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This book is an attempt at a reconstruction of the YOgacara subjective idealism and an exhaustive criticism of it by different schools of Indian realism. The exposition of the doctrine is based on the works of Santaraksita and Kamalasila and the critics of Vijnanavada. Generally the exposition and criticism of the doctrine by every eminent thinker have been given separately. Most of the critics give a fair and impartial account of Vijnanavada and contribute to the clarification of the idealist position. The author has dealt with the controversy between subjective idealism and realism in Indian thought and tried to give a fairly full account of the arguments by which Indian realists seek to establish the reality of the external world. Incidentally the Yogacara subjective idealism has been compared with the idealism of Berkeley and the sensationalism of Hume and the resemblances and differences between them have been briefly noted. A striking feature of the book is that the parallel arguments of many contemporary realists have been quoted simply to indicate that the philosophical genius of a particular type is apt to move in the same groove, irrespective of the soil it thrives in.
First published in 1938, Indian Realism is a reconstruction of the Yogacara Vijnanavada (Subjective Idealism) and an exhaustive criticism of it by the different schools of Indian realism. The exposition of the doctrine is based on the works of Santaraksita and Kamalasila and the critics of Vijnanavada. Generally each thinker's exposition and criticism have been given separately. Profound thinkers like Kumarila, Jayanta Bhatta, Vacaspatimisra, Sridhara and Sankara have been included. There is a criticism of Vedanta by the Buddhist realists and the different schools of the Vedanta. Incidentally, the Yogacara subjectivism has been compared with the idealism of Berkeley and the sensationism of Hume. Parallel arguments of many contemporary realists, too, have been quoted to show that philosophical genius of a particular type is apt to move in the same groove, irrespective of its location. This book will be of interest to students of philosophy, religion and South Asian studies.
Early twentieth-century Indian novels often depict the harsh material conditions of life under British colonial rule. Even so, these 'realist' novels are profoundly imaginative. In this study, Ulka Anjaria challenges the distinction between early twentieth-century social realism and modern-day magical realism, arguing that realism in the colony functioned as a mode of experimentation and aesthetic innovation – not merely as mimesis of the 'real world'. By examining novels from the 1930s across several Indian languages, Anjaria reveals how Indian authors used realist techniques to imagine alternate worlds, to invent new subjectivities and relationships with the Indian nation and to question some of the most entrenched values of modernity. Addressing issues of colonialism, Indian nationalism, the rise of Gandhi, religion and politics, and the role of literature in society, Anjaria's careful analysis will complement graduate study and research in English literature, South Asian studies and postcolonial studies.
Extract from review: '...Mukherjee's book is valuable as an original, insightful commentary upon the Indian regional novel. Further, it suggests a methodology for examining the means by which other derivative literatures within the colonized world reconciled the demands of western realism with the representation of indigenous realities.' Modern Fiction Studies
Our knowledge of the most ancient times in India rests mainly on tradition. The Puranas, the Mahabharata, and in a minor degree of Ramayana profess to give accounts from tradition about the earliest occurrences. The Rgveda contains historical allusions, of which some record contemporary persons and events, but more refer to bygone times and persons and are obviously based on tradition. Almost all the information, therefore, comes from tradition. The results obtained from an examination of Puranic and epic tradition as well as of the Rgveda and Vedic literature are set forth in the present book, which happens to be a pioneering work in the area by an important orientalist of the nineteenth century.
In managing national security, how Realist is India in terms of cultivating and using power and especially military power? A conventional view of India is that it has been uncomfortable with realism or ‘power politics’ as a guide to policy. This volume shows that it has been more realist than is generally recognized and that it has increasingly become comfortable with power in the service of its interests. The essays in this volume Examine the different aspects and types of realism in India’s national security policy Include a range of perspectives from academics as well as former military officers and diplomats Focus on India’s military and foreign policy in dealing with China, Pakistan, the United States, Southeast Asia, and West Asia. This key volume will be indispensable to scholars and researchers of politics and international relations, defence and strategic studies, and South Asian studies and to government officials, journalists, and general readers interested in the external dimensions of India’s national security.
This study argues that realism in twentieth-century Indian literature functioned as a mode of experimentation and aesthetic innovation - not merely as mimesis of the "real world." Addressing issues of colonialism, Indian nationalism, the rise of Gandhi, religion and politics, and the role of literature in society, Anjaria's analysis will complement graduate study and research in English literature, South Asian studies, and postcolonial studies.
Based on original translations of passages from the works of three major thinkers of the classical Indian school of Advaita (Sankara, Vacaspati and Sri Harsa), but addressing issues found in Descartes, Berkeley, Hume, Kant, Wittgenstein and contemporary analytic philosophers, this book argues for a philosophical position it calls 'non-realism'. This is the view that an independent, external world must be assumed if the features of cognition are to be explained, but that it cannot be proved that there is such a world, independently of an appeal to cognition itself. This position is constructed against idealist denials of externality, realist arguments for an independent world and the sceptical denial of the coherence of cognition.
The problem of radical doubt has threatened the commitment to ultimate truth in many cultures and periods. In Reality, Religion, and Passion, Jessica Frazier compares two thinkers who sought to restore philosophy's passion for truth in cultures threatened by the dispassion of radical doubt. In these complementary but divergent philosophies from Europe and India, each grounded in a transcendental metaphysics that sees consciousness as the basis of reality, two different ethics of vitality and passion take shape. Frazier shows how Heidegger's heir, Hans-Georg Gadamer, uses metaphysical insights borrowed from Plato, Aristotle, Hegel, and Heidegger as the ground for an ethics of 'play' which casts a uniquely positive light on the finitude and flux of the postmodern world-view. Complementing this continental European position, the work of Rupa Gosvami, a poet-theologian of early modern India develops a similar analysis of phenomenal reality into a philosophy not of play, but of passion. From Gadamer's philosophers and poets, to Gosvami's amorous goddess Radha, both visions see salvation in a renewed passion for truth. This journey toward a viable philosophy of life touches on a range of debates in Western philosophy and Indian religion, including the nature of philosophical and religious truths, the perceived goals of philosophy, the history of emotion in reason and religion, and the development of phenomenological accounts of subjectivity. It establishes a model for comparative philosophical methodology, and aims to contribute to a multicultural history of religious and philosophical reasoning. Above all, this book addresses Badiou's challenge to rediscover 'the passion of the real' and Heidegger's injunction to all thinkers to 'seek the word that is able to call one to faith.'
While globalization is often credited with the eradication of 'traditional' constraints tied to gender and caste, in reality the opening up of the Indian economy in the 1990s has led to a decline in freedom for many female, Dalit, and lower class Indians. This book explores the contraction of what it means to be free in post-liberalization India, examining how global capitalism has exacerbated existing inequalities based on traditional femininities and masculinities, while also creating new hierarchies. Freedom Inc. argues that post-1990s literature and culture frequently represents and reinforces the equation of free-market capitalism with individual freedom within the new 'idea of India.' However, many texts often also challenge this logic by pointing to more expansive horizons of autonomy for the gendered self. Through readings of texts as diverse as Dalit women's life-writing, pop fiction, realist novels, self-help, regional film, and Netflix TV shows, Mangharam investigates how notions like 'free trade,' 'entrepreneurship,' and 'self-help' are experienced, embodied, and challenged by disadvantaged peoples, and by women differently than men. In the process, Freedom Inc. explores how different literary forms illuminate alternative and buried pathways to fuller freedoms.