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"Decoding Robert Indiana's work for a new generation, this revelatory book explores previously unknown autobiographical elements in the work of the Pop artist and printmaker. Famously proclaiming himself to be "an American painter of signs," Robert Indiana has created an enormous body of work, much of it boldly colored abstractions. In this incisive new examination of the artist, based on ongoing conversations with Indiana, art historian Martin Krause sifts through autobiographical clues within the artist's work and finds a wealth of affecting and affectionate references to Indiana's childhood, literary heroes, and the cultural icons of his generation. In addition, a penetrating essay by Pop art scholar John Wilmerding deconstructs Indiana's use of geometric shapes, making unexpected connections that enhance Krause's thesis. Accompanied by reproductions of more than 50 prints from the period 1960-2010--and focusing specifically on series such as Decade: Autoportraits, Vinalhaven Suite, and The Hartley Elegies as well as the "Love" and "Hope" images and studies of Marilyn Monroe, Picasso, and the Brooklyn Bridge--Krause's decryption of Indiana's visual language provides telling insight into the work of this quintessentially American artist"--
A supplemental textbook for middle and high school students, Hoosiers and the American Story provides intimate views of individuals and places in Indiana set within themes from American history. During the frontier days when Americans battled with and exiled native peoples from the East, Indiana was on the leading edge of America’s westward expansion. As waves of immigrants swept across the Appalachians and eastern waterways, Indiana became established as both a crossroads and as a vital part of Middle America. Indiana’s stories illuminate the history of American agriculture, wars, industrialization, ethnic conflicts, technological improvements, political battles, transportation networks, economic shifts, social welfare initiatives, and more. In so doing, they elucidate large national issues so that students can relate personally to the ideas and events that comprise American history. At the same time, the stories shed light on what it means to be a Hoosier, today and in the past.
"Robert Indiana's paintings are quintessential pop art. His fascination with letters and numbers, billboards, and other vernacular signage has resulted in some of the most iconic images in modern American art. Indiana's famous LOVE paintings and sculptures are perhaps his most well-known works. Now, in this long-awaited survey of Indiana's art and designs, three leading art historians examine the different periods of his life and oeuvre. The volume includes his pop culture roots--his early paintings of road signs, pinball machines, the "American Dream"--As well as his own writings and photographs. This important monograph assures Indiana's place in the art world alongside contemporaries Warhol, Lichtenstein, and Rosenquist."--Publisher's website.
In Indiana through Tradition and Change: A History of the Hoosier State and Its People, 1920–1945 (vol. 5, History of Indiana Series), author James H. Madison covers Indiana during the period between World War I and World War II. Madison follows the generally topical organization set by previous volumes in the series, with initial chapters devoted to politics and later chapters to social, economic, and cultural questions. The last chapter provides an overview of the home front during World War II. Each chapter is intended to stand alone, but a fuller understanding of subjects and themes treated in any one chapter will result from a reading of the whole book. The book includes a bibliography, notes, and index.
Monthly journal of Federal-State Employment Service programs and operations.