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What do R.K. Narayan, G.V. Desani, Anita Desai, Zulfikar Ghose, Suniti Namjoshi, and Salman Rushdie have in common? They represent Indian writing in English over five decades. Vilified by many cultural nationalists for not writing in native languages, they nonetheless present a critique of the historical and cultural conditions that promoted and sustained writing in English. They also have in common a counterrealist aesthetic that asks its own social, political, and textual questions. This book is about the need to look at the tradition of Indian writing in English from the perspective of counterrealism. The departure from the conventions of mimetic writing not only challenges the limits of realism but also enables Indo-Anglian authors to access formative areas of colonial experience. Kanaganayakam analyzes the fiction of writers who work in this vibrant Indo-Anglian tradition and demonstrates patterns of continuity and change during the last five decades. Each chapter draws attention to what is distinctive about the artifice in each author while pointing to the features that connect them. The book concludes with a study of contemporary writing and its commitment to non-mimetic forms.
The Book Provides A General Survey Of The Indo-Anglian Fiction And A Detailed Analysis Of The Prominent Political Fictions And The Fiction Of Bhabani Bhattacharya. Showing Bhattacharya S Position And Achievement In The Domain Of Indian Fiction, The Book Studies His Art Of Writing Novels For Political And Social Value.The Book Also Dwells On The Indo-Anglian Fiction Of Varied Themes Social, Political, Nationalistic, Diplomatic, Cultural, Etc., Of Pre-And Post-Independence Periods And Shows The Significant Place Of The Indian Political Novels And Those Of Bhabani Bhattacharya. The Indian Content Of These Political Novels Has Created A Context For The Study Of Bhattacharya S Novels.The Book Also Makes A Critique On Bhattacharya S Six Novels Depicting Contemporary Social, Political, Economic And Religious Realities Of India Before And After Independence. It Also Highlights His Plea For The Social And Moral Function Of Art And For Reality And Truth In Literature And Also His Defending Of The Use Of Contemporary Events As Worthy Subjects For Writing Novels.The Author Presents A Perspective On Bhattacharya As An Innovator And A Free User Of English Language In An Indianised Style. His Authentic Tone And Indianness Are Also Shown Through The Common Theme, Traditional Technique And Typical Indian Language Of His Novels.
Contributed articles.
This is the fourth and final volume in the pioneering series on Perspectives on Ma,or Forms of indian English Literature edited by Professor M.K, Naik, Following the pattern of the earlier three volumes this collection also includes two types of essays-those evaluating the entire corpus of major fictionists and schools and those attempting intensive textual analyses of outstanding novels like Untoucl,ahle, The Guide. The Serpent and the Rope and Midnight's children. The final essay on “The Achievement of Indian Fiction in English" is an attempt to survey the entire field and evaluate the total achievement in this genre. A number of collections of critical essays on Indian fiction in English have appeared during recent years but perhaps none of them. has the range and depth of this volume. The contributors include distinguished scholars such as K.R. Srinivasa Iyengar, V.A. Shahane, D.V. K Raghavacharyulu, PremaNandakumar and the editor, M,K. Naik, himself. The carefully selective Bibliography appended to the volume has further enhanced its value as a comprehensive collection of incisivse critical studies covering the entire range of Indian fiction in English. and this series which is now complete easily constitutes a significant landmark in the ongoing scrutiny of Indian English literature.
Reader's Guide Literature in English provides expert guidance to, and critical analysis of, the vast number of books available within the subject of English literature, from Anglo-Saxon times to the current American, British and Commonwealth scene. It is designed to help students, teachers and librarians choose the most appropriate books for research and study.
This Anthology Is A Study Of Women Characters In Indo-Anglian Fiction Spanning A Period That Begins With The Early Novels Of Narayan And Comes Up To Shama Futenhally'S Tara Lane (1993).