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The first overview of the Sidney and Lois Eskenazi Museum of Art's collection in nearly ten years, this indispensable, lavishly illustrated guide includes a brief history of the museum along with fresh perspectives on visitor favorites. Three hundred fifty essential works, chosen by the museum's curators, are showcased by beautiful color reproductions paired with informative texts. Iconic works from five diverse collections include media as varied as painting, decorative arts, sculpture, traditional arts, and works on paper (the broadest compilation to date), offering a comprehensive, global view of art history, from ancient to contemporary. Guide to the Sidney and Lois Eskenazi Museum of Art Collection is an outstanding introduction to the museum's 45,000 works, an ideal companion volume for those already familiar with the collection, and an absorbing read for lovers of art and art history.
Indiana University Bloomington houses exceptional materials from nearly every continent. Windows on Worlds: International Collections at Indiana University takes readers on a visual journey through IU's collections like never before. Ranging in works as diverse as painting, sculpture, costume, rare manuscripts, musical instruments, and much more—the museums, institutes, collections, and other holdings on IU's flagship campus provide unique engagement opportunities for students, researchers, and members of the public. Windows on Worlds showcases the unique and unexpected items from collections across the Bloomington campus, such as the Boulle clock in the Federal Room of the Indiana Memorial Union; the Burmese headdresses in the Mathers Museum of World Culture (now the IU Museum of Archaeology and Anthropology); the fish-shaped coffin in the Sidney and Lois Eskenazi Museum of Art; the rare manuscripts and puzzles of the world-famous Lilly Library; and, finally, new additions on campus like the IU Metz Carillon. Brimming with beautiful photographs, this book offers readers insight into an extraordinary number of cultures and societies through IU's collections.
Amid the forested hills of southern Indiana stands one of America's most beautiful college campuses. Indiana University Bloomington: America's Legacy Campus, the new edition, returns the reader to this architectural gem and cultural touchstone. Revised and updated to include new buildings and features of campus life, it is a must have for any Hoosier. The IU Bloomington campus, rich in architectural tradition, harmonious in building scale and materials, and surrounded by natural beauty, stands today as a testimony to careful campus planning and committed stewardship. Planning principles adopted in the very early stages of campus development have been protected, enhanced, and faithfully preserved, resulting in an institution that can truly be called America's Legacy Campus. Lavishly illustrated and brimming with fascinating details, this book tells the story of Indiana University—a tale not only of buildings, architecture, and growth, but of the talented, dedicated people who brought the buildings to life. Completely updated with new buildings and an epilogue, and now even more lavishly illustrated, this new edition is a lasting tribute to the treasure that is Indiana University Bloomington.
This beautifully designed catalogue spans Close's career through film, television and theatre, with a survey of beautifully crafted costumes from some of her most iconic performances. In 2017 acclaimed film and stage actress Glenn Close donated her costume collection to Sidney and Lois Eskenazi School of Art, Architecture + Design. The Art of the Character: Highlights from the Glenn Close Costume Collection is an exhibition and catalogue at the Sidney and Lois Eskenazi Museum of Art at Indiana University, in partnership with the Sage Fashion Collection. This beautifully designed catalogue spans Close's career through film, television and theatre, with a survey of beautifully crafted costumes from some of her most iconic performances, such as roles in Fatal Attraction, Dangerous Liaisons and 101 Dalmatians. Great designers featured include James Acheson, Ann Roth and Anthony Powell. "All my costumes are the product of an informed, passionate collaboration," Close said. " ... And I'd like them to gain an insight into the creative process, which is basically the thing that keeps any artist's soul alive: the actual process."
The booklet opens with the Delaware Indians prior to 1818. White Americans quickly replaced the natives. Germanic people arrived during the mid-nineteenth century. African American indentured servants and free blacks migrated to Indianapolis. After the Civil War, southern blacks poured into the city. Fleeing war and political unrest, thousands of eastern and southern Europeans came to Indianapolis. Anti-immigration laws slowed immigration until World War II. Afterward, the city welcomed students and professionals from Asia and the Middle East and refugees from war-torn countries such as Vietnam and poor countries such as Mexico. Today, immigrants make Indianapolis more diverse and culturally rich than ever before.
Mannequins in Museums is a collection of historical and contemporary case studies that examine how mannequins are presented in exhibitions and shows that, as objects used for storytelling, they are not neutral objects. Demonstrating that mannequins have long histories of being used to promote colonialism, consumerism, and racism, the book shows how these histories inform their use. It also engages readers in a conversation about how historical narratives are expressed in museums through mannequins as surrogate forms. Written by a select group of curators and art historians, the volume provides insight into a variety of museum contexts, including art, history, fashion, anthropology and wax. Drawing on exhibition case studies from North America, South Africa, and Europe, each chapter discusses the pedagogical and aesthetic stakes involved in representing racial difference and cultural history through mannequins. As a whole, the book will assist readers to understand the history of mannequins and their contemporary use as culturally relevant objects. Mannequins in Museums will be compelling reading for academics and students in the fields of museum studies, art history, public history, anthropology and visual and cultural studies. It should also be essential reading for museum professionals who are interested in rethinking mannequin display techniques.
In its first ten years, a small Midwestern cinema has attracted some of the most intriguing and groundbreaking filmmakers from around the world, screened the best in arthouse and repertory films, and presented innovative and unique cinematic experiences. Indiana University Cinema tells the story of how the cinema on the campus of Indiana University Bloomington grew into a vibrant, diverse, and thoughtfully curated cinematheque. Detailing its creation of a transformative cinematic experience throughout its inaugural decade, the IU Cinema has arguably become one of the best venues for watching movies in the country. Featuring 17 exclusive interviews with filmmakers and actors, as well as an afterword from Jonathan Banks (Breaking Bad and Better Call Saul), Indiana University Cinema, is a lavishly illustrated book that is sure to please everyone from the casual moviegoer to the most passionate cinephile.
A historical study on the ancient and popular Chinese puzzle game presents more than two thousand all-time tangrams, along with detailed instructions on how to arrange these intriguing puzzle tiles and presenting a variety of special puzzles for the reader to solve. Reprint.
An insightful study of the progressive politics animating a great work of modernist mural painting In 1936 the Works Progress Administration’s Federal Art Project commissioned Stuart Davis (1892–1964) to paint a mural for the Williamsburg Houses, a New York City housing project. Though the mural, Swing Landscape, was never installed in its intended location, it survives as an impressive testament to Davis’s energetic, colorful brand of abstraction and the progressive politics that animated it. This study explores the painting, one of the greatest of twentieth-century America and arguably Davis’s most ambitious work. This book challenges the prevailing tendency to separate Davis’s leftist activism from his art and contextualizes Swing Landscape within 1930s abstract mural painting in New York, emphasizing the politics of abstraction. The book also offers the first comprehensive look at the Williamsburg mural commission, including works by Willem de Kooning, Ilya Bolotowsky, and others. The result is an indispensable resource on interwar modernism, mural painting, and urban development. Published in association with the Sidney and Lois Eskenazi Museum of Art, Indiana University Exhibition Schedule: Sidney and Lois Eskenazi Museum of Art, Indiana University (February 5–May 22, 2022)