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More than 125 vivid color photos display groups of Indian-made wrought silver, turquoise, shell, and coral jewelry brought together from the American Southwest. The authors explore the diversity of this handcrafted jewelry from historic collections as well as those available today on reservations. Includes products of Navajo, Zuni, Hopi, and Rio Grande Pueblo artisans.
A dazzling exploration of both traditional and contemporary jewelry. Spectacular photographs of the beautiful jewelry and sensitive portraits of the artists combine with an insightful, informative text to capture the spirit of this work and of the cultures from which it springs. Includes a collector's guide and a directory of sources. 210 illustrations, 155 in full color.
Contemporary Southwestern Jewelry reveals the captivating history of the art of American Indian jewelry making, uncovering the ancient techniques, tools, and materials that have made contemporary southwestern jewelry what it is today. Revolutionists such as Hopi artist Charles Loloma, Navajo silversmith Kenneth Begay, Mexican/Mission jeweler Preston Monongye, and other jewelers began using varied materials and techniques traditionally unknown to the southwest. Pardue has researched the history and contemporary forms of metalworking, gems, stone patterning, and more, plus has dedicated a portion of the book to emerging artists whose work is capturing attention today. As you explore Contemporary Southwestern Jewelry's stunning photography, let the art speak to you of how it came to be and what it represents, echoing a similar message still told by traditional Native American jewelry
This beautiful book examines the first century of Navajo and Pueblo metal jewelry-making in the American Southwest. Beginning in the late 1860s, the region's native peoples learned metalworking and united it with a traditon of beads and ornaments made from turquoise and other natural materials. The cross-cultural appeal of this jewelry continued into the mid-1900s, and by the 1950s and 1960s masters created a legacy of fine art jewelry that is prized today.
« Totems to Turquoise: Native North American Jewelry Arts of the Northwest and Southwest celebrates the timeless beauty and power of the jewelry of the American Southwest and Northwest Coast, two regions with distinguished traditions of visual creation whose contemporary artists continue to work in the best of those traditions while expanding upon them to make jewelry an art form expressive of individual vision and creativity." "Lavishly illustrated, both with historical photographs and a wealth of new photography commissioned for this publication, Totems to Turquoise: Native North American Jewelry Arts of the Northwest and Southwest will be an important resource for students, scholars, designers, and indeed for anyone who loves beautiful and well-made objects. 185 illustrations, including 150 plates in full color. »--Résumé de l'éditeur.
The fascinating evolution of jewelry designs by Indian artists of the American Southwest is documented in this exciting book. The concise yet highly informative text accompanies color photos of this jewelry. Silver, shell, turquoise, gold, diamonds, and other exotic materials are shown beautifully used in belts, buckles, bracelets, necklaces, men's jewelry, earrings, and pins.
Native American jewellery of the Southwestern United States in its classic union of white metal and blue turquoise is an iconic form and the focus of this strikingly illustrated new publication. Internationally recognized and locally significant, Native American jewellery has a compelling history whi ch represents the persistence of tradition while encapsulating the vitality of Native American communities and the continuously transforming nature of their contemporary artistic practice. As a traditional item of adornment it can be understood through the complex histories of making and the development of locally important styles and materials. Situating jewellery in the cultural economy of the American Southwest , this publication explores Southwestern jewellery as a decorative form in constant transitio n. It describes this rich tradition as subject to a number of desires, fostered and regulated, at different times, by government agencies, individual entrepreneurs, traders, curators and Native American communities. It presents a series of perspectives on Southwest Native American jewellery and explores questions relating to Native American jewellerys identity as craft, material culture, commodity and adornment. Considering the impact of tourism, it discusses the phenomenon of fakes and the related desire to codify tradition and traditional styles, and how these affect stylistic development and value. In describing the markets, the markers and the work, the book suggests the complexity and reinvention that is innate to Native jewellery as a commercial craf t. The book also examines British activities as regards to collecting, bringing to prominence fieldwork and exchanges between Br itish and American institutions. It traces the networks of individuals, makers and institutions that facilitated the emergence of UK collections from the 1890s to the 1990s, including an account of the activities that led to the development of the British Museums contemporary collection. The book draws heavily on the authors archival and fieldwork research (undertaken since 1997) which includes interviews with Native American jewellers, as well as traders, dealers and curators within the field. Illustrated with items from the British Museums col lection and drawing from a wide range of historical and contemporary sources, this book explores the symbolic, economic and communal value of Southwestern jewellery today
An invaluable step-by-step guide to traditional Native American jewelry. From exquisite squash blossom necklaces, buttons and bola ties to hair ornaments, pistol grips and silver goblets, traditional Indian silversmithing is one of the foremost crafts in America. In this Southwestern classic, Oscar T. Branson provides a wealth of knowledge on the tools, techniques, history, and styles of Indian jewelry--timeless art from yesterday that still influences today's metal craftwork. Wire-O binding. 120 color photos.
The author has matched maker's marks used on jewelry, pots, fetish carvings, rugs, and baskets with their names, tribes, relatives, and style notes.