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Indian traces in Korean Culture examines the enduring cross-cultural discourse between India and Korea over the centuries, emphasizing the transformative power of cultural exchange beyond geographical and temporal constraints. The book analyses how symbols transcend sensory realms and embody spiritual content and suggests that Indian associations in Korean culture reflect a hybridized nature, seamlessly blending cultural elements. The author presents various facets of the cultural exchange between India and Korea, covering Princess Hŏ Hwang-ok's legendary Indian origins shaping Korean identity, Ilyŏn's strategic documentation of Buddhism's transmission, the influence of Indian figures such as Gandhi and Tagore, an exploration of literature from ancient Buddhist verse to modern poets like Kim Yang-shik and Shiva Ryu, and a study of cultural exchange in K-pop. Facilitating a possible alternative to Huntington’s theory of the clash of civilisations, this book provides evidence that the multifaceted encounters between cultures are a historical process that co-shapes civilisational change on a global scale. The first monograph solely dedicated to India-Korea cultural connection from antiquity to the present, this book offers a paradigm shift, inviting readers to explore fresh insights and reshape their understanding of cultural exchanges. It will be of interest to researchers in intercultural communication, Cultural Studies, Cultural History and Asian Studies, in particular Korea and India.
In this study, Ng examines the aftermath of the massive protests in 2019 and the implementation of the National Security Law in Hong Kong. Despite 2 years of fluctuating COVID measures and social constraints, the city witnessed an unparalleled cultural resurgence after the enactment of the National Security Law in 2020. This book explores Hong Kong beyond the end of the Anti-Extradition Bill Movement in 2019, to examine what happened afterward, how society repaired itself, how the people of the city resumed their everyday life, and what this everyday life entails. Ng examines the social debates and conversations during these 2 years, analyzing a wide range of creative projects in the city, from television shows, popular music, and social media to literary writings. She describes the difficulties, emotional experiences, and also daily strategies to repair local life, recreate a self-identity, and reclaim the city’s narrative against the pressures from China. This book is a valuable resource for researchers, scholars, students, and general readers interested in popular culture and society, and the global uprisings of the first decades of the twenty-first century. The study, supported by detailed research, also makes this essential reading for those with a specialized interest in global studies, and China and Hong Kong studies.
This Collection Of Scholarly Papers Focuses On The Centrality Of The Indian Contribution In Defining The Asian Cultural Matrix And Brings Under One Rubric The Views Of Indian As Well As Eurasian Experts On The Subject.
This volume discusses the past, present and future perspectives of literature in Japan, China and South Korea and its interface with India. Since this being a largely unexplored area, an attempt has been made to present a true picture of the literature and cultural milieu of the East Asian countries to the readers through well researched, thought-provoking and enlightening papers contributed by eminent scholars from India, Japan, China and Korea. It is a historical fact that India maintained strong cultural ties with East Asian countries directly or indirectly through religion and culture since ancient times. This cultural bond has become all the more significant and meaningful in this age of information technology and globalization. In this context, literature has a great role to play. To be precise, it is only through literature that this existing bond of cultural affinity among India and East Asian countries could be nurtured and strengthened. This book gives a vivid picture of the state of the past and present literary trends in Japan, China and South Korea, the influence of Indian literary trends and thought on their literatures, and the general perception and assimilation of East Asian literatures in India. This book would be a unique and comprehensive reference material for teachers, researchers, students, writers, and literary critics of Indian and East Asian literatures.
The current phenomenon of Hallyu wave lashing the world shores with its cornucopia of cultural products is truly a cultural “dynamite” that has impacted a massive revisioning of all the accepted ideas of popular culture that existed prior to its entrance on the stage of world imagination. Its influence ranging from novel culinary habits to new ways of looking at gender has garnered the attention of researchers to closely look into the various nuances of the new popular culture.
This book will look at digital popular cultures in the post-millennial Indian context and trace patterns of consumption and forms of agency that it engenders thus offering an interpretative analysis of digital content on different platforms. The book consists of three sections. The first section centres around novel practices such as transnational consumption of digital popular content. The second section deals with influencer marketing and the ways in which mediated personalities get transformed. The third section includes textual analysis of OTT and other digital content in order to understand its effects on refashioning social identities such as class caste and gender.
This book is a systematic investigation of Korean cultural wave in South Asia, discovering and analysing the dynamics of fandom, mechanism of media industry and growing phenomena of Korean culture in this part of the world. This is one of the very first academic volumes in South Asia that examines cultural politics, language and literatures of Korea in a regional location when there might be some on examining the political and diplomatic relations divorced from socio-cultural interactions. It focuses on three major aspects: identity formation in the age of digital culture, fandom and aspiration in the wake of subculture, and transcultural flow in South Asia. Through these thematic indicators and empirical instances the volume explores the modes of transcultural flow vis a via the global cultural flow. The patterns and processes of identity construction transformed among the teenagers and youths in the realm of digital media and embodying the Korean cultural elements. The book will contribute in the area of media and cultural studies, global culture and politics, arts and humanities, social sciences and area studies. Chapter 1 is available open access under a Creative Commons Attribution 4.0 International License via link.springer.com.
This book is the first systematic study of the genealogy, discursive structures, and political implications of the concept of ‘Greater India’, implying a Hindu colonization of Southeast Asia, and used by extension to argue for a past Indian greatness as a colonial power, reproducible in the present and future. From the 1880s to the 1960s, protagonists of the Greater India theme attempted to make a case for the importance of an expansionist Indian civilisation in civilizing Southeast Asia. The argument was extended to include Central Asia, Africa, North and South America, and other regions where Indian migrants were to be found. The advocates of this Indocentric and Hindu revivalist approach, with Hindu and Indian often taken to be synonymous, were involved in a quintessentially parochial project, despite its apparently international dimensions: to justify an Indian expansionist imagination that viewed India’s past as a colonizer and civilizer of other lands as a model for the restoration of that past greatness in the future. Zabarskaite shows that the crucial ideologues and elements used for the formation of the construct of Greater India can be traced to the svadeśī movement of the turn of the century, and that Greater India moved easily between the domains of the scholarly and the popular as it sought to establish itself as a form of nationalist self-assertion.
The Palgrave Handbook of Global Perspectives on Emotional Labor in Public Service challenges traditional public administration theory and its disavowal of the emotive component to public service delivery. Providing a comprehensive and comparative overview of the current research in this previously understudied area, this handbook situates emotional labor within public service and establishes emotional labor within individual, organizational, cultural, and situational scenarios. With chapters spanning twelve different countries across six continents, this handbook provides groundbreaking survey research that probes the daily work experience of public servants, paying special attention to the relational aspect of public service delivery. It ultimately seeks to revise the current public service paradigm, and will be an invaluable resource to researchers, public managers, and international public service organizations as the first of its kind for the public administration market.