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Poetry, mainly Urdu poetry, played a very significant role in India’s freedom struggle. This book explores the poetic contributions going back centuries of colonial rule, which became songs of freedom and captured both the poignancy and fervor of revolution, protest, and hope. Urdu became one of the essential languages in colonial India, used by both political leaders and many young revolutionaries in speeches and writings as slogans for freedom and a call to action. Poets such as Josh Malihabadi, Firaq Gorakhpuri, Sahir, Makhdoom, Kaifi Azmi, Majaz, Majrooh, and Faiz Ahmad Faiz wrote highly patriotic poetry which was used not only to inspire and help mobilize people but also to offer criticism of existing socio-cultural practices in India and promote reform and equality. This work – a creative and selective translation of the book Hindustan Ki Tahriik-e Aazadi aur Urdu Shaa’yiri by Professor Gopi Chand Narang – includes English translations of poems from rare historical manuscripts as well as banned and witnessed poetry confiscated by the British. It looks at key events in India’s struggle for freedom through the prism of literature, language, poetry, and culture while also delving into the lives of poets who became the voice of their generation. This book is an essential read for students and researchers of colonial and postcolonial literature, cultural studies, comparative studies, history, and South Asian literature and culture.
Presents the Indian literatures, not in isolation in one another, but as related components in a larger complex, conspicuous by the existence of age-old multilingualism and a variety of literary traditions. --
Chiefly ghazals; covers the period 18th-19th century.
Poetry, mainly Urdu poetry, played a very significant role in India's freedom struggle. This book explores the poetic contributions going back centuries of colonial rule, which became songs of freedom and captured both the poignancy and fervour of revolution, protest, and hope. Urdu became one of the essential languages in colonial India, used both by political leaders and many young revolutionaries in speeches and writings as slogans for freedom and a call to action. Poets such as Josh Malihabadi, Firaq Gorakhpuri, Sahir, Makhdoom, Kaifi Azmi, Majaz, Majrooh, and Faiz Ahmad Faiz wrote highly patriotic poetry which was used not only to inspire and help mobilise people but also to offer criticism of existing socio-cultural practices in India and promote reform and equality. This work--a translation of the book Hindustan Ki Tahriik-e Aazadi aur Urdu Shaa'yiri by Professor Gopi Chand Narang--includes English translations of poems from rare historical manuscripts as well as banned and witnessed poetry confiscated by the British. It looks at key events in India's struggle for freedom through the prism of literature, language, poetry and culture while also delving into the lives of poets who became the voice of their generation. This book is an essential read for students and researchers of colonial and postcolonial literature, cultural studies, comparative studies, history, and South Asian literature and culture.
"Let a thousand verses bloom. Anthems of Resistance is about the iconoclastic tradition of poetry nurtured by Ali Sardar Jafri, Faiz Ahmad Faiz, Javed Akhtar, Fehmida Riyaz and all those who have been part of the progressive writers' movement in the Indian subcontinent. It documents the rise of the Progressive Writers' Association, its period of ascendancy, its crucial role in the struggle for independence, and its unflagging spirit of resistance against injustice. In the process, the book highlights various aspects of the PWA's aesthetics and politics such as its internationalist ethos, its romance with modernity, its engagement with feminism, its relationship to Hindi cinema and film lyrics, and the vision of a radically new world which its members articulated with passion. Part history, part literary analysis, part poetic translation, and part unabashed celebration of the PWA era, this book is truly a unique resource. This is a lucidly written account of a glorious chapter in the history of Indian literature. The powerful verses of the PWA poets are wonderfully translated and, along with the highly accessible transliteration, offer the general reader a rare opportunity to appreciate the writings that helped shape a nation. Anthems of Resistance is truly an inspiring and pleasurable read." - Professor Mushirul Hasan, Vice Chancellor, Jamia Millia Islamia, New Delhi "Such a gift from the Brothers Mir! Lyrical and thoughtful, this introduction to the vast swathe of progressive Urdu poetry belongs on all our shelves, and in all our hearts. It is a companion worthy of the poetry itself. A singular achievement." - Professor Vijay Prashad, Director of International Studies, Trinity College, Connecticut, US "Like the many poets they celebrate, the authors write with passion and conviction ... Their book makes for a joyous and exhilarating read." -Professor C.M. Naim, Professor Emeritus, University of Chicago
This volume presents important documents recording reactions of Muslims in the period following Independence and the Partition of India, and in the subsequect fifty years. Besides key political developments, documets on topics such as Hindu revivalism and Muslim responses, the Babri Masjid question, the Supreme Court's ruling on the Shah Bano case, Rajiv Gandhi's discussions with Muslim leader and the issue of personal laws provide insights into Muslim participation in post-Independence polity anad society. This book will interest students and scholars of modern Indian history and politics, journalists, and general readers.
is a monthly journal devoted to the socio-economic issues. It started its publication in 1957 with Mr. Khuswant Singh as the Chief Editor. The magazine is now published in 13 languages viz. English, Hindi, Urdu, Punjabi, Marathi, Gujarati, Bengali, Assamese, Telugu, Tamil, Kannada, Malayalam and Odia.
One of contemporary India’s most prolific Urdu poets, Firaq Gorakhpuri was well known for his ghazals, nazms, rubaais and qat’aa. His magnum opus, Gul-e-Naghma, won him the Jnanpith Award (1969), India’s first highest literary honour for literature. The other awards bestowed upon him include the Sahitya Akademi Award (1960), and the Ghalib Academy Award (1981). In this personalized biography, Firaq’s nephew, Ajai Mansingh, tells the compelling tale of the poet's life, inspiration, and struggles – shedding light on the trials and tribulations of one of India’s greatest literary figures. ‘Firaq is a poet of the labyrinths of emotions, the sensuousness and transcendence of beauty, and the merging shades of pain and ecstasy. The softness and suppleness of his voice does not have a parallel in Urdu poetry.’ — Gopi Chand Narang