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An alternative view of imperial history, exploring the pioneering ways in which South Asians within Britain engaged in radical discourse and political activism.
This is a richly illustrated volume that focuses on the remarkably ornamented silverware produced by Indian craftsmen during the period of the British Raj. Silversmiths created elegant silver tea services, bowls, wine and water ewers, beer mugs, and goblets to adorn the sideboard or mantelpiece in a British Raj home, creating European forms fulfilling European requirements. These same silversmiths then adopted a unique manner of embellishing these objects with a variety of different motifs that reflect local taste and carry a recognizably local pattern. This book carries a set of five essays that explore different facets of the production and consumption of Indian silver for the Raj. It considers the silverware in terms of its clearly distinguishable regional styles, which is prefaced by two thematic sections, one on calling card cases and the other on tea services, which demonstrate its wide prevalence. The visual presentation of the silverware does justice to it dazzling quality. The book is published in conjunction with an exhibition that opens at the Miriam & Ira D Wallach Art Gallery, Columbia University, New York, in September 2008.
Burmese master silversmiths produced a magnificent body of work from the mid-19th to the early 20th centuries – the Burmese Silver Age. This aesthetic and functional work is characterized by a unique decorative style and superb technical artistry. Many of the artefacts are embellished with mysterious visual narratives drawn from ancient religious and mythological sources, communicating spiritual beliefs and values that resonate to this day. Burmese silverwork is a distinct and little-known genre of silver art. This book tackles this obscurity by illuminating and describing for the first time 100 Burmese silver artefacts in a stunning photographic gallery. This silverwork – from the Noble Silver Collection – represents some of the rarest and finest quality work from the Burmese Silver Age. The centrepiece gallery of silverwork masterpieces is bookended by two well-illustrated and informative chapters that provide readers with deeper insights into Burmese silverwork: a robust frame of reference chapter summarises the 2,000-year history and cultural tradition of Burmese silverwork; and a chapter following the gallery deciphers the complex and allegorical iconography of the decoration, which gives the reader a deeper appreciation of its religious and cultural meaning and origin. This book captures the great, almost mystical, allure of Burmese silverwork – from the sublime artistry of the decoration, to the extraordinary skill of the silversmith and the profound meaning and importance of the visual narratives. In doing so, Burmese Silver Art takes its place as a definitive reference work for any art historian, collector, expert, student, or general reader interested in this hitherto-overlooked body of noble art.
Burma (Myanmar) is a Southeast Asian country that is emerging from crisis after more than a half century of hard-line military rule and cultural, diplomatic and economic isolation. With the dissolution of its military regime, the State Peace and Development Council, in 2011, a formally civilian but military-dominated constitutional government was inaugurated. By 2012, Burma’s president, retired General Thein Sein, had established a working relationship with Daw Aung San Suu Kyi, the leader of the country’s pro-democracy movement since 1988, and after a 2012 by-election she and members of her opposition party, the National League for Democracy (NLD), entered the new Union Parliament as legislators. However, even with the election victory of Daw Suu Kyi and the NLD in the General Election of November 2015, Burma faces daunting challenges: it is still one of the poorest countries in Southeast, fissured by longstanding ethnic conflicts that have made a nationwide peace agreement elusive and its people’s security and the environment are threatened by foreign economic exploitation. Religious discord is also widely evident, as Buddhist militants instigate violence against the country’s religious minorities, especially Muslims. Today Burma’s prospects are the most hopeful they have been for over half a century, as the country takes steps along the road to a more open society and economy. This edition of the Historical Dictionary of Burma (Myanmar) encompasses not only current developments, but also Burma’s over 1,500 years-old recorded history and the most important features of its cultures, ethnicity, religions, society and economy. This is done through achronology, an introduction, and an extensive bibliography. The dictionary section has over 700 cross-referenced entries on important personalities, politics, economy, foreign relations, religion, and culture.
A collection of thirty chronologies for all the countries of Asia that describe the country's history and culture.
Buddhism as a model of religious life and spiritual path has been widely practiced across the world. It began around 2,610 years ago in India when Siddhartha Gautama discovered how to bring happiness into the world. Edwin Arnold has fittingly called Gautama Buddha the "Light of Asia" Wisdom of the world. Buddhism is relevant to the present world because of the environment crisis we are facing at present and we are heading towards mass extinction of species. We live in an age of conflict and war, of hatred and violence all over the world. This book besides being a visual delight for any reader, will be useful to people from all walks of life whether they are Academicians, Philatelists, Researchers on Buddhism or Non-violence and World Peace
This revised edition of the book, first published in 1971, comprises an expanded introduction, that reviews recent research in this area, and a new imprint of the original text which has been edited afresh to slightly abbreviate some parts. The theme of this work may be summed up as the economic aspects of the theory and practice of the colonial state. The focus is upon the ideas and interests and contestations which went into the making of the policies of the Raj in the formative period following 1857, the years which saw the appointment of the first finance minister of India (then called the Finance Member), the introduction of the budget system and other innovations like the paper currency and income tax.