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"[A] handsome digest of commercial, tribal, and folk textiles." —Fiberarts The production of textiles in India continues to flourish just as it has for many centuries. The interactions of indigenous tribes, invaders, traders, and explorers throughout history has built a culture legendary for its variety and color. From the Rann of Kutch to the Coromandel coast, handloom weavers, block printers, painters, dyers, and embroiderers are creating the most extraordinary textiles. This all-encompassing survey of textiles from every region of the Indian subcontinent runs the gamut of commercial, tribal, and folk textiles. The authors first place them in context by examining the cultural background: the history, the materials, and the techniques—weaving, printing, painting, and tie-dye. They then give a detailed region-by-region account of traditional textiles production, including chapters on Pakistan, Bangladesh, and Sri Lanka. A dazzling array of images provides an unsurpassed visual representation of the textiles, while a detailed reference section with further reading, museums, and information on technical terms completes this essential guide.
This vibrant volume showcases a stunning collection of Indian textiles from the V&A, and explores in depth their history, production techniques, and designs. Textiles have a long and distinguished history on the Indian subcontinent, from the dazzling woven silks worn by royalty to the simple block-printed patterns worn by the masses. Drawing from the Victoria and Albert Museum’s world-class collection, this beautiful and informative reference features breathtaking and varied textile designs, techniques, and colors. Each piece is examined in detail through close-up shots of the fabric and patterns, and demonstrates different weaving techniques, allowing readers to see precisely how the textile was made. Divided into three chapters by pattern style—“Floral,” “Figurative,” and “Geometric”—each chapter comprises an introduction to the style’s history along with its intended use. This authoritative volume overflows with distinctive colors and patterns to inspire and inform the reader about the history of Indian textiles and patterns, their intended use, and the methods by which they were made.
"Published to accompany the exhibition The Fabric of India at the Victoria and Albert Museum, London, from 3 October 2015 to 10 January 2016"--Title page verso.
In the past hundred years or so, 'chintz' has come to mean any floral printed furnishing fabric. Its origins as a hand-drawn and dyed fabric from India are often forgotten, but it is with these rare earlier chintzes that this book is concerned. It explores in detail the background and development of this beautiful technique and looks at the use of chintzes in Europe from the early 17th century to the mid-19th century, first as bed-curtains and wall-hangings and later for popular men's and women's dress. The V&A's collection, published for the first time in glorious colour and including close-up details, will interest interior designers, textiles students and those involved in fashion.
This magnificently illustrated and deeply researched volume takes the reader on a journey throughout the Indian subcontinent to explore the history and traditions of its textiles. India's rich and vibrant textile tradition boasts an enormous range of techniques and extraordinary level of artistry. Drawn from one of the world's finest collections of Indian textiles, this book presents a fascinating overview of several centuries of artistic production from every corner of India. Each section examines a different region to reveal its distinct textile traditions, patterns, and processes: Patola silks from Gujarat, lampas weaves preserved in Tibetan temples, mordant resist dyed cottons exported to Indonesia, silk saris from Murshidabad and embroideries from rural Bengal and Punjab. The book also delves into the roles that textiles have played in daily life over the centuries, from household and dowry textiles to devotional pieces and exquisite materials crafted for rich patrons. Each object is photographed from multiple angles and reproduced in meticulous detail. Many of the antique pieces featured here are exceedingly rare, which makes this book an invaluable resource. Gorgeously illustrated, this volume makes a stunning gift for anyone interested in the history and craftmanship of one of the world's oldest textile traditions.
This book focuses on the significant role of West African consumers in the development of the global economy. It explores their demand for Indian cotton textiles and how their consumption shaped patterns of global trade, influencing economies and businesses from Western Europe to South Asia. In turn, the book examines how cotton textile production in southern India responded to this demand. Through this perspective of a south-south economic history, the study foregrounds African agency and considers the lasting impact on production and exports in South Asia. It also considers how European commercial and imperial expansion provided a complex web of networks, linking West African consumers and Indian weavers. Crucially, it demonstrates the emergence of the modern global economy.
After years of searching through dusty museum collections and royal stores across India, acclaimed designer Ritu Kumar has uncovered many of the last surviving examples of traditional royal clothing. Her book is a celebration of this rich legacy of textiles and craftsmanship. This in-depth study of the evolution of Indian royal costume spans the centuries from the first representations of clothing in ancient India, through the reign of the Mughal emperors and the days of the British Raj, to Indian independence and royalty in the present day. The author covers both men's and women's garments, Hindu and Muslim styles, and documents the evolution of European-Indian fashions. This sumptuous volume is illustrated with a variety of material, much of which has never been published before ranging from archive photographs, miniatures, royal portraits and cinema stills, to detailed images of garments and textiles from as far back as the seventeenth century. A separate section explains in detail the techniques behind the traditional crafts of weaving, dyeing, printing and embroidery, with sketches and patterns illustrating a variety of garments. Specially commissioned photographs of members of royalty wearing their traditional clothes emphasise the colour, shape, ornament and texture of these stunning costumes. This royal family album is supplemented by stories of royal India told to the author by the last Rajmatas who still remember the splendours of courtly life. AUTHOR: Ritu Kumar is one of India's foremost designers, who has developed a unique style combining the ancient traditions of Indian craftsmanship with contemporary innovations. She began her work many years ago in a small village near Calcutta with just four hand-block printers and a couple of tables. 360 colour & 100 b/w illustrations
"An ingenious new presentation of an old history."—Fiberarts The dazzling cloths presented here are the visual record of one of the great untold stories of Asian design history: the trade in Indian textiles to Southeast and East Asia. The chintzes made for export to Europe in the seventeenth and eighteenth centuries are now well known; but for over a thousand years Indian cloths were traded for the spices and forest and mineral wealth of the East by Asian, Arab, and European merchants. Universally in demand, the textiles were designed to suit specific markets: attire for royalty, diplomatic gifts, displays for festive occasions, and clothing for rites of passage and other ceremonies. Outstanding among them are the patterned cottons—the famous chintzes—and the tie-dyed silk patola, reserved for rulers and nobility.
* Features Indian textiles pieces from the Karun Thakar Collection, and The Textile Museum and Cotsen Textile Traces Study Collection in Washington, DC* Published to accompany an exhibition at The Textile Museum at George Washington University in Washington, DC, opening January 2022The book features items from one of the world's foremost private collections of Indian textiles, the Karun Thakar Collection, together with key pieces from two recently united American collections, The Textile Museum and the Cotsen Textile Traces Study Collection in Washington, DC. The book and accompanying exhibition offer a unique approach to understanding Indian textile culture through reference to three distinct traditions: abstract, floral and figurative design.With essays by three leading international Indian textile curators, the publication's focus on textile ornament rather than date, region, usage, or technique provides new perspective and scholarship on this ancient artistic tradition. The book highlights the tradition's remarkable diversity, with objects ranging from folk embroideries to Mughal courtly weavings, and from early textiles traded to Egypt and Southeast Asia to 18th-century chintzes exported to Europe.