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This volume, part of the 'Themes in Indian History' series, contains 17 essays on various aspects of Islamic traditions in South Asia, spanning the course of 800 years, plus an Introduction by the editor, a well-known expert in this field. The essays cover a wide range of topics and provides a comprehensive summary of the rich diversity and cultural syncretism which are the hallmarks of the Islamic traditions in India. It will become a standard text on the subject of Indian Islam.
Spanning some twenty-five years of research and writing, the essays in this volume fall into two categories: historiography and Indo-Islamic civilization. The former deals with how historians structure and answer the questions they choose to ask of the past, the latter covers case studies of particular historical communities in India.
In this fascinating account of one of the least known parts of South Asia, Eaton recounts the history of the Deccan plateau in southern India from the fourteenth century to the rise of European colonialism. He does so, vividly, through the lives of eight Indians who lived at different times during this period, and who each represented something particular about the Deccan. In the first chapter, for example, the author describes the demise of the regional kingdom through the life of a maharaja. In the second, a Sufi sheikh illustrates Muslim piety and state authority. Other characters include a merchant, a general, a slave, a poet, a bandit and a female pawnbroker. Their stories are woven together into a rich narrative tapestry, which illumines the most important social processes of the Deccan across four centuries. This is a much-needed book by the most highly regarded scholar in the field.
"This third edition of Ira M. Lapidus's classic A History of Islamic Societies has been substantially revised to incorporate the insights of new scholarship and updated to include historical developments in the first decade of the twenty-first century. Lapidus's history explores the beginnings and transformations of Islamic civilizations in the Middle East and details Islam's worldwide diffusion to Africa, Spain, Turkey and the Balkans, Central, South and Southeast Asia, and North America, situating Islamic societies within their global, political, and economic contexts. It accounts for the impact of European imperialism on Islamic societies and traces the development of the modern national state system and the simultaneous Islamic revival from the early nineteenth century to the present. This book is essential for readers seeking to understand Muslim peoples."--Publisher information.
First published in 1988, Ira Lapidus' A History of Islamic Societies has become a classic in the field, enlightening students, scholars, and others with a thirst for knowledge about one of the world's great civilizations. This book, based on fully revised and updated parts one and two of this monumental work,describes the transformations of Islamic societies from their beginning in the seventh century, through their diffusion across the globe, into the challenges of the nineteenth century. The story focuses on the organization of families and tribes, religious groups and states, showing how they were transformed by their interactions with other religious and political communities. The book concludes with the European commercial and imperial interventions that initiated a new set of transformations in the Islamic world, and the onset of the modern era. Organized in narrative sections for the history of each major region, with innovative, analytic summary introductions and conclusions, this book is a unique endeavour.
The book examines the postcolonial Muslim political discourse through monuments. It establishes a link between the process by which historic buildings become monuments and the gradual transformation of these historic/legal entities into political objects. The author studies the multiple interpretations of Indo-Islamic historical buildings as ‘political sites’ as well as emerging Muslim religiosities and the internal configurations of Muslim politics in India. He also looks at the modes by which a memory of a royal Muslim past is articulated for political mobilisation. Raising critical questions such as whether Muslim responses to political questions are homogenous, the book will greatly interest researchers and students of political science, modern Indian history, sociology, as well as the general reader interested in contemporary India.
This book provides a political history of north India under Afghan rulers in the late fifteenth and early sixteenth centuries. Focusing on interconnections between religion and politics, it also raises questions of paramount concern to an understanding of Islam in medieval north India. The book is divided into three sections. The first section explores the Afghan attempts at empire-building under the leadership of Sher Shah Sur. Discussing the incorporation of the Rajputs in the Afghan imperial project, the second part deals with the prevalent ideals and institutions of governance. The last segment investigates the social and political role of the Sufis. Questioning the overemphasis on the Sultanate and Mughal periods in Indian history writing, Aquil projects a dynamic view of the Afghan period.
Islamic South Asia has become a focal point in academia. Where did Muslims come from? How did they fare in interacting with Hindu cultures? How did they negotiate identity as ruling and ruled minorities and majorities? Part I covers early Muslim expansion and the formative phase in context of initial cultural encounter (app. 700-1300). Part II views the establishment of Muslim empire, cultures oscillating between Islamic and Islamicate, centralised and regionalised power (app. 1300-1700). Part III is composed in the backdrop of regional centralisation, territoriality and colonial rule, displaying processes of integration and differentiation of Muslim cultures in colonial setting (app. 1700-1930). Tensions between Muslim pluralism and singularity evolving in public sphere make up the fourth cluster (app. 1930-2002).
Offering the first long-duration analysis of the relationship between the state and religion in South Asia, this book looks at the nature and origins of Indian secularism. It interrogates the proposition that communalism in India is wholly a product of colonial policy and modernisation, questions whether the Indian state has generally been a benign, or disruptive, influence on public religious life, and evaluates the claim that the region has spawned a culture of practical toleration. The book is structured around six key arenas of interaction between state and religion: cow worship and sacrifice, control of temples and shrines, religious festivals and processions, proselytising and conversion, communal riots, and religious teaching/doctrine and family law. It offers a challenging argument about the role of the state in religious life in a historical continuum, and identifies points of similarity and contrast between periods and regimes. The book makes a significant contribution to the literature on South Asian History and Religion.
This book highlights the history of Islamic popular devotional art and visual culture in 20th-century India, weaving the personal narrative of the author’s journey through his understanding of the faith. It begins with an introductory exploration of how the basic and universal image of Mecca and Medina may have been imported into Indian popular print culture and what variants it resulted in here. Besides providing a historical context of the pre-print culture of popular Muslim visuality, the book also explores the impact the 1947 Partition of India may have made on the calendar art in South Asia. A significant portion of the book focuses on the contemporary prints of different localised images found in India and what role these play in the users’ lives, especially in the augmentation of their popular faith and cultural practices. The volume also compares the images published in India with some of those available in Pakistan to reflect different socio-political trajectories. Finally, it discusses why such a vibrant visual culture continues to thrive among South Asian Muslims despite the questions raised by the orthodoxy on its legitimacy in Islam, and why images and popular visual cultures are inevitable for popular piety despite the orthodox Muslims’ increasing dissociation from them. This work is one of the first books on Indian Muslim poster art, with rare images and simple narratives, anecdotes about rituals, ceremonies and cultural traditions running parallel to research findings. This second edition contains a new Afterword that discusses challenges to religious plurality arising on account of changing political landscapes, economic liberalisation, technology and new media, and socio-religious developments. It will appeal to the lay reader as well as the specialist and will be especially useful to researchers and scholars in popular culture, media and cultural studies, visual art and performance studies, and sociology and social anthropology.