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Endeavouring To Accomplish An Intract-Able Tight Rope Walking, Indian English Literature Seeks To Incorporate Indian Themes And Experience In A Blend Of Indian And Western Aesthetics. What The Diverse Dimensions Of The Indian Experience And The Evolving Literary Form Are And Whether The Former Reconciles With The Latter Or Not Is Sought To Be Examined In The Present Volume Of This Anthology. A Strikingly Fresh Perspective On The Hitherto Unexplored Areas Of Old Works. A Bold And Incisive Critique Of New Works.
The search for self in the fiction of Arun Joshi involves a movement from the narrowest meaning of 'self' to its deepest and sublime formation or at least a struggle towards a higher mode of being. Joshi's concern with the "shining secrets" of life in the "mysterious underworld" of one's unconscious, invites various modern and post-modern definitions of self.
This research work spins around the issue of cultural allotropy, which we all have experienced at different levels; however, a conscious realization regarding it might be missing to some extent. Centuries of political intervention and subjugation by foreign countries results in the presence of a mixed culture and this side-by-side flourishing of two cultures seems now an accepted fact, a part of mans consciousness. But the presence of two contradictory sets of valuesone not fully accepted and the other not totally rejectedgives rise to a difficult situation in the face of the conflicting claims of the two. This gives rise to a mixing of cultures, a blend which in other words may be called cultural allotropythat is, existence of the culture of a particular region in two or more forms, having different and mixed properties at the emotional or intellectual level at a given point of time. Going beyond the political subjugation in the era of globalization, it has now become a matter of economic and cultural subjugation. Undoubtedly, our cultural allotropy is a byproduct of modern economic compulsions also. Through different Indian English novelists, I have tried to intrigue the issues via different portrayals and characters and finally posed a question, What is it to be an Indian?
This book aims at analysing the fiction produced by the expatriate Parsee writers of the Indian subcontinent: Bapsi Sidhwa, Rohinton Mistry and Boman Desai. These Parsee writers of the South Asian origin have emigrated to Canada and USA in the latter part of the twentieth century. Their works offer several possibilities seen from the multicultural point of view. The fiction of these Parsee diasporic writers examines the problem of migration, relocation and changing identities from a vantage point of distance gained by an insider’s view of their community and an outsider’s view from the host country. Dislocations, even when voluntary, always have a traumatic side to it due to the process of acculturation, assimilation into or differences with the host country and the issue of rights and privileges in the new location. For the diasporic communities of different backgrounds, their memory, history and cultural beliefs are the important factors that determine their identities. These Parsee novels demonstrate how individual and group/collective identities of the Parsees get constructed and reconstructed/redefined against the changing multinational contexts.
Contributed artices; covers the period 20th century.
Tracks the establishment of a national literature in English for independent India over the course of the twentieth century

F-O

Library of Congress. Office for Subject Cataloging Policy

Published: 1990

Total Pages: 1636


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