world—he is about to discover—is infinitely stranger than the strange world he believes he knows so well.
Paul Kincaid is a critic and reviewer - a regular contributor to a variety of magazines and journals, such as the BSFA's Vector, Foundation and the New York Review of Science Fiction. He has also contributed to many SF reference works, and was for 11 years the administrator of the Arthur C. Clarke Award. He is the recipient of the Thomas D. Clareson Award for services to science fiction. A collection of Kincaid's essays on SF that range from the mid-1980s to the present.
A composer’s tour of a mysterious chain of islands reveals startling truths in this “brilliant, meditative fantasy” by the multiple award-winning author of The Prestige (Barnes & Noble) Alesandro Sussken is a composer living in Glaund, a fascist state constantly at war with another equally faceless opponent. His brother is sent off to fight; his family is destroyed by grief. Occasionally Alesandro catches glimpses of islands in the far distance from the shore, and they feed into the music he composes. But all knowledge of the other islands is forbidden by the military junta, until he is unexpectedly sent on a cultural tour. And what he discovers on his journey will change his perceptions of his home, his music, and the ways of the islands themselves. Bringing him answers where he could not have foreseen them. A rich and involving tale playing with the lot of the creative mind, the rigors of living under war and the nature of time itself, this is multi award-winning, master storyteller Christopher Priest at his absolute best.
Space is a central topic in cultural and narrative theory today, although in most cases theory assumes Newtonian absolute space. However, the idea of a universal homogeneous space is now obsolete. Black holes, multiple dimensions, quantum entanglement, and spatio-temporal distortions of relativity have passed into culture at large. This book examines whether narrative can be used to represent these "impossible" spaces. Impossible topologies abound in ancient mythologies, from the Australian Aborigines’ "dream-time" to the multiple-layer universe of the Sumerians. More recently, from Alice’s adventures in Wonderland to contemporary science fiction’s obsession with black holes and quantum paradoxes, counter-intuitive spaces are a prominent feature of modern and postmodern narrative. With the rise and popularization of science fiction, the inventiveness and variety of impossible narrative spaces explodes. The author analyses the narrative techniques used to represent such spaces alongside their cultural significance. Each chapter connects narrative deformation of space with historical problematic of time, and demonstrates the cognitive and perceptual primacy of narrative in representing, imagining and apprehending new forms of space and time. This book offers a comprehensive analysis of the connection between narratology, cultural theory, science fiction, and studies of place.